The biggest challenge of being an actor\director\ screenplayer is…
I think the biggest challenge is staying truly focused on listening—listening to the story, the characters, and my own voice. During my work on Kill Me Please, I was fortunate to receive a lot of support. Everyone shared their insights, hoping to contribute to the project. But at a certain point, I started feeling as if the story no longer belonged to me—it had absorbed so many different perspectives that my own vision became blurred. That was when I realized the importance of staying firm and sincere in my listening, of choosing my own voice. Because ultimately, no one understands this story better than I do, and no one else can see the exact images that exist in my mind.
Choose an Actor, Choose an Actress...and now choose a story you would like to direct or play with both of them:
I’ve always had this image in my mind—something that’s not quite a story, or maybe just the beginning of one. In a clearing deep within a tropical rainforest, towering plants in vivid colors surround the space. Some of them resemble massive Rafflesia, larger than a person. In the center of each bloom, a naked figure stands still, as if they are part of the flora itself. A naked girl walks through the scene, under the gaze of these silent figures, until she arrives at an unexpectedly placed ticket booth.
I feel that Léa Seydoux would be a perfect fit for this vision.
Who’s the first Aritst that let you understand you wanted to be an Actor\ director\screenplayer?
Perhaps this person—the director—hasn’t appeared yet, because I don’t necessarily see myself as one. I simply have stories and emotions I want to express, and at this stage, film happens to be the medium I’ve chosen.
What really excites you artistically or emotionally?
What excites me most, both artistically and emotionally, is the tension between the surreal and the familiar. I’m drawn to moments where reality seems to slip into something dreamlike—where the ordinary becomes unsettling, or where the strange feels unexpectedly intimate.
I love exploring visual compositions that feel instinctive yet ambiguous, as if they are fragments of a memory or a dream just beyond reach. Emotionally, I’m fascinated by contradictions—beauty in decay, tenderness in violence, or humor in tragedy. These contrasts create a space where emotions are neither simple nor predictable, and that’s where I find the most inspiration.
Marlon Brando said “Never confuse the size of your Paycheck with the size of your talent”. Do you agree?
I’d say I don’t fully agree. People often say that factors like networking, timing, and luck play a big role in how much you earn. But in a way, aren’t those also forms of talent? Haha, that’s what I keep telling myself—there’s always more to learn and improve on.
Have you ever been discouraged by someone about your life\career choices?
I’ve definitely been questioned by my family before. When you’re exploring different art forms, people often see it as aimless or unproductive. The same happened when I chose to study various mediums—what my family saw was instability and uncertainty. For a long time, they couldn’t quite understand what I was doing. But I get it—honestly, sometimes I don’t even know what I’m doing myself.
That being said, overall, they have always been very supportive. They just needed some time to understand and make sense of it all.
Do you think is harder for a woman being a Filmmaker?
Yes, absolutely. As someone who also works as an Art Director, I can say that women in this field inevitably face more challenges. For example, factors like menstruation and physical strength create undeniable biological differences compared to men.
Structurally, the film industry has long been male-dominated. While things are improving, biases still persist—whether it’s in leadership, creative authority, or simply being taken seriously. Women in film often have to spend more time proving themselves, especially in technical or leadership roles.
Do you think that Fame and money could easily change your own Vision as a Filmmaker\actor\screenplaye?
Fame and money will definitely change things. With more resources, I can create bigger films and work with amazing talent. But they also bring expectations and pressure. I don’t know if I’d still have the same courage to tell my stories freely. To me, more success also means more battles.
Who’s the Movie star that made you dream for the first time?
To be honest, my earliest fascination with this industry came mostly from animated films. Directors like Hayao Miyazaki and
René Laloux deeply inspired me—the fantastical worlds they created completely captivated me and made me dream of crafting my own.
Make a wish about your career…
I wish that my career never makes me lose my passion for art.
Talking about cinema\Showbusiness, how hard is to remain completly honest to yourself as an artist?
Staying completely honest as an artist in this industry is a constant battle. There’s always pressure to compromise—whether for commercial success, trends, or external approval. But at the end of the day, I’d rather take risks and create something meaningful than play it safe and lose my voice.
The Film you have loved the most?
My all-time favorite film has to be Fantastic Planet by René Laloux. I love how it blends a sci-fi theme with a fairytale-like innocence and whimsical imagination. The avant-garde soundtrack, which has greatly influenced my own approach to sound design, and the vibrant, surreal flora and fauna make it an unforgettable experience for me.
And now, don’t be shy….the one that annoyed you the most?
It has to be 2001: A Space Odyssey. I know it’s a one-of-a-kind masterpiece, and its still frames are visually stunning—especially the iconic ring-like production design. But honestly, I just can’t stay awake through it. I’ve tried… at home, in the theater… every time, I fall asleep. I’m sorry!
Your biggest artistic goal is…
My biggest goal isn’t anything grand—it’s simply to keep creating and never stop.
What profession other than your own would you like to attempt?
Aside from being a Director and Art Director, I’ve recently started exploring VFX. It allows me to extend my creative vision into the post-production process, which is really exciting. I’ve just started working as a VFX Coordinator at a company, so it’s a new journey for me.
How important is to be rewarded as an Artist?
I believe that awards and recognition are essential. For me, they mean visibility—an opportunity for more people to see my work, resonate with it, and exchange ideas. This kind of connection with others enriches my emotions, and in turn, makes my work more layered and meaningful.
Do you have regrets?
I don’t have regrets, but I do have many imperfect moments and works. However, isn’t that imperfection just a reflection of who I was at that stage? As long as I know I gave my all, that’s enough for me.
What’s the message you wanna express through your art?
The message I want to express through my art often changes. At least in my latest work, Kill Me Please, I left a final message: “Life is a funny joke, please enjoy it.” That pretty much sums up my perspective for this piece—finding humor, irony, and meaning even in the darkest moments.
The biggest challenge of being an actor, director, or screenwriter is…
Honestly, the biggest challenge is persistence. Breaking in is hard—there are thousands of scripts out there, and getting yours noticed feels like shouting into a storm. Rejection is constant. Even if you do get a script picked up, it’s rarely the version you originally wrote. Studio notes, market trends, and production constraints mean endless rewrites, sometimes to the point where you barely recognize your own story. Then there’s the financial uncertainty. Most screenwriters don’t sell a script overnight, and even when they do, it’s no guarantee it’ll get made. You have to be okay with pouring months or years into a project that might never see the light of day. But despite all that, you keep going. Because at the end of the day, you write for the love of storytelling. You write because those characters and scenes won’t let you rest until they’re on the page. And if you can push through the doubt, the waiting, and the rewrites, eventually, you’ll see your words come to life on screen. And that makes it all worth it.
Choose an actor, choose an actress… and now choose a story you would like to direct or play with both of them:
I would choose Anya Taylor-Joy and Aidan Turner, and I would love to direct them in my own film version of my screenplay, Child of Dawn.
Who was the first artist that made you realize you wanted to be an actor, director, or screenwriter?
My good friend and fellow creative—filmmaker Phillip Bergman.
What really excites you artistically or emotionally?
Artistically: Dark fantasy & gothic aesthetics – Worlds filled with haunting beauty, lost souls, and tragic heroes.
Strong visual storytelling – Cinematic moments where a single frame tells an entire story. Morally complex characters – Those who walk the line between light and darkness, struggling with fate and choice.
Poetic, immersive writing – Language that feels like a spell, wrapping around the reader/viewer like a dream.
Emotionally: the tension between love and destruction – Doomed romances, eternal longing, and passion that burns like a curse.
The struggle for identity – Characters searching for meaning in a world that doesn’t understand them. Redemption arcs & tragic heroes – Someone who has done terrible things but is desperately trying to be better.
The beauty of the melancholic – Finding meaning in sorrow, and strength in vulnerability.
Marlon Brando once said, “Never confuse the size of your paycheck with the size of your talent.” Do you agree?
Yes, absolutely.
Have you ever been discouraged by someone about your life or career choices?
Yes. All the time.
Do you think it’s harder for a woman to be a filmmaker?
Yes, it is still harder for women to be filmmakers due to persistent industry biases, limited funding opportunities, and underrepresentation in leadership roles. While progress has been made with more female directors gaining recognition, the film industry remains male-dominated, particularly in high-budget genres like action and sci-fi. Women often have to work twice as hard to prove their capabilities and secure the same opportunities as their male counterparts.
However, the rise of streaming platforms, indie films, and industry-wide conversations about diversity and inclusion are helping to break barriers. Directors like Chloé Zhao, Greta Gerwig, and Patty Jenkins have demonstrated that female filmmakers can achieve both critical and commercial success, paving the way for future generations. Despite the challenges, change is happening, and the voices of women in film are becoming more powerful and influential.
Do you think that fame and money could easily change your vision as a filmmaker, actor, or screenwriter?
No. I know what goals I have and have no desire to supersede them.
Who is the movie star that made you dream for the first time?
Eddie Redmayne.
Talking about cinema and show business, how hard is it to remain completely honest with yourself as an artist?
Remaining completely honest with yourself as an artist in cinema and show business is incredibly challenging because the industry constantly demands compromise between artistic vision and commercial viability. Filmmakers and creators often face pressure from studios, producers, and audiences to shape their work according to trends, market demands, or financial considerations rather than personal expression.
There’s also the struggle of balancing authenticity with career opportunities—sticking to one’s artistic integrity might mean turning down lucrative projects or facing rejection. However, the most impactful filmmakers are those who find a way to navigate these pressures while staying true to their unique voice. It requires resilience, a clear sense of purpose, and sometimes, the courage to take risks, even when the industry pushes for something more mainstream or safe.
The film you have loved the most?
Braveheart and The Return of the King.
And now, don’t be shy… the one that annoyed you the most?
Legally Blonde.
Your biggest artistic goal is…
To make my screenplay, Child of Dawn, into a successful film that employs local and struggling artists and puts them on the map.
What profession, other than your own, would you like to attempt?
Nothing. I am exactly where I want to be.
How important is it to be rewarded as an artist?
Entertaining is all the reward I need. Though being able to pay the bills is also nice.
Do you have regrets?
That I wasn’t brave enough to start this journey sooner.
What’s the message you want to express through your art?
The message I want to express through my art is the beauty of the human struggle—our desires, fears, and the eternal conflict between light and darkness within us. I aim to tell stories that resonate on a deeply emotional level, exploring themes of identity, redemption, love, and fate.
Whether through fantasy, gothic aesthetics, or deeply personal narratives, my goal is to create art that makes people feel deeply, think differently, and see the world in a new way. I want my work to remind people that even in the darkest moments, there is beauty, and even in the light, there is complexity.
The biggest challenge of being an actor\director\ screenplayer is...
Making sure the story line and idea is solid, You need a beginning, middle and end of the story and I want to make almost every line funny.…
Choose an Actor, Choose an Actress...and now choose a story you would like to direct or play with both of them:
Brandon Frasier and Sarah Silverman would be funny and great to work with, We can do a Sheldon bit with them and not stop laughing.
Who’s the first Aritst that let you understand you wanted to be an Actor\ director\screenplayer?
Mel Brooks with all the yiddish humor
What really excites you artistically or emotionally?
I love all stuff, Jerry Lewis, Stooges, Marx brothers, and Gene Wilder all inspired my work.
Marlon Brando said “Never confuse the size of your Paycheck with the size of your talent”. Do you agree?
Yes, I never went into the business expecting to make it, or even get paid.
Have you ever been discouraged by someone about your life\career choices?
No, I'm always around people I take care of and they always let me have fun no matter what I do.
Do you think is harder for a woman being a Filmmaker?
Its getting a little easier for women these days, I still think its a mans game because of the politics.
Do you think that Fame and money could easily change your own Vision as a Filmmaker\actor\screenplaye?
No, not really. Some of these A-listers have a lot of money, but they also have a lot of things, Homes, cars ect. doesn't mean anything if your alone.or you don't have time to enjoy them all.
Who’s the Movie star that made you dream for the first time?
William Shatner
Make a wish about your career...
I recently won 3 Indie Oscar,s for 2 of my films. I have 3 movies to do, but need funds to do it. So I'm looking for investors to help me. I would like to meet Mel Brooks.
Talking about cinema\Showbusiness, how hard is to remain completely honest to yourself as an artist?
If you have a great cast that you have been with for awhile its really easy. Starting over is the hard part. I spoke with Steven Spielberg on Facebook and he said that he likes his click of people and he's not letting anyone else in. Which is sad, but hes got the money and doesn't care.
The Film you have loved the most?
Back to the Future , first movie and Independence day the first one are both my all time favorites.
And now, don’t be shy….The one that annoyed you the most?
Attack of the tomato people
Your biggest artistic goal is…
Make my next movie based on back to the future and based on the whoopee cushion called Sheldon Mashugana returns to the future. I work with Art-Sans in France they are helping me fund this picture with a European Grant program.
What profession other than your own would you like to attempt?
I'm working on my Healthcare company called Healthcaresmc.com or Standard Medical Co-Op, This is a global program that will save lives.
How important is to be rewarded as an Artist?
I was in Hollywood last week during the Oscars and even walked into the Dolby Theater area to see how it feels. It was great, Getting to go to the Oscars is another hurdle, it's so hard to find someone to get you an invite, I was very disappointed. I actually won 3 Indie Oscars that were said out loud during the actual Oscars and I could not even get one person to help me get in. Imagine you get the ultimate prize and can't get in to the place to receive it because nobody cared. This is whats disappointing with this business.
Do you have regrets?
No, but finding that one person who can help you with getting your information out is key to this business. I have won now over 500 film awards from different venues and I hold the most awards in the world, I was just placed in the Indie Hall of Fame. I'll be going to Cannes France this May where I have won 5 awards.
What’s the messagge you wanna express through your art?
Never do it for the money, keep practicing on tiktok or youtube and have fun with it. Never look for the bad, only the good. Always go out there and meet new people on set or in clubs. The more you expose yourself the better. Treat an audition as your marketing of yourself, not if you do or don't get the part, I once auditioned for one part and the production called me back to do another.
What prompted you to make this film?
In 2017, a referendum on independence was held in Catalonia. This referendum caused a conflict between the local government in Barcelona and the central government in Madrid. The conflict was covered in the world press calmly, without hysteria. The positions of the Catalans became clear, and the positions of the authorities in Madrid also became clear. In short, the desire for Catalonia to secede had purely economic motives. The region provides a large part of Spain's national income and pays high taxes. Secession from Spain would provide a higher standard of living for the Catalans. The authorities in Madrid sent police units, who used force against some of those wishing to participate in the referendum. Some polling stations were closed, and ballot papers were confiscated. About 340 people suffered from clashes with the police, but there were no deaths or serious injuries.
At that time, a war had been going on in Donbass for more than three years. The conflict there started because of the desire of certain forces for the country to take the path of joining the European Union and the reluctance in the eastern part of the country for this to happen. Here, the conflict was much deeper, because the eastern industrial part of the country, upon joining the EU, would lose its economic ties with its main partner at that time – Russia, which would lead to an economic collapse with serious consequences. Apart from that, with the signing of the association agreement with the EU, goods from the EU would enter the country duty-free, with which local goods would not be competitive, and this would start economic turmoil. And of course, the majority of people in the eastern part simply would not want their country to be in a bloc that has declared Russia an enemy.
After the Yanukovych government postponed the Association Agreement with the EU, protests began in Kiev at the end of 2013 according to a well-known pattern - with external funding and influence and with the usual slogans of fighting corruption, freedom, democracy, etc., which usually attract people. The protest quickly crossed the boundaries of legality, clashes began between some of the protesters and law enforcement agencies with victims on both sides. In early 2014, the government agreed to early elections, an agreement was signed with the opposition. However, supporters of European integration clearly did not want to risk elections and on the very day after the agreement was signed, after the withdrawal of security forces from the city center, armed "protesters" seized the government district, after which the replacement of the government began - that is, a classic armed coup.
At that time, the Ukrainian media, directed by external forces and local oligarchs, were inciting wild hatred towards the opponent. The coup authorities began banning the Russian language in the country. Protests and counter-protests began throughout Ukraine, with the new authorities not only withdrawing from taking adequate measures to prevent clashes, but even encouraging them with inaction. The culmination of these clashes was the burning of dozens of people in Odessa with ‘Molotov cocktails’.
Under the threat that the new government would provide the US naval base in Crimea and a new “Caribbean crisis”, Russia helped hold a referendum on the peninsula, recognized its results and got back Crimea to its composition. In two of the regions – Donetsk and Lugansk – reciprocal actions were taken to the coup in Kiev, referendums on independence were held and two republics were declared – Donetsk and Lugansk People’s Republics.
Kiev's reaction was to send heavily armed military units to the two republics, which began indiscriminate and untargeted shelling of the settlements that remained under the control of the "separatists". I put separatists in quotes because in the described situation, it is difficult to understand who exactly is a separatist. A militia was organized in the republics and a full-fledged war began.
Then there were two peace agreements, and after the second – Minsk-2, the war entered a positional phase. Everything could have ended in 2015 if Ukraine had been left to decide its own fate. The agreement included the return of the two seceded regions to Ukraine on a federal basis. All that was needed was a change in the Constitution and the start of negotiations on the details of the agreement. However, urged by the Western allies, the authorities in Kiev used Minsk-2 to build a strong army and resolve the conflict by military means. It was clear that at the first signs of the implementation of this plan, Russia would intervene, which happened in 2022.
However, unlike the events in Catalonia, these things were not discussed in a normal way in Europe. The media of the “free world” hysterically spread lie after lie. The media and politicians created a parallel reality in which the democratic country of Ukraine was attacked by its bad neighbor Russia, the coup was presented as a democratic change of power, the militias were shelling themselves every day, and the peace agreement was not implemented by Russia, even though it was only a guarantor for the republics in it.
During my first visit to Ukraine, which was in early 2016, I saw that Ukraine, the country that is on our planet, and Ukraine that is “in the mainstream” of Europe, have absolutely nothing in common, except for the name. This was extremely shocking to me and I had a strong urge to go to the war zone and learn more about this war. I could not believe that the so-called democratic world could support a government that methodically and deliberately would kill its own citizens, driven by some goals imposed from the outside.
A line of unconditional and unprincipled support for the one side in the conflict imported from the outside was adopted. Under the cover of a lie, all peace initiatives were thwarted, and the pouring of money and weapons to continue the war "to the last Ukrainian" and with the main goal of maximum damage to Ukraine and Russia, and indirectly to Europe, was presented as aid to Ukraine.
It's shocking, but these days, when information has so many opportunities to reach people, the latter can be so easily manipulated. Initially, I decided to start an information project about what was happening in Donbas, but it was not very successful. Then I decided to try a documentary that would show the most important thing at that moment - namely terrorism and the massacre of civilians, tacitly supported by the West.
I had a somewhat naive idea that if this information reached the societies of Europe, it might help to end the war quickly. I say naive not because it wouldn't work, but because, as it turned out, the mainstream "heroically" kept people from getting this information.
The main thing I wanted to achieve with this film was for the viewer to come to the conclusion for themselves that whatever conflicts there are in a society, they should not be resolved with state terrorism.
Independent filmmaking often encourages creative risk-taking. Can you share a specific instance where you had to make a bold creative decision during the production of your film, and how it impacted the final product?
After my first visit to the war zone, I already had an idea of what I wanted my film to look like. But there was one problem - I was going to a place where no one knew me, no one was waiting for me, and no one had promised me anything. I only had an appointment with a local journalist, whom I had contacted in advance by email, to show me around the city and show me some things. I had no idea how to connect with people like the characters in my film.
At the beginning of the war in the spring of 2014, many Western journalists came to the zone, but only a small part of them did their job honestly. Most of them wrote commissioned and manipulative materials, in which, to put it mildly, they skimped on the truth. This greatly demotivated the local people and it was difficult to count on any enthusiasm on their side. One doctor simply told me – “So many journalists came here, I talked and explained so much... the result is zero. There is no point.”
Then I decided to gradually start publishing materials and look for contacts with people who would help me reach the people I needed. It was clear that I would have to go to the zone a few more times. This was the only possible solution. Without it, there simply would not have been a film. On subsequent visits I met a local politician, he introduced me to a local human rights activist... and so, on my fifth and sixth visits, I filmed the materials I wanted.
Collaboration is a fundamental aspect of filmmaking. Could you elaborate on a particularly memorable or challenging collaboration experience with a member of your cast or crew and how it influenced the project?
Three people have a special role in making this film possible. The first is Ivan Kopil, a lawyer and human rights activist from Donetsk. He had information about many families who had suffered greatly from the military actions, but he had to find out which of them would agree to be filmed. He provided the characters for the film. He also put me in touch with Tanya, the film's cameraman. Without her participation and the dynamic second plan during the filming, no film would have been made. Tanya is a local girl who had some experience with a camera. She did a great job.
And, of course, a huge role was played by Zina Nacheva, a teacher at our Film Academy. She edited the film and most of the decisions related to the selection and arrangement of the filmed footage were hers. I only gave the sequence of the interviews. The fact that the filmed materials became a finished film is her merit.
The post-production process is where a film truly takes shape. How did you
approach the editing, sound design, and music composition in your film to enhance the storytelling and emotional impact?
As I already said, the editing was done by Zina Nacheva, a lecturer at the National Academy of Theatre and Film Arts in Sofia. “The Donbass Children” is my first film, I decided that it would be inappropriate to interfere in any way with her work. We discussed some small changes only after the film was edited by her. She took the best out of the filmed materials and made a film out of them. There is no music in the film, but the sounds of crows and shooting that can be heard throughout the film are her idea, also a very good one.
Can you share a challenging moment during the production of your film and how you overcame it, ultimately making the project stronger or more meaningful?
While I was filming in Donbass, everything was going smoothly. The hard part came when I sat down at the computer and tried to edit the film. The film was shot with cheap equipment – I shot with a photo camera on a tripod, and Tanya with a video camera costing 750 euros. I only had a microphone for my camera, Tanya recorded sound with the built-in microphone. Where she was the only one filming, the sound was definitely not up to par.
I'm usually a perfectionist and any small mistake in the sound or video would drive me crazy. At one point I thought that I hadn't done anything and everything would have to be reshot. Luckily, I already knew Zina, she had given me a few lessons on working with video editing programs. I also gave her the materials, we quickly discussed the idea and she did it perfectly well. I learned a lot while working with her, but if I had tried to edit the film myself back then, it would have hardly turned out well.
Do you prefer Comedy or Drama?
I prefer drama movies over comedy because to me I love to be immersed in a story that is akin to real life and that I can relate to or feel at home with.
Life imitates Art or Art imitates Life?
Art imitates life, because as humans, we have observed and recorded everything ever since the beginning and art being one of those ways.
Which is the best Moment on set?
The best moment on set is break for food, when you can sit down, get to know each other more closely, and cherish that.
Did anyone ever tell you weren't good enough?
No, quite the opposite. So far I have received lots of reciprocation to keep on going in the film industry and to try my hardest.
How can you stay focused on your goal?
I stay focused on my goal by breaking it down into smaller and more manageable tasks in order to create order for myself and eventually reach the goal without feeling overwhelmed.
Have you ever had a breakdown because of your Job?
No, I quite enjoy my job.
Talent is a blessing or a curse?
Talent is a blessing, but I believe that what you do with it is the most important part.
What would you like to improve about yourself as an actor/director/screenplayer?
I would like to improve my exposure to different cultures and styles of filmmakers. This I believe will help me learn from others and cherish each individual skill set that the artists have.
What's the worst critic you have received?
I have not had a terrible critique but the worst thing was someone who said “How will you actually make money in film?” Doubting the possibilities.
If you weren't an actor/director/screenplayer what would you like to be?
I would be an Artist, specifically working with graphite.
If Cinema was a color what would it be?
Blue!
A day without a movie is…
A day that I take in to be creative in other ways.
If someone offered you to play/direct/write in/a movie that you despise but that for sure will make you rich and famous...would you accept the job?
I wouldn’t accept it, I would want something that makes me happy even if it was a very small job that wasn’t paid.
What's your greatest ambition?
Becoming a cinematographer and colorist.
What's your biggest fear?
Losing the people that I love.
Does music helps you to play/direct, write?
Yes, I love having on music while I write to engage myself further in the story and feel inspired.
You have the chance to make a Silent movie, what's your message to the
audience?
To live life to the fullest.
Share your speech if you should win an Oscar.....
Thank you to everyone who has believed me this whole way, and to those who dream of being here, you can make it. Keep on going! Thank you!
The biggest challenge of being an actor\director\ screenplayer is…
To convince others of your ability to lead, people may doubt your experience if you lack enough experience.
Choose an Actor, Choose an Actress...and now choose a story you would like to direct or play with both of them
I will choose to direct a detective story titled A Study in Scarlet, based on Sherlock Holmes, featuring Japanese actor Hiroshi Abe and Japanese actress Minami Hamabe.
Who’s the first Artist that let you understand you wanted to be an Actor\director\screenplayer?
Shunji Iwai, a famous Japanese director, has deeply inspired me through his films. Some of my favorites include Love Letter, April Story, Rainbow Song, The Forgotten Bride, and Last Letter. I was deeply impressed by his inspiration and directing journey after reading his interview. He emphasized the importance of a director having the ability to write scripts and tell stories. For instance, he aimed to create and develop his characters in a dramatic way that allows them to express themselves through their voices and portray their original lives. He also shared that, in this modern era, anyone can create and develop a story to share with audiences. He compared this to playing football instead of just watching it—creating films provides a deeper, more fulfilling experience. Even if you’re not a professional, participating in filmmaking can bring fresh energy to the industry. This perspective resonated with me, as I realized that, as an ordinary person, I too can create and develop my own story. For me, this means telling my story through a documentary short or giving others a voice by presenting works that reflect their experiences.
What really excites you artistically or emotionally?
I think it depends on the film I choose to watch. Emotionally, I am often excited by documentary films, as they tend to evoke strong feelings, especially when the interviewees express their emotions. For example, in a crying scene where they discuss sensitive and emotional topics, it allows the audience to process and understand their thoughts in a more impactful way.
Marlon Brando said “Never confuse the size of your Paycheck with the size of your talent”. Do you agree?
Yes, I believe that salary cannot be used to measure the quality of your talent. They are two different things and should be kept separate. Salary is a fixed amount of money, and its value depends on your job rank and experience, while talent comes from your inherent abilities. Talent improves once you discover your strengths and work towards developing them professionally. To conclude, don’t doubt your talent based on the money you earn. Instead, challenge and encourage yourself in different circumstances. Don’t let money distract you—it’s not a reflection of your true worth. What matters is your effort and determination, as they are the keys to your success.
Have you ever been discouraged by someone about your life\career choices?
Yes, of course I have. I think the important thing is to let go of the negative voices from discouraged people. Instead, focus on those who love and encourage you toward success. Try to think positively and believe in your abilities. Transform negativity into positive energy, and trust that you can achieve your goals. Let those positive thoughts guide you in your everyday life.
Do you think is harder for a woman being a Filmmaker?
I don’t think so. I believe it depends on where you become a filmmaker. In the UK, men and women are treated equally, and both can work successfully in the film industry.
Do you think that Fame and money could easily change your own Vision as
a Filmmaker\actor\screenplayer?
I don’t think so. I believe I will remain true to myself. When I face obstacles, I will always reflect on the reason why I wanted to become a filmmaker and try to remember my original intention. I think that when you gain fame and money, it becomes much easier to lose your direction and forget the original purpose that inspired you to become a filmmaker.
Who’s the Movie star that made you dream for the first time?
Takuya Kimura is the movie star who made me dream for the first time. His dedication and professionalism have truly inspired me. In an interview, he shared that he memorizes every line of the script before filming, a habit he learned from a senior actor. Tony Leung, a Hong Kong actor, advised him to enjoy the acting process on set when he felt disappointed with his performance. Takuya Kimura is also a very talented movie star with abilities in many different areas. His professionalism, integrity, and dedication to his career motivate me to strive to become a better filmmaker.
Make a wish about your career... I
I would like to find jobs that allow me to help others, learn from the experience, and connect with people through networking, hoping it will lead to future opportunities. For example, as a documentary filmmaker, I aim to give a voice to the individuals I document. I make an effort to understand and listen to their needs, providing them with the platform to share their stories and perspectives as interviewees in the documentary.
Talking about cinema\ Show business, how hard is to remain completely honest to yourself as an artist?
I believe it depends on your trust in the person. You should remain completely honest with yourself when deciding whether someone is trustworthy, like your family members or best friends. I understand that it can be difficult to be completely honest in public, especially as an artist. Sometimes, you may need to tell a harmless untruth if necessary, particularly to protect your family and friends and ensure their safety and comfort.
The Film you have loved the most?
Blade Runner.
And now, don’t be shy….the one that annoyed you the most?
There’s Something About Mary is a comedy movie that I found very annoying.
Your biggest artistic goal is… to work on different types of documentary shorts. I am thinking of documenting local communities in the UK. One idea is to create a documentary short about pole dancing, fitness, and well-being in the UK, inspired by the Netflix film Strip Down, Rise Up. Another idea is to document the deaf community in Manchester. You are considering inviting your deaf friend, Helen, to share her experiences and thoughts, telling her story as part of the documentary.
What profession other than your own would you like to attempt?
I am deeply interested in how creative art connects with well-being and mindfulness, both psychologically and artistically, to support those in need. Along with my goal of becoming a documentary filmmaker, I also hope to become an art therapy coach in the future. To begin this journey, I have started taking free introductory courses in this field as a first step and plan to progress to more advanced levels of study. My aim is to use art therapy to help individuals with mental illnesses and socially vulnerable groups. I hope to volunteer my skills to support others in need. Once I become familiar with the community and build trust, I would like to request permission to use a 4K DSLR camera to document the creative process.
How important is to be rewarded as an Artist?
I believe that being rewarded as an artist is very important. It reflects your importance, certainty, and honor within the film industry. Receiving an award feels like the result of all your hard work and dedication, as if all your efforts have finally been appreciated.
Do you have regrets?
No, I don’t have any regrets. I follow my heart and pursue my imaginative dreams, choosing to do what I truly love while trusting the signs God has shown me and his plan for my life. Moreover, I make sure not to miss any opportunities as I work towards becoming a successful person.
What’s the message you wanna express through your art?
The message I want to express through my art is that everyone has a voice and the power to express their feelings. They can take the lead in telling their own story. I hope my work helps others share their stories creatively through documentaries.
What is the necessary ingredient to being a good actor, director and screenwriter?
Imagination and passion for the story you want to tell.
First and last cinematographic crush?
My first cinematic crush? That’s hard to say. I believe anyone who dares to create becomes beautiful in the process.
How old were you when you wanted to be an actor?
I was born this way. I have no recollection of wanting to be an actor, it was something I was already doing in every part of my young life.
For you a Film is...
Film is an adventure. It’s the freedom to enter realities you may never encounter and an escape from the ordinary into the extraordinary.
What do you feel when you're acting/directing/writing?
Acting for me is a silent conversation with God and my inner self - which might be the same.
You can go to the Movies with an actor/director/screenplayer that you love. What kind of movie do you choose and with who you're gonna whatch it?
My dream would be to make a movie with Sophia Coppola. I’m intrigued and exhilarated by the way she uses music, color, and femininity in her film-making process. At the same time, her themes explore the darkest parts of humanity and our connections with both the positive and negative aspects of ourselves. We are all duality.
Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?
I found a yellow sticky note atop a pile of loose papers that was to me. It said. “Beauty is overcoming an obstacle and making it a “Yes.” I think John Strasberg said that. But he also said this…The creative process, like anything in life has poetry to it.
Can you live with just passion?
Why else would you get out of bed? I believe we all have levels of passion, we just often don’t realize it. There’s art in anything you love and want to do well.
What’s more important talent or luck?
You’re lucky if you have talent. But I can say you need a bit of both.
You must go to a desert island, what movie are you taking?
Pirates of The Caribbean for fun. Pappion because it’s a classic 70’s movie with great acting from an iconic era, and The Ten Commandments for its spectacle.
Have you ever accepted a part you didn’t like?
I love every part I’ve played and am always grateful for work in my craft.
What’s the best compliment you’ve received?
That I was born to do this.
Are you satisfied with your career?
Yes, and no. I don’t think many artists are ever satisfied.
Do you have a good luck charm?
Yes, my rosary.
What is your worst moment on set?
When they say, “Cut.” I like to keep working.
Should you win an Oscar your first thought would be to…
I would be overwhelmed by the joy of the moment and the recognition.
But awards are fleeting. The reward is in the joy of the work which I hope will continue.
When did you realised you wanted to be a Filmmaker\Actor\Writer?
I fell in love with the movies as a child, so very early on. I've always been obsessed with having a job that magically creates an experience for an audience.
Do you remember your first time at the Movies?
Other than snippets of Herbie The Love Bug at the drive-in when I was five or Bedknobs and Broomsticks while drinking orange soda, my first real memory was when my father allowed me to go with the adults on New Year's Eve 1972 to see The Poseidon Adventure when I was nine. I was traumatized and exhilarated at the same time--and changed, which I felt the movies could do to people back then. The same happened when I saw Jaws three years later when I was twelve. You left a theater seeing the world as a different place in the 1970's.
If you should change country where would you like to work?
Probably England. So much has been filmed there, and I love the country. And I hear they have great tax incentives for film.
Two films that have marked your life for better or for worse…
The Godfather, because it may be cinematic perfection, and National Lampoon's Animal House, because it may be comedy perfection.
What do you think about Acting/ filmmaking schools?
I went to Film School at Wright State in Dayton, Ohio, and studied literature and film at Ohio University, but the drive and the passion for film was as powerful before and after school, so it depends more on the individual. You Have you ever hated your ambition?
No. I've hated how I've screwed up trying to achieve my ambition, but the ambition hasn't let me down. I still find joy in seeing films and making the short films I've made so far has been the joy of my life so far.
Francois Truffaut used to think that "Film Lovers are sick people”… was
he right?
Only people who aren't film lovers can think film lovers are sick people. I can see where normies or civilians would think that film lovers are sick because they are more alive with movies than they are in real life, as if we're detached from reality and disconnected from others, but film has always helped me see and engage in reality with a better understanding and has helped me relate and identify with everyone else. I'm sure people who've known me thought I had an unhealthy obsession with film, but I can't imagine how remote and unhappy I would've been without the movies!
Close your eyes…if I say “Cinema” what do you see?
I see myself as a kid or a teenager standing outside of theaters like the Cinema East on Broad Street in Columbus, Ohio, the Smoot Theater in Parkersburg, West Virginia, or driving a car into the Skyview Drive-In in Lancaster, Ohio (which is still in operation to this day!). Heading in to share an experience with a crowd.
Who’s the Director\Actor\Writer that taught you the most?
Stanley Kubrick, Sidney Lumet, and Billy Wilder as directors. Jack Nicholson and Michael Caine as actors. Paddy Chayefsky and William Goldman as screenwriters.
About your job, tell us your biggest dream and your worst nightmare…
My biggest dream would be making a feature film and my worst nightmare would be making a feature film that turned into my worst nightmare!
How important is to have a good Cinematographic Culture?
I would love to get back to the time where a movie came out and everyone talked about it. Jaws, Star Wars, Blazing Saddles, Alien, Rocky. You could strike up a conversation with just about anyone back then and share your feelings about the movies. I haven't seen that in years.
What would you like to improve as a Filmmaker\Actor\Writer?
Everything! Each script, every scene, every film is a chance to do it better.
A big producer give you the chance to direct\to play (in) the remake of
one of your favorite black and white Movie (if you have one)… what film
do you choose?
First of all, NOBODY could remake my favorite black and white films. They are cinematic perfection. Casablanca. Double Indemnity. Sunset Boulevard. Some Like It Hot. You'll never come close to those films. Instead, I would take the chance to remake a film that didn't do so well but had a great premise. For example, I'd love to remake a Bob Hope WWII comedy called The Private Navy of Sgt. O'Farrell. It was directed by the great (and underrated) comedy director Frank Tashlin, but it didn't do that well, and I love the premise: a bunch of sailors stuck on an island find out an American ship went down near them with the entire South Pacific theater's beer supply and they do everything they can to get to it. So much can be done with that.
Film Industry it’s a tough place and sometimes is normal to feel lost
and discouraged… who’s the person that keeps you motivated?
Most of my family and friends have given up that I'll ever stop trying to make movies that I'll ever stop and settle for a normal life, so they all now encourage me. Or humor me. I can't tell.
Alfred Hitchcock said: "To make a good film you need 3 things: The
script, the script and the script". Do you agree with him?
If you don't have a script, you don't have a movie. There are three distinct phases for a movie: writing the script, filming the script, and editing the script. Each phase is an opportunity to make something that could change someone's life, but each one has to do with the script.
What’s your most ambitious project for the future?
As far as my most ambitious project, I have feature scripts that I've spent decades working out that I continue to develop and work on.
Do you think that sadness or at least melancholy let be more creative?
I think you can use sadness or melancholy to inform and shape your creative output, so it becomes therapeutic and can even give meaning to your darkest days. I've always said that I only want my tombstone to say: "It's All Material."
What do you wish to yourself as a Filmmaker\Actor \Writer?
To make something that touches or even changes someone's life. The movies have done that for me, so if I contributed something that did that for someone else, I would be eternally happy.
The biggest challenge of being an actor\director\ screenplayer is…
Well... I think that as an independent director/actor who wants to achieve the best final goal.. so I think he must sow a unique and recognizable style as a trademark,I'm working for this..
Choose an Actor, Choose an Actress...and now choose a story you would like to direct or play with both of them:
I'm honest, I don't believe in red carpets, much less celebrities, I like looking for productsfrom the past so I would probably choose an actor and actress that I met as a child, pure for dreaming, therefore, I'm choosing an American sitcom that inspired me ... I'm an Italian with Barbara Eden and Larry Hagman in Cocoa Beach to entertain families from all over the world while watching TV?! eh eh eh! a dream!
Who’s the first Aritst that let you understand you wanted to be an Actor\director\screenplayer?
O h ! I could mention several artists, they would be a mix of American and Italian directors/actors from the Second World War onwards. I mention some illustrious names (Vittorio De Sica director, Alberto Sordi actor) and certainly the golden era of American cinema, I also add Lou Schemer's Filmation when
I was a child..yep!
What really excites you artistically or emotionally?
Just good people in a healthy world, I mean an optimistic finale where right conquers wrong..
Marlon Brando said “Never confuse the size of your Paycheck with the size of your talent”. Do you agree?
If he meant to make art out of common sense, I think I agree with him... obviously.
Have you ever been discouraged by someone about your life\career choices?
Certainly! being an artist is an exotic lifestyle choice, many people or circumstances can discourage you, but don't give up! you are simply maintaining your mission!
Do you think is harder for a woman being a Filmmaker?
I love women! they are mothers by nature, many of them are talented women in art, it was, it is, it will be!
Do you think that Fame and money could easily change your own Vision as a Filmmaker\actor\screenplaye?
No, rather I think that fame and money can establish your authority as a director, actor, writer or artist in general in the service of common sense..
Who’s the Movie star that made you dream for the first time?
Well... I think it was the hero or justice model like Stallone, Schwarzenegger and also the first Superman saga with Christopher Reeve...I was a kid!
Make a wish about your career...
I say "feed it like a child who needs to grow up!" what wish can you have? that is becoming strong! is it true?
Talking about cinema\Showbusiness, how hard is to remain completly honest to yourself as an artist?
As an independent you are not on the inside, you make cinema almost like a pioneer of the past and this could be a pro and a con, you have to maintain your fame by working hard and being consistent.
The Film you have loved the most?
Oh! probably "The never ending story"1984 directed by Wolfgang Petersen I have memories of my parents..
And now, don’t be shy….the one that annoyed you the most?
The sequels of "The neverending story" ..
Your biggest artistic goal is…
Be present on the major streaming platforms as an independent to confirm my style.
What profession other than your own would you like to attempt?
I would like to work as teacher.
How important is to be rewarded as an Artist?
Oh! it is very important first of all to be labeled as such in your own country and then to be able to go abroad with a rooted status.
Do you have regrets?
You can always change the way you suffer, it's part of the change, there is no time to waste... only for redemption if you have sinned!
What’s the messagge you wanna express through your art?
The eve of life belongs to God..Do you have to work for Him? Of course you are free to choose whether to do it or not but you are still part of his game.
If you could change country, where would you like to work?
I am an immigrant, from India. I’ve had the privilege of also having lived in Singapore. But one country I feel I would love to work in would be the UK. I am a really big fan of the British view of life. A rather melancholy and satirical view on the human species.
How important is it to have good cinematographic culture?
By trade, I am a cinematographer. To me, a film is a sum of its aesthetic and naturalistic components. But it’s just, at the end of the day, a cog in the machine that is a story. I’ve worked with some directors and they like to put importance on the look of the film and they believe the look originates from the camera department. But as a DP, I disagree. I think the audience is going to forgive a filmmaker whose camera moves are subpar and the lighting is almost flat. If the story is good and if the production design is good. The entire look of the film is based on production design. It builds the story. It is the characters, it is the setting, it is the movie. It’s extremely important to elevate a movie with good cinematography, but the movie is made by the production designers.
What would you like to improve as a filmmaker?
My only goal as a filmmaker is to have the ability to evoke real emotion. The technical aspect of film is something I’m now quite familiar with. But I want to improve the connection between the creative side and the technical side. Taking the techniques I know, moving past the idea of just using cool techniques to make cool things. But rather taking my technical ability and making it into something deeper and meaningful. More human.
When did you realise you wanted to be a filmmaker?
Growing up, I had only 2 things in my life that I did. Neither was school. It was sports and doing visual effects on my computer. A love for VFX grew into a love for photography that grew into a love for filmmaking.
Have you ever hated your ambition?
I don’t believe in hating anything. But I find that as filmmakers, we are in privileged positions. I look at doctors and firefighters and that’s a job that holds importance. In film, the worst that happens is you mess up a movie. If you have a bad day on set, you’ve messed up a shot. It’s such an easy and carefree job. There’s no need to hate. It’s a fun passion and to get paid doing it is such a privilege.
Do you remember your first time at the Movies?
I have the memory of a goldfish, so I can’t really tell you what the first memory I have is. But generally it was around the time of the first transformers release that I have memories of movies from.
Two films that have marked your life for better or for worse…
Tie me up, tie me down is one of my favorite movies ever. It changed my perspective on storytelling. Watching it as a teenager who’s favorite things to watch were action movies and detective TV shows, it changed how I saw the broad nature of storytelling. In the mood for love was a movie that taught me about cinematography. Camera movement in that movie is a masterpiece to me. It taught me so much about the emotional impact of camera movement and placement.
What do you think about Acting/ filmmaking schools?
I went to film school and I think there’s positives and negatives. The biggest positive is having the college experience. Anyone can learn technical film things, but it’s more about what life can teach you about life. That’s where authenticity comes in. For younger people, I feel it’s important to have the freedom to be able to explore their life paths in film schools. That being said, there is benefit in learning the technical things from film school as well.
Francois Truffaut used to think that "Film Lovers are sick people”… was he right?
Ummm. I think any obsession is a sickness. Appreciation and love for something isn’t one.
Close your eyes…if I say “Cinema” what do you see?
I see a theatre. It’s dying though. I think the internet is killing a lot of human interaction. Although the same can be said about a lot of different areas of human interaction that are fading away.
Who’s the Director\Actor\Writer that taught you the most?
Wong Kar Wai with his unique storytelling and incredible visual style.
About your job, tell us your biggest dream and your worst nightmare…
I’d ideally like to make a movie that is truly authentic and moves people. And I don’t really think I have a nightmare related to this job.
A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?
I don’t believe in doing remakes.
Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him?
In that the story is the most important, yes. But there are other aspects that I think can make a big difference.
What’s your most ambitious project for the future?
Currently working as a cinematographer. So my next project is the most ambitious one for me. And the next one after and the one after and so on.
Do you think that sadness or at least melancholy let be more creative?
I think every emotion has to be felt to be able to understand how to make someone feel it through the story you’re telling.
What do you wish to yourself as a Filmmaker\Actor \Writer?
I only wish for a good life and to find peace before I die. If making films can help in that search, I shall hope it can provide me the path to do so.
When did you decide you wanted to be an actor/director/ screenplayer?
During the 2008 housing crisis, the story of the people going homeless in The US needed to be told, I decided I was the best person positioned to tell it. My feature documentary yHomeless? can be seen on Amazon Prime.
How did your family react?
Dad: You want to be famous?!
Me: I just want to be happy.
Dad: Well, I guess you didn’t choose to be born!
Do you have a Muse or a Role Model?
My dad was a bad ass trumpet player. I only ever wanted to impress him.
Who's your biggest fan?
I have to be my own biggest fan. Not many people dig looking at homelessness with humanity.
What brings you inspiration the most?
I’ve learned SO much from homeless people.
Which actor or director would you like to work with?
I would need to meet them first. If we aren’t having fun, we are doing it wrong. I cast people I enjoy working with and who enjoy working with me.
Have you ever seen a film that was better than the book?
I am more of a film watcher than a reader. I enjoy the narrowed focus and the choices made in film. So, my answer is ALL of them.
What's the movie that taught you the most?
The director Sam Fuller said something like ‘get to the story’. I like that push. I do like open endings. Trainspotting’s “choose life” ending lives in my heart.
About your artistic career, have you ever had the desire to quit everything?
I was stuck in a career as a university professor until 2015. I have made sure that what I do now is all that I am.
On set what excites yuo the most?
I love collaborating. I love working with people to create harmony out of the chaos.
And what scares you the most ?
I get hit by distracted drivers - more than 6 times so far. 3 times, it really hurt me. In filmmaking, I wouldn’t want anyone to get hit by a car.
What's your next project?
I have a first draft of a novel that I’m getting back to in order to publish in 2025. And, I’m always looking for funding opportunities for my narrative feature Deuce.
You can steal the career of an artist you really admire, who do you choose?
I would probably have to choose David Lynch. That guy seems to just do his thing. I admire that.
An actor/director/screenplayer is made of....
Tenacity and focus.
For you Cinema is....
An opportunity to tell a story.
Do you think Black and white movies have a powerful impact?
My dad introduced me to Film Noir. As a lighting designer (in my previous career), I loved it when actors got to play with the shadows I cast. As long as black and white has more than aesthetic value, it can give quite an impact.
Have you ever dreamed of winning an Oscar?
In 1993-4, When Leonardo DiCaprio didn’t win for his performance in What’s Eating Gilbert Grape, The Academy Awards stopped having meaning for me.
Do you think you're gonna win it?
Every time I think I have something ‘in the bag’ (pun intended), it doesn’t end well for me. I am happy and grateful that The Bag is being received as well as it is.
What's the absolutely necessary ingredient to be a good actor/director/screenplayer?
Focus on what's in front of you. Be creative have fun with acting, directing and writing. I use past experiences with writing, and past shows to help me focus on being creative. Personally, I love comedy and everything I do is based on that. Directing is a lot of fun. I enjoy being creative and watching the actors react to one another.
First and last cinematographic crush?
Valerie Bertinelli was my first crush. My last is Demi Moore.
How old you were when you decided you wanted to be an actor/director/screenplayer?
51, but I played with it at Second City Chicago and actually passed the audition when I was 19, I was not ready at the time to move forward, nor was it a passion, I just liked Impov.
For you a Film is...
A feeling inside of you that you would normally never do in real life to get an experience that you have never had, or would never have.
What do you feel when you're acting/directing/writing?
Happy and creative. I love working with the actors and creating something from nothing.
You can go to the Movies with an actor/director/screenplayer that you love. What kind of movie do you choose and with who you're gonna whatch it?
I"m friends with Christopher Lloyd, I would go see a comedy with him, However in real life. he keeps everything business.
Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?
She's right. I have done things in the movies I would never do, I have been a cop, surgeon, pilot, doctor, and Sheldon Mashugana and The Macher which is my new character.
Can you live just of your passion?
Yes, but I also love working with my other businesses. Commercial insurance is called America's Commercial Agency, Healthcare is called Healthcaresmc and Aptus Health. and senior transport is called Baby Boomer Buddies.
What's more important talent or luck?
In this business, it's not always what you know, it's who you know. The talent comes from within. I have won over 450 film awards and never thought that all my films would win awards but they did. I direct like Spielberg and write like Mel Brooks, this may have something to do with it.
You must go to a desert island but you can bring with you just one movie...
Back to the future part one. I watched it so many times, I memorized the script.
Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?
If I did not like the project to begin with, I would not go after that part. Nobody has offered me a part I did not want to do.
What's the best compliment you have received about your Job?
When people laugh, I'm the happiest. I had a few actors tell me that they had fun, and that's good enough for me.
Are you satisfied about your career?
Yes, Sheldon Mashugana I heard when I was a kid in Chicago on a radio show called The Loop in Chicago on April fools day, 1976. I met a guy in Dallas called Voices Cary and he said he created Sheldon from that show. I have a friend Jace and he and I always made fun of that. So one day I decided to make Sheldon real.
Do you have a good luck charm?
My wife Danette, has always supported me.
Which is the worst moment on set ?
My friend of mine blew up at us, and he was one of the main characters. He was dealing with his mom and she was sick. and took it out on us.
How do you feel when a job you've been part of it's ending?
Satisfied its done and can't wait to see it later.
Have you ever lied to get a part/job?
No, there is no reason to.
If you should win an Oscar your first taught would go to…
My cast and family and thank them for what they helped me accomplish. Also, have them hold the statue. I currently have an award-winning screenplay called Sheldon Mashugana Returns to the Future, based on the true story of the Whoopy Cushion. I am looking for funding for this right now.
The biggest challenge of being an actor\director\ screenplayer is…
As a director, the biggest challenge is surrounding myself with people who believe in the projects I propose, and staying persistent in cases of budget issues, technical problems, authorizations, etc.
Choose an Actor, Choose an Actress...and now choose a story you would like to direct or play with both of them:
Would choose Frédéric Pierrot and Sylvie Testud to act in a story set in the daily life of a French psychiatric hospital, with Sylvie Testud as the patient and Frédéric Pierrot as the chief doctor.
Who’s the first Aritst that let you understand you wanted to be an Actor\ director\screenplayer?
David Cronenberg is the Director that make me want to express myself through Cinema. Watching « Crash » left me captivated by how he handled a complex psychoanalytic subject.
What really excites you artistically or emotionally?
I appreciate that the subject is addressed in a particularly offbeat and creative way. A film is a complex entity, where sound, editing, image, acting, etc. are inseparable.
Marlon Brando said “Never confuse the size of your Paycheck with the
size of your talent”. Do you agree?
I don’t feel concerned about that question, as I’ve never made a fortune with my films yet !
Have you ever been discouraged by someone about your life\career choices?
Yes, my mother doesn’t understand why I invest so much financially in a film.
Do you think is harder for a woman being a Filmmaker?
Being a woman makes it more complicated in every field, which makes the challenge even greater.
Do you think that Fame and money could easily change your own Vision as a Filmmaker\actor\screenplaye?
Yes, it allows you to build trust with producers and better pay those around me to succeed in making a film.
Who’s the Movie star that made you dream for the first time?
My first movie star as a kid was Bambi !
Make a wish about your career…
I wish to sell my last script and have another director execute it.
Talking about cinema\Showbusiness, how hard is to remain completly
honest to yourself as an artist?
I have no experience in showbusiness; receiving awards is gratifying, but it hasn’t yet led me to meet major producers.
The Film you have loved the most?
I love "The Godfather" by Francis Ford Coppola because cinematically, it's a masterpiece at every level: every shot is significant, the editing is very effective, the colors and lighting are beautiful, the performances of the actors are exceptional, the storyline always keeps you on edge, and you can understand the Sicilian immigration in the city of New York, which city I love.
And now, don’t be shy….the one that annoyed you the most?
Recently, I watched some AI-generated short films; everything was very literal, without emotion, without subtlety—a mere illustration of the prompt, uninteresting result. AI can create beautiful images, but the text interpretation was entirely one-dimensional. It’s a poor use of the tool by the artist.
Your biggest artistic goal is…
My artistic goal is to raise public awareness of humanistic causes.
What profession other than your own would you like to attempt?
I’m a psychologist and I love it as well as being an artist.
How important is to be rewarded as an Artist?
I was very happy to receive the award for Best Feature Documentary from the Hollywood Gold Awards for my film « Little Pile of Things 1 & 2 ». We’ll see what happens next, especially with its distribution…
Do you have regrets?
Yes, not having met Leonard Cohen.
What’s the messagge you wanna express through your
art?
To preserve our freedom of thought.
The biggest challenge of being an actor\director\ screenplayer is…
Getting the best take
Choose an Actor, Choose an Actress...and now choose a story you would like to direct or play with both of them:
Claire Danes and Matt Damon. Some sort of semi bio pic but nothing like Citizen Kane
Who’s the first Aritst that let you understand you wanted to be an Actor\ director\screenplayer?
When I saw Christopher Guest in Waiting for Guffman I immediately understood that some aspect of my life would involve acting.
What really excites you artistically or emotionally?
Music
Marlon Brando said “Never confuse the size of your Paycheck with the size of your talent”. Do you agree?
Yeah. In this industry its really easy to get ripped off, especially if your talented.
Have you ever been discouraged by someone about your life\career choices?
Absolutely and I am so happy my film has won some awards and my work has been published in so many magazines.
Do you think is harder for a woman being a Filmmaker?
Yeah. That's what it seems like.
Do you think that Fame and money could easily change your own Vision as a Filmmaker\actor\screenplaye?
No. Once I have an idea in my head I'm pretty steadfast about it.
Who’s the Movie star that made you dream for the first time?
Drew Barrymore in EverAfter
Make a wish about your career...
I wish to be more successful
Talking about cinema\Showbusiness, how hard is to remain completly honest to yourself as an artist?
I do my best to keep it real and so far it's been fine.
The Film you have loved the most?
I don't know if there is any particular film I have LOVED the most but I really enjoyed Detroit Rock City back when it came out.
And now, don’t be shy….the one that annoyed you the most?
Oh my! There are so many. I can't even pick one.
Your biggest artistic goal is…
Just to keep at it.
What profession other than your own would you like to attempt?
Racecar driving.
How important is to be rewarded as an Artist?
I think creating the art is more important then getting rewarded for it.
Do you have regrets?
No.
What’s the messagge you wanna express through your art?
A bit of existentialism with some grit and urban coldness.