When did you decide you wanted to be an actor/director/ screenplayer?
I knew it since childhood. I’ve always been driven to acting, writing and creating. I was 5 when I announced that I’ll be a singer and an actor when I grow up.
How did your family react?
My family always supports me, and I’m very grateful for that. No matter what I decide to do, they are always there for me.
Do you have a Muse or a Role Model?
There is something inside that pulls me into creativity. This is my inner child I suppose. It’s something unexplainable. It can be only felt.
Who's your biggest fan?
My parents, of course. They introduced me to music and performing arts. They are always supportive and encouraging. I’m so grateful for having such amazing and talented parents.
What brings you inspiration the most?
Pretty much everything that happens around inspires me especially nature. There’s so much beauty in the world! I love hiking, traveling and experience new things, meeting new people, listen to their stories, learn something new…
Which actor or director would you like to work with?
It’s not easy to say. There are so many outstanding and brilliant actors and directors that I would love to work with. If I had to choose one, it would be Leonardo DiCaprio. He’s an extremely talented, highly intelligent (speaking of emotional intelligence) and deep human being that brought so much to entertainment industry and to the entire world saving oceans and the ecology of this planet.
Have you ever seen a film that was better than the book?
Not easy to answer this as I’m not so much a reader. I rather prefer to watch a movie or listen to a story.
What's the movie that taught you the most?
“The Pianist” staring Adrien Brody by Roman Polanski and Ronald Harwood. I’m not sure what it taught me exactly, but this is the movie that impacted me more than any other movie. It’s based on true story of Holocaust survivor Wladyslaw Szpilman.
I remember a moment when he was found by a German soldier who didn’t kill him because he was touched by the music Wladyslaw played and was amazed with his musical talent and beautiful soul.
I guess it shows that every human being has a HUMAN part inside…, and that every person has a story worthy of a book or a movie.
About your artistic career, have you ever had the desire to quit everything?
Actually, I have quit several times, but life brought me back in some mysterious ways. Every time when I quit, something would happen: I meet someone that would remind me about my creative path, or I hear a story that inspires me, or some of my fans would ask about upcoming projects, or simply my inner voice would push me back to creativity.
On set what excites you the most?
There’s so much energy and fun on set! I get carried away by a process and forget about time. It’s so great to interact with people and create together! Often, ideas pop out of nowhere right on set, and add spice into an entire production! I really love the process!
And what scares you the most?
Nothing ever scares me when it comes to creativity. When I have an idea, I get so excited! I focus on it, dream about it, sleep with it, live with it 24/7. My family calls me “a crazy scientist” at these moments. On set, I’m in a creative mode. There’s no place for fear, because I am in love with what I do. Love is an antagonist of fear.
What's your next project?
I’m working on a new EDM song and a music video called “Dreams Come True”. This is very positive, romantic and heartwarming song. I plan to release it by end of summer. Super excited about the process.
You can steal the career of an artist you really admire, who do you choose?
No one. I’m pretty much happy with my life and strongly believe that everyone has unique talents and unique ways to express them. Everyone has own path, and I prefer to walk mine. If I would be someone else, who will be me than? I like to be who I am and I appreciate everything that life presents me with.
An actor/director/screenplayer is made of....
An actor/director/screenplayer and any artist is made of dreams, deep perspectives of life, out of a box thinking, love, empathy, high emotional intelligence, desire to understand this world, complex thinking, seeing beyond what’s on a surface and strong desire to create.
For you Cinema is....
For me Cinema is a playground for creative souls. It’s like a world of mirrors. Each mirror is a reflection of the internal world of its creators and collective thinking. Same story told by different people will sound differently. When it’s told by a talented screenwriter, director, actor, camera crew, editor, designer, composer, sound engineer, visual effects engineer and other creative people, it becomes a gem.
Do you think Black and white movies have a powerful impact?
I personally like colors. Our world is colorful.
Black and white movies were made when people didn’t have other options. If a director tries to recreate old times or to add some dramatic feel to a film, I think black and white is perfect especially for documentaries.
Have you ever dreamed of winning an Oscar?
I think every artist dreams about it. This is one of the highest levels of artistic work recognition.
Do you think you're gonna win it?
I create, grow as an artist, enjoy my process and then will see where it brings me.
Where can we find something more about your career?
IG: @elvira.kalnik
https://instagram.com/elvira.kalnik?igshid=YmMyMTA2M2Y=
Film Freeway:
https://filmfreeway.com/ElviraKalnik
IMDb:
What's the absolutely necessary ingredient to be a good actor?
Be a good listener. Be humble. Be a good “absorber” of what surrounds you. Use LIFE as a resource for character development. Talent can’t be learned but if you have “it” try to find it thru the proper ways ( studying, training, researching)…being an influencer doesn’t necessarily make you an actor/singer/dancer…it’s not a magic pill. It’s a vocation.
First and last cinematographic crush?
Gosh! There are so many! I’m a sucker for great talents. Andrea Riseborough’s turn in “TO LESLIE” broke my heart in million pieces. Sonia Braga in “Aquarius” too. I thought Harry styles was marvelous in both “Don’t Worry Darling” and “My Policeman”…and whatever Willem Dafoe does it’s an A+ to me.
How old you were when you decided you wanted to be an actor?
I think I was like 5. I was chosen to be a “Prince” in a school play. They put me on center stage. That was it. The bug bit me.
For you a Film is...
The medium I love the most. Don’t get me wrong, theatre is incredible but that’s a whole different experience; to me, that big screen, the magic it exudes it’s simply marvelous. It’s everything. Film is where society gets reflected the best.
What do you feel when you're acting?
I’m not sure. I know I’m in my element but the feelings are indescribable…I feel at home. I feel at ease. I feel super creative at that moment…like my brain goes super fast. I see things differently. It’s almost supernatural.
You can go to the Movies with an actor that you love. What kind of movie do you choose and with who you're gonna whatch it?
I’d go with my friend Carla Forte, film director. I’ll pick “Midnight in Paris” and fantasize about going to a Paris’ corner at midnight, getting in a vintage car and meeting our heroes from the past…god! That woulda be amazing!!
Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?
Well, depends what context she was using. I think some things are impossible but acknowledging it doesn’t make you a self defeatist but a realist. Now, “nothing is impossible” certainly is a good mantra to motivate people. Like an utopia. The fact that somethings may be impossible to reach doesn’t necessarily mean you shouldn’t try to reach them. That’s the key. Trying to get the impossible is an extraordinary quest that surely enrich your soul.
Can you live just of your passion?
Oh I would love to but unfortunately we live in a materialistic society. I can’t pay my bills by writing “passion” on a check. What I can do is try to book the paying job that’s gonna help me pay my bills. It’s the sad reality of everyone out there. Even those in the A list feel the same hence why many venture into other types of businesses like owning restaurants, liquor brands, hotels, etc.
What's more important talent or luck?
I wish I could say “talent” but we all know many have made it in by a lucky strike. In fact I would say luck is almost 70% of what we all need to make it. Isn’t sad? There are amazing talents out there without a job while amazingly talentless people ( but lucky) get the parts. Kim Kardashian just booked a role in one of the most amazing TV series. She can’t even act. See what I mean?
You must go to a desert island but you can bring with you just one movie...
Though one. Maybe Forrest Gump. It’s long and good enough to keep me entertained. I wouldn’t watch “cast away” in an island. That would be too depressing.
Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?
No. I’ve actually turned down several projects because I didn’t like the script, the character or the way it was to be directed. You must feel a connection to the project. You must fall in love with it. Otherwise it’s not worthy.
What's the best compliment you have received about your Job?
“I watched your movie and didn’t know THAT was YOU!! It took me several minutes to realize you were playing that part!”
Are you satisfied about your career?
I am. It’s a honest career. Never back-stabbed anyone. Never walked over peoples bodies to get here. I’ve been training for decades to be a professional, I’ve never slept with anyone to get a part… I respect my career. I respect the true professional.
Do you have a good luck charm?
Oh boy! Don’t I wish! Lol
Which is the worst moment on set ?
Letting nervousness to take over you. Never let that happen. If you need 5 mins break to compose yourself don’t hesitate to ask. Be honest, humble and you’ll see how much better you would feel.
How do you feel when a job you've been part of it's ending?
Anxious ( yay! We finished! Can’t wait to see how it looks!) and worried ( did I do a good job? Was I sufficiently efficient?)… we actors are very insecure people. We are never totally satisfied with our performances. We always think “I coulda done it better”…. It’s a curse we all have.
Have you ever lied to get a part/job?
You bet! Once a casting director asked me if I was Mexican. The part was Mexican and they didn’t want to cast a “Latino” instead of a real Mexican. I said “yes, of course”… I got the part and at the premiere at told them the truth. They were like “we kinda knew”….lol
If you should win an Oscar your first taught would go to…
“I would like to thank REJECTION for making me a much stronger and stubborn person”
What's the absolutely necessary ingredient to be a good actor/director/screenplayer?
In terms of directing and writing, I think one of the biggest things is having patience. This isn’t the only thing, but it’s important to realize not everything you want is going to come to you all at once. Especially when starting out just making short films. It doesn’t matter if you made a film with just one camera in your backyard with your friends or had a $20,000 budget with professional crew members. Nothing is guaranteed in life, outside of death. What’s important is to have patience with yourself and the outcomes of your work.
First and last cinematographic crush?
My fully aware crush was probably Jennifer Lawrence. I remember watching Silver Linings Playbook for the first time and being in awe of her presence. I think she’s a wonderful performer and I would love to work with her someday. As of late, the current actresses who’ve had me in awe of their presence on screen include Florence Pugh, Elizabeth Olsen, Margot Robbie, Mia Goth, and Anya Taylor-Joy.
How old were you when you decided you wanted to be an actor/director/screenplayer?
I was probably about 11 or 12, after watching the film Wild America, the idea of traveling and filming wildlife was very interesting. I soon realized that all I wanted to do was learn about making movies and make some of my own. But I’d say the root of all of this began when I was about 4 or 5 years old, I was introduced to the Star Wars franchise. It was all I thought about, living in a Galaxy Far, Far Away. I consider George Lucas an inspiration to me to this day.
For you a Film is...
Our film is called Red Yellow Shadow. It’s a short horror film about sleep paralysis and hypnosis. But the themes of the movie are about living with guilt and depression. So, it’s a Mental Health horror film. I came up with it after I had a really bad week, and I started writing it after seeing the viral TikTok game, Red Door, Yellow Door.
What do you feel when you're acting/directing/writing?
I feel focused, and a bit worn out by the end of it. I think I’m just trying to focus on what I need to do to get the performances where they need to be, but also make sure the actor is comfortable being vulnerable in front of me. That’s another thing, treat everyone on sets like people. They’re not objects or machines, and neither are you. Be considerate in their emotions and have full communication with what you want from them. And remember, everyone’s opinion counts. As for screenwriting, unless you’re writing with a group of people, it can be a very isolating process. Plan out the day or week ahead of time and try to eliminate any distractions that would prevent you from writing your story. I feel a mixture of emotions when writing: at peace but still in a hurry to get something down on paper.
You can go to the Movies with an actor/director/screenplayer that you love. What kind of movie do you choose and with whom you're gonna watch it?
I would love to sit with Zack Snyder and watch his cut of Justice League (Zack Snyder’s Justice League) on the big screen. I’m a fan of his work and would love to sit and watch this film with him, discussing the filmmaking process and the lore of the DC Universe.
Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?
It’s true. I think anything you put your mind to, with hard work and passion, you can accomplish.
Can you live just on your passion?
Well, that depends on what exactly your passion is. If we’re sticking to filmmaking, unfortunately no. Unless you’re a famous director/producer like Christopher Nolan, Kevin Feige, or Jordan Peele, you’re going to have to start out working odd jobs. I’d love to just write, edit, and watch movies all day, but I can’t financially afford to do that. I work a 9-5 job five days a week. It’s exhausting, but it’s all I can do right now.
What's more important, talent or luck?
It’s a bit of both. You should always practice on perfecting your craft, but I know there are talented people out there who don’t get the opportunities they deserve. I don’t have an answer on how to fix that.
You must go to a desert island but you can bring with you just one movie...
I’m going to cheat this question and just choose several films. I’d take the movies Her (2013), Shame (2011), Star Wars: Revenge of the Sith (2005), Spider-Man 2 (2004), The Big Lebowski (1998), and Burnt Offerings (1976).
Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?
Sort of. In college I was a crew member for a short film for a college film festival. In retrospect, the film was very amateur, but I wanted to get experience working on a set. Which I got.
What's the best compliment you have received about your Job?
I recently went to MegaCon in Orlando, Florida. I got to meet one of my favorite filmmakers, Sam Raimi. I got a picture with him, I gave him my business card, and he gave me encouraging words to continue following my passion to be a director. Hearing him say this to me just reconfirmed I’m on the right track, regardless of the outcome.
Are you satisfied with your career?
I’ve had some interesting opportunities lately that I can’t go publicly about. All things considered, I’m grateful to be where I am right now.
Do you have a good luck charm?
I don’t, but maybe I should consider getting one. Then again, I think just thinking positive and never quitting is my good luck. Just being myself is good enough.
Which is the worst moment on set?
Thankfully I haven’t had that yet, and I hope that day never comes.
How do you feel when a job you've been part of ends?
Relief that it’s over and proud I finished being a part of something that I love.
Have you ever lied to get a part/job?
Now why would I admit that in an interview?
If you should win an Oscar your first thought would go to...
If this were to ever happen, I would be grateful. While it’s not a main goal in my life, winning an Oscar would be an amazing opportunity. I would do my best not to overthink the future on what could and couldn’t happen afterwards. I would be present, and be glad that God and the universe has allowed me to be alive and feel every emotion, both of sorrow and joy. These are some of the most important things at the end of the day.
When did you realize you wanted to be a Filmmaker\Actor\Writer?
There were a few key events which triggered that. One was our so called Tuesday Evening Club. Me, my brother and two of my cousins attended regularly when I was a teenager. Money was extremely tight. But Tuesday was cinema day at a cinema nearby and it was affordable for us to go there. I virtually sucked in all these wonderful stories and pictures. At this time I also became publisher of my school’s magazine “Le Papillon”. My co-publisher and good friend Harald Dobmayer and I made a trip to High School for Film and Cinema Ludwigsburg (Germany) to interview Roland Emmerich, who had just released “Moon 44” and interviewed him and his sister. Roland Emmerich was just about to move to Hollywood by this time. A few weeks later we visited German actor Armin Müller-Stahl at his home on Northern Germany and did the same. I think those were the initial sparks, the moments when it started. I even suggested to my parents to go to High School for Film and Cinema in Germany – but they clearly were against it. Today I know, that I should have followed this dream right from the start. Before I started writing screenplays I wrote crime novels. Volker Pleil from German production company BABA GmbH (Oberursel/Frankfurt), still my closest brother in crime, suggested that I should consider turning them into scripts for movies. So I went to Felix Meinhardt’s film making seminars in Munich and decided that my focus always had been and still is on writing. Consequently, I focused on writing screenplays. For my formal education I went through Urs Bühler’s screenplay writing seminars in Zürich (Switzerland). Urs worked in Hollywood for many years. He is a truly gifted writer and – most importantly – a phantastic teacher and coach, when it comes to the question, how to write good and dramatic scripts. Currently I am participating in Drehbuch/Screenplay Masterclass Berlin of Aleksandra Kumorek. If you have the chance to get better – use it!
Reflecting now, I have to admit, that I always had this hidden talent for writing and telling stories. But somehow I lost track for a couple of years – I think, I am not alone with that. And I sincerely hope that my story someday will inspire others to get back on track again as well. But hopefully even a bit earlier than me.
Do you remember your first time at the Movies?
Yes, the cinema theatre in Kronberg (Taunus) close to Frankfurt/Main had a kids Sunday at 15.00hrs and screened Disney’s “The Jungle Book” (Wolfgang Reitherman). I was immediately thrilled by the magic of the story.
If you should change country where would you like to work?
I actually changed my country and moved from Germany to Switzerland almost ten years ago. If Hollywood wants we, I very likely wouldn’t follow that call… Let’s contribute to the local industry. Otherwise all talent goes to the U.S. and we end with poor quality here.
Two films that have marked your life for better or for worse…
“Amadeus” by Miloš Forman. It is an absolute masterpiece. One of the best movies shot ever. Hilarious, diabolic, inspiring and charming at the same time.
“Highlander” (Russel Mulcahy) – for the better and then the worse at the same time. The story is really strong, not to forget one of the best soundtracks ever been added to a movie. And “Highlander II – The Quickening” (Russel Mulcahy) for the worse. I mean, how can one ruin such a phantastic story concept with such a sequel?
What do you think about Acting/ filmmaking schools?
For my taste acting and filmmaking schools are both powerful and limited means at the same time. Both focus a lot on the positive effects on learners’ critical awareness – be it on acting or on filmmaking. It really doesn’t matter. Analyzing a short or feature film or the performance of the cast can be a powerful way of improving your own ability to decode and analyze. Film analytical approaches are very valuable in a visually dominated culture. And different visual media and target groups need different approaches, I dare say. And both motivate a variety of collaborative tasks, from pair work to teamwork and discussions in filmmaking or acting class. If the approach is a critical approach to film – and it should be – it should provoke conversation, which is essential for learning. Filmmaking schools and acting schools both help learners to become aware that style, aesthetics, form all contribute to the shaping of how members of an audience receive and understand what they see. When these components interact well, these will strengthens the audience’s emotional, creative and cultural narrative and message of the film and turn it into a very personal experience.
On these other hand such approaches always set limitations. To me it would be much more important to develop a set to break (rule) sets – and define your own way. And I personally doubt that there is a filmmaking and/or acting school out there that teaches that.
Have you ever hated your ambition?
Yes and no. I actually love writing and what I am doing. At the same time it can be frustrating to see that you have written several really cool scripts sitting on your desk still waiting for a production company. The selling part of it as a newcome to the market really is a touch experience. But I am patient and still convinced that I will further make my way into this business and become even more successful. It also turn out to be less nice from time to time, when a pretty cool scene or idea strikes you in the middle of the night during a dream and makes you get up rush to your Mac and write it down. My wife hates me for doing that…
Francois Truffaut used to think that "Film Lovers are sick people”… was he right?
Yes . I fully agree. That said, it depends on your definition of sickness. We are all cursed by the passion of being a screenplay writer, a director, an actor, an editor or a DOP or whatever in the industry. And we’re all dependent on producers with the bucks behind them. However, I disagree in the context Truffaut experienced this sickness among film making people. To me they are by no means neurotic escapists, as he once put it. The film making people I used to and still work with contrary to Truffauts argument truly love their lives and live it in the most satisfying ways one can imagine. To me this is the reason why they went to the movies and not the opposite as Truffaut said. I actually fully disagree with another argument of him. Truffaut once said that cinema filled his completely. We all know how exceptional he was. But, if you don’t leave enough space next to filmmaking to lead and experience a life, how on Earth should you know what you audience wants if you alienate social interaction with others?
Close your eyes… if I say “Cinema” what do you see?
Actually, I see an author of a screenplay sitting lonely at his desk late evening looking for words. This is the initial spark. To me directors sometimes are a bit overrated really. It all starts with this initial spark in the head of the author. At the end of the process I see entertained people who discuss and reflect on what they just saw – maybe society even learns through it.
Who’s the Director\Actor\Writer that taught you the most?
I actually didn’t learn that much from the big names. Even after a couple of years I still assess myself as a newcome, which I actually think is a good habit. Why is that? Asa it keeps your mind adaptive, creative and fresh. Still today I dare say, I am learning a lot of new things – every single day. The person I definitely learned most from in terms of directing and film making is Volker Pleil (Germany). When it comes to acting my skills are still fairly limited to be honest but I learned a lot from Robert Gryczke who is guiding our actors (including myself) on set all the time. With regard to writing the Oscars goe to Urs Bühler from St. Gallen (Switzerland) and Aleksandra Kumorek (Berlin/Germany) – both are the most patient and passionate teachers you can imagine.
About your job, tell us your biggest dream and your worst nightmare…
My biggest dream is that I will receive an Academy Award for Best Screenplay within the next ten years of so. And to become so successful that my stories become so desired by production companies that they call me and ask me to write a script for them – currently it’s till the other way round. Conducting and organizing a sound and robust research always will remain challenging to me. It is all about learning about the many nuances and facets of a baseline topic. My worst nightmare is that I get stuck and can’t start writing before I have fully explored what I want to write about.
How important is to have a good Cinematographic Culture?
Without getting political here, cinematographic culture is and remains important. It so much contributes to the cultural landscape, opens the eyes for something new really. It is highly motivational and usually an excellent start for social discussion and an igniting spark for change. To me it is an if not the essential link.
What would you like to improve as a Filmmaker\Actor\Writer?
It would be cool to have more chances to interact with production companies. Maybe a sort of quarterly content fairs, where one can elevator pitch its ideas. Maybe it will remain a dream. But think big! And there should be more opportunities for fresh people to get the chance to produce and have their works screened/distributed. Currently, producers focus to work with people who already finished a feature film or contributed to a mega-selling series. How should one get into it? It’s a vicious cycle really.
A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?
Billy Wilder “The Apartment”.
Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?
Clearly its my wife Andrea and my best buddy and creative partner in crime Volker Pleil. He really keeps me going creatively and tells me to never give up.
Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him?
Couldn’t agree more! However, there is more to that. There is another element next to the quality of a script. The writer must come along with a can-do-attitude. A script and the strong will to get it done – these are the most important parts of the process to finish a film making project. Many of my ideas, even the ones for my cruel horror books, are dreams or nightmares I had at night. When dreaming or being a little drowsy, I seem to be most creative. It’s always been like that. And then it requires discipline to start and get going. The initial spark always is the story, followed by directing, acting, editing, adding music and sound. This is, what inspires me and keeps me going. And then it is so fascinating to see these pictures in your head as the very first person on this planet – way ahead before others see them on screen. But then there are many writers who are actually way more gifted than me. They are packed with ideas, but fail to turn those into pages. It has a lot to do with discipline and with finding a set-up that works for you. You need to get into a sort of consistent writing routine. I turned writing into a regular habit. And yes, I know from personal experience, it is tough, especially for scrip writers with a full-time bread and butter job like me. However, it is possible, though, to create a schedule that gets you on track to finish your script. Find one or more days and then a certain day time that works best for you. Set the same writing time every day—or every other day if that’s more realistic. Before you know it, your daily writing sessions will become part of your routine. But don’t step into the trap to follow to many projects at the same time! Many writers have more than one idea in their head. Write a list of your ideas and prioritize them. Be prepared for a writer’s block (trust me – it is bound to happen, but if you’re prepared, this isn’t so scary anymore). But the overarching goal to success really is: Start and do it. Your biggest enemy really is: “I’ll write that tomorrow.”
What’s your most ambitious project for the future?
To convince a production company in Switzerland to produce my screenplay “Alex* - Two Souls”. A while ago, I met Mx Pipa Bunce from London at an event in Zurich. When Pipa spoke about, how it is for them to be a person living openly as a gender fluid person, I was deeply impressed. Pipa goes to work either as a man or as a woman, whatever he or she feels up to and whatever suits them best at the very moment. When I was looking for a new topic after my script doc work on a feature film, I first wanted to do something about transgender people. Then I read an article about intersexuality, conducted research, met with an intersex person in Berlin and combined elements from both worlds. Finally, I came across the Indigenous model of so called “two spirits” an umbrella term used by some Indigenous North Americans to describe people with a third gender in their communities. This term broadens the Western binary implications, such as implying that such people are both, male and female. Namida, one character in my script, a partially native Indigenous lady, actually is a sort of an homage to that. The rest was easy. It was just having many, many drowsy moments and some good nights of sleep, with extremely inspiring dreams, which needed to be written down. I know that I am on the right way with this topic that I think is of high social relevance. Let’s hope that a production company thinks the same and soon commits to turn “Alex* - Two Souls” into reality.
Do you think that sadness or at least melancholy let be more creative?
I fully disagree. I my case it is the opposite. A positive attitude is highly beneficial to my creativity. It does not mean that sadness, melancholy or a negative state of mind necessarily have to be fully counterproductive when it comes to my creativity. I don’t view creativity as a form to escape from such feelings. For me the creative process e.g., of writing a screenplay is a very satisfying one and always creates even more happiness as a side effect. Creativity to some might be an escape away from routine and sometimes even from negative thoughts. But not for me – it never was a stimulus to actually start to become creative. When I am in a melancholic state, my inner self, my souls so to say, is too vulnerable. I become so self-centered and focused on myself and the survival of my soul that this alone sucks most of my energy. Luckily this very, very rarely happens. But if, it does not leave any energy. So, no sadness or melancholy don’t contribute to or classify as a key to creativity.
What do you wish to yourself as a Filmmaker\Actor \Writer?
I wish I had more patience, really. But becoming a successful and demanded writer at my age is a very challenging task. Hence, I wish that some experienced players in the industry would provide me with a chance for and invested into one of my scrips to support me as a pretty new-joiner in the industry, as I want to write even more screenplays for them to making films out of them. Only then, I can follow my true aspiration, my dream. And only if I follow my dreams, my inner self gains the chance of becoming a happy part of the film industry – even financially successful. It is still a dream that I hope comes true for me soon.
Do you prefer Comedy or Drama?
I prefer a great scenario ;) which is always a mix of both.
Life imitates Art or Art imitates Life?
Hmmm....What comes first? The chicken or the egg….
Which is the best Moment on set?
When the director says “action!” Everything is possible and time disappears
Did anyone ever tell you weren't good enough
Sure. It helped me a lot. Sometimes it wasn’t true. Sometimes it was true. It was always teaching me something.
How can you stay focused on your goal?
It is just like breathing. I can’t help it otherwise I die.
Have you ever had a breakdown because of your Job?
I stopped counting. It became a way of life.
Talent is a blessing or a curse?
It depends sincerely on your entourage and surrounding In my opinion. Talent is just the beginning but is nothing compared to work. Talent is the potential but performance is talent minus interference.
What would you like to improve about yourself as an actress?
My breathing of the situations so that it gets more and more organic
What's the worst critic you have received?
Being called “non essential” during lockdowns in 2020.
If you weren't an actress what would you like to be?
A teacher and a coach which is what I do as well
If Cinema was a color what would it be?
Bright bright sunset orange
A day without a movie is...
Cruel, stérile, dry…. But sometimes there is more room for art and music then ….
If someone offered you to play/direct/write in/a movie that you despise but that for sure will make you rich and famous...would you accept the job?
I made a pact with myself and my self-esteem which is unshakable .
I despise no one or nothing. It is all about energy and vibe .
What's your greatest ambition?
To love and be loved.
What's your biggest fear?
Come on, We are not that intimate
Does music helps you to play?
Absolutely!!!
You have the chance to make a Silent movie, what's your message to the audience?
Love yourself, embrace yourself entirely,accept yourself utterly, be that brave and bold. It is the only thing to do.
Share your speech if you should win an Oscar.....
I thank myself for not giving up on me. I share this accomplishment with everyone who is brave enough to fight for his or her dreams and Create a unique path . I thank my husband who is my best friend, a genius artist and director and a pure heart. I love life and people. When I act I do it for you, to lift you up, amuse you, make you think, forgive yourself, make you feel loved. I know about madness, loneliness, abandonment. I know about suffering. When I tell stories through acting, it stops and takes me to a place of bliss and beauty. I want to take you there with me. That is why I am on that mission. An essential life mission which so many astounding people embraced before me and so many incredible people will embrace after me. Art and cinema will never die.
What's the absolutely necessary ingredient to be a good screenwriter?
Discipline. I believe that it is important to learn the craft, constantly improve, and enjoy the process and learn how to be a screenwriter.
First and last cinematographic crush?
I love movies about horses. So my favorite film would have to be “National Velvet.”
How old you were when you decided you wanted to be a screenwriter?
During my publishing career, I like to follow trends and “the next big thing.” When I turned 60, I decided to finally explore my dream of screenwriting in earnest and to learn everything that I could about everything that I could. While this isn’t a new concept, I am excited about the increasing potential to adapt books and turn stories into screenplays that inspire the spirit.
For you a Film is...
Magical and fantastical. A great film provides memories that last forever.
What do you feel when you're acting/directing/writing?
I like to be able to feel the spirit of the characters and the stories working through me.
You can go to the Movies with an actor/director/screenwriter that you love. What kind of movie do you choose and with whom are you gonna watch it?
I would choose Kevin Costner and “Dancing with Wolves.”
Audrey Hepburn used to say “Nothing is Impossible.” What do you think
about it?
That quote is one of my favorites of all time. In addition, I like “Dwell in Possibility” by Emily Dickinson and “Hope is a passion for the possible” by Søren Kierkegaard.
Can you live just one of your passions?
I have always loved the beach, birds, and wildlife. The ocean. The Great Lakes. Rivers. My passion is to love nature even more. Every day. It is a treasure that I want to keep in my life as long as possible. So that the future generations can learn to love everything about it from the waves to the shifting sands.
What's more important talent or luck?
I have worked under the assumption that hard work brings luck. More and more, I believe that good things happen when you are aligned with a higher power.
You must go to a desert island but you can bring with you just one movie...
Probably “Cast Away.” And hopefully a Wilson volleyball.
Have you ever accepted a part/a movie to direct/a script to write even if you didn't like the project?
During my career, I have had the opportunity to work with amazing authors and organizations on amazing projects. Havin a positive attitude about people and a desire to learn from difficult situations makes all of the difference.
What's the best compliment you have received about your work?
“It made a difference to that one.” From “The Starfish Story.” If my work can inspire someone or make another’s life better for a moment, for a day, or for a lifetime, that makes me happy.
Are you satisfied about your career?
I remain forever grateful for my life. The lessons I have learned. The jobs that I have had. The projects that I have had the opportunity to work on. And for the people who have had the vision and values to proceed with passion and purpose.
Do you have a good luck charm?
While working on projects, there is always something that is my good luck charm. For “Queen of Hearts” my mantra was a coin with the inscription “Don’t follow your dreams. Chase them.” I had it with me always. And still do.
How do you feel when a job you've been part of is ending?
I am sad. But I also find a way to celebrate it and create a new and exciting environment for the next project.
Have you ever lied to get a part/job?
Never.
If you should win an Oscar your first thought would go to…
Gratitude for the instructors and classmates that I had the honor of working with at UCLA Extension in the Feature Film Writing Certificate Program. Thank you.
Do you prefer Comedy or Drama?
Up to this point, I’ve mostly worked on dramas as their depth and storytelling possibilities really excite me. I have been a bit wary of starting a comedy project - it takes great skill of pace and character building to create something comically valuable. However, it’s definitely on the list of projects I want to do as humour is a great part of my creative and personal life. Probably a dramatic-comedy or dark comedy is the most appealing to me - I’ll “just” need to create an amazing script.
Life imitates Art or Art imitates Life?
That’s tough. I’d say both, that’s the magical thing about art and life: they go hand in hand and feed each other constantly. I don’t think one exists without the other. But then again, it depends on whether we call life “reality”. If we do, art surpasses life and reality. If we don’t, they’re one and the same.
Which is the best moment on set?
When it all starts coming together, that moment when you start feeling like “oh, we’re telling a coherent story!”
Did anyone ever tell you weren't good enough?
Oh yeah.
How can you stay focused on your goal?
I guess you need to love what you do. Even if you have a stressful project and you have a lot of anxiety about what you’re doing, there needs to be a basic love for the material. I feel like when it all gets too much, too many deadlines, projects, festivals and applications, I just need to reach back to that spark I got when I was a kid whenever I saw or read a story.
You need to be just a little crazy and just a big dreamer.
Have you ever had a breakdown because of your Job?
Me? Never......
Talent is a blessing or a curse?
Both. There are many ways to approach this. If you’re talented but not passionate, it’s probably a curse. There might be other people pushing you to do your talent that you’re not interested in doing. If you’re talented and passionate and have grit, it can be a blessing. Depends on circumstances. Your talent and passion can elevate you to many levels that are highly stressful and not necessarily happy. But you just need to break through that noise and focus on the thing, in my case storytelling, that you actually enjoy.
What would you like to improve about yourself as an director/writer?
Most of the times, when I get an idea that I become passionate about, I feel a block. The start’s the hardest. You have this one scene idea that you need to build a film around. Or you have the premise of the film but you’re not sure how to start building it. I think I just need to let go of these expectations about my work and just do - the Letters Live in London had a great performance by Benedict Cumberbatch, I think it was ‘Sol LeWitt’s letter to Eva Hesse’. I should definitely incorporate that into my life.
What's the worst critic you have received?
I was once told for a high school project that the film was too “self-fulfilling” instead of it being for other people. It’s true, it wasn’t very straightforward and understandable for audiences but I was fine with that at the time.
If you weren't a director what would you like to be?
Probably a professional golfer. I was in the Hungarian National Team for 7 years. I loved and love the game and learned a huge amount. But it was never my priority, storytelling always had a shade over it.
If Cinema was a color what would it be?
Baby blue? I have absolutely no idea whatsoever.
A day without a movie is...
A day with a book.
If someone offered you to direct/write a movie that you despise
but that for sure will make you rich and famous...would you accept the job?
How rich? (laughing)
What's your greatest ambition?
I always felt since I was a little kid that I could do anything I wanted to if I put my heart into it. Stories were always immensely important to me, firstly just by daydreaming and escapism, later as a self expression, now it’s all of them and a job. I want to tell stories that fascinated me as a kid and still do to this day. So, I’d say it’s probably to leave something meaningful or valuable to the world by storytelling. Not just self-expression but giving voice to communities or people who need it. I feel like so many stories have been repeated and remade so many times but also that there are countless untold ones that need to get attention.
What's your biggest fear?
Losing loved ones. Not leaving anything valuable behind.
Does music help you to direct, write?
Definitely. Mostly writing. Music also helps with creating stories and inspiration - I, without fail, listen to music when I’m on the go, basically every single time I leave the house. I never go anywhere without my headphones. It also helps with noise cancelling as I’m pretty sensitive to busy noise around me. For writing, I have various playlists that mostly consist of classical music or classical covers, mainly without any lyrics.
You have the chance to make a Silent movie, what's your message to the audience?
I’d probably make a silent movie about an abusive household. That could be powerful.
Share your speech if you should win an Oscar.....
Thank you for the Academy... No, seriously, I’m not sure what it would be exactly. I don’t want to write a n Oscar speech, that’s kind of jinxing it. But it would definitely come from a place of gratefulness for many people in my life who helped me get where I am.
This would include my family, especially my Mom, Dad and Sister, Szofi who’s a graphic designer/makeup- artist/mask-artist, and the coolest person I know. My favourite teachers - mainly in my high school, which was the best school in the world for me, VMG (Vörösmarty Mihály Gimnázium, Budapest). I got so so so much from my teachers, they supported my dreams throughout my studies and were always understanding of where my passions truly lie. It’s an extremely freeing environment where expressing yourself was celebrated. The teachers always did more than they had to - they were there for me when I needed them, they were mentors, friends and parents. I’ll forever be grateful for them. My friends who help me get thorough shit. All my mentors in different stages of my life in Bristol and NYU. And just people who like to do creative stuff with me, really.
You’re also supposed to bring up a cause when you write these things, right? I’d probably talk about the importance of the right teachers in our lives, they’re essential for everything, not just knowledge wise, but raising people into healthy, loving, accepting adults who have the means to take on the world if they want to.
Congratulations on winning BEST SHORT FILM and BEST DIRECTOR for your art film FEAR OF LOVE. Please tell us a little about your film.
This was an art film conceptualized and written by the master makeup artist Ally Ladanyi. She wanted to incorporate her special effects makeup skills and my production capabilities into an art film that was just pure eye candy. It was her intention to create a provocative art film that would bring attention to the issues related to human rights. With the help of the incredible (and brave) actresses Camilla Greenburg and Caitlyn Gault we put this short art film together and people seem to like it. Typically I spend literally years methodically producing my epic films. So imagine my surprise when this film shot in a weekend is suddenly winning film festivals. I was even awarded an Honorary Doctorate in film for this project. That’s showbiz.
How has this film affected your career and do you plan on making more films like this?
Following the pandemic we had several feature films and documentaries that had yet to be released. They all ended up hitting the film festival circuits at the same time. We have won nearly eighty film festivals in the last year alone so I haven’t really thought about this little art film at all. That is until our portfolio blew up. Next thing I know I’m getting multiple requests for FEAR OF LOVE from film festivals all over the world. I can appreciate that people are enjoying this film but I don’t see myself directing something like this again.
Two films that have marked your life for better or for worse…
My own films are usually the most traumatic and or rewarding in my mind. In my 20’s I made a pseudo autobiographical youth angst film titled “ADVENTURES IN ULTRA SUBERBIA” (2003). This was a very personal film dealing with love lost, obsession, and friendship. I was already battling my demons when in the course of making this film Andy Campbell, a good friend of mine and vital member of our film crew, unexpectedly passed away. This was a devastating event for the crew and myself to cope with at that young age. It’s hard for any of us to watch that film today. In contrast, my latest documentary film “The ELECTRIC CYCLE RACING LEAGUE” (2022) has won some of our most prestigious film awards and features a lot of the same cast and crew. Everything about this production has changed my life from the experience of making the film to the incredible success it has generated. I’m glad to currently be in a productive and enjoyable era of my film career.
What do you think about Acting/ filmmaking schools?
Acting schools and film schools are great for getting started and learning the industry standards. They are even better for making vital industry connections. However, they are no substitute for practicing the real thing. For me, the best way to learn how to make a film was to make a film. The same is true for acting. However just like acting and filmmaking, anyone can take a class but not everyone can really do it. Some people out there should keep their day jobs at the casino or teaching art class.
If you could make a film in a foreign country where would you go?
France! Absolutely France.
Have you ever hated your ambition?
I’ve never hated my ambition. I’ve been following my destiny since childhood. I have been, and always will be, a filmmaker and a storyteller. With that said there is always a price tag on one’s ambitions. I’ve had to make a lot of hard choices to maintain my trajectory. There is always a lot of sacrifice involved with ambition. Sometimes I’ve given up relationships, lost friends, lost family, lost time, lost money, made enemies, and the list goes on. I would argue that I’ve lost more and suffered more than I’ve gained in my cinematic conquests. It’s part of the master’s journey I suppose. We all have to go our own ways. We really don’t have a lot of time on this earth and I have to burn the candle at both ends if I’m going to change the world.
Francois Truffaut used to think that "Film Lovers are sick people”… was he right?
If film lovers are sick then all of humanity is sick. People love a good car wreck as much as they love a dramatic play or a violent movie. Humanity has a morbid curiosity about the scary or painful realities of our world and we can’t help but look. I don’t think it’s a bad thing, I think it’s how we learn about ourselves. Cinema is actually the safest way to do it.
Close your eyes. What comes to mind when you hear the word cinema?
I love the classic movie theater experience so I immediately think of red velvet seats and curtains. The smell of popcorn, old timey ushers, and the promise of an amazing adventure also come to mind. And I hope everyone that I know and love is there to watch the movie together. And there is a bar… Wait, what are we talking about?
Who’s the Director\Actor\Writer that taught you the most?
One of my great mentors, producer/ author John O’Melveny Woods, was a huge influence in my cinematic and writing endeavors. John taught me how to really focus my intentions when it came to writing. With that said, there really wasn’t just one person that helped me on my journey. I was fortunate enough to have a few great mentors on my journey. Mary Spain taught me about stage management and directing when I was in my teens. During my film school years Shelina Shaw taught me about film process and procedure. Wade Rollins taught me editing and technology. Of course there was also my mother Wilda Storm who taught me to write at a young age and my father Larry Storm that showed me that I can build anything I set my mind to build. All of these people had a part in shaping me and deserve am official, on the record, shout out. I don’t know, maybe they are all to blame… I guess history will decide.
About your job, tell us your biggest dream and your worst nightmare…
My biggest dream would be for my crew and I to achieve a high level of success together, intact. I mean that physically and emotionally. Life in general, and especially the entertainment industry, has a way of crushing your soul a little day to day. Pandemics and wars are literally crushing souls day by day. I just want to see all of us cross the finish line in one piece. At least long enough to enjoy the spoils of war. My worst nightmare would be for anyone to be seriously injured or killed on the set, and that includes myself. Could you imagine leaving a film unfinished? I get the chills just thinking about it.
How important is to have a good Cinematographic Culture?
It’s everything! It doesn’t matter how good the story is or how expensive the sets are if it’s not filmed properly. At the end of the day all that matters is what you can see on screen. A good cinematographer will be able to interpret the best cocktail of cinematic ingredients to add a specific look and style to the story. That’s why it’s easy to get comfortable working with great cinematographers. My favorite cinematographers to work with are Wes Donalson and Rolando Issa. It’s like these guys can read my mind.
What would you like to improve on as a Filmmaker\Actor\Writer?
I’m always in a state of self-improvement in general. I don’t have a specific answer for this other than I hope none of my films ever grow stale and that every production is an improvement on all fronts. That’s part of the fun of having a portfolio that dates as far back as mine does. I love that I can retrospectively look back at the progress I’ve made over a lifetime of movie making.
A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?
A particular movie doesn’t come to mind but the original Twilight Zone series by Rod Serling does. In fact, we just recently released what we consider to be the ultimate Twilight Zone fan film called “TWILIGHT ZONE: MAIKO The OBAKE” (2022). Although our “lost episode” featured an original story, it was created in the same style and cadence of the original series. It was such a fun film to produce. I would love to produce a few seasons of a new retro styled Twilight Zone series.
Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?
My family and the film crew are all very supportive of my work. I don’t give up for them - first because I don’t want them to lose faith in me and second so that they don’t lose faith in themselves. I hope to be an inspirational force in everyone’s life that I affect. I’m also greatly motivated by revenge and having the ability to thrive in the face of the haters, the naysayers, and the critics.
Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him?
I would agree with him. Everything starts with a well-constructed story. Speaking of great stories, right now I am currently working on one of my most anticipated film projects to date. It’s titled Where the Dragon’s Sleep (2024) and it’s a pseudo autobiographical adventure story about the crew and I as we struggle to make underground films against a dark and dystopian Hollywood world. I’m also very proud to announce that this will be my first film project that will be released as a novel first. It will be my most meta film to date and will perhaps be one of the darkest stories I ever tell.
Do you think that sadness or at least melancholy let be more creative?
Of course it can if you are the type of person that knows how to channel your negative energy into something creative. I know plenty of great artists that are too depressed to work. I’ve never been like that. Some of my greatest films were the result of working out a broken heart or some past trauma. I’ve always looked at film as a sort of therapy. That’s another reason that I prefer working with my ensemble film crew as opposed to a “revolving door” policy some production houses have. I work best when I can create a safe, comfortable set for everyone to work his or her craft.
Out of all the films your massive catalog, which of your films do you think is the best?
Isn’t it obvious? My best film is the next film I make!
Thank you Hollywood Gold Awards for giving me the opportunity to participate in your amazing festival and this interview.
When did you realised you wanted to be a Filmmaker\Actor\Writer?
I was born in a countryside of São Paulo State: Presidente Prudente, and my father was a farmer. Since I was a child, I lived on a farm. When I was 6, I had to go live at my father's friends' house in the city to study. A teacher invited me to perform in a play during Easter celebrations. I didn't even know what that was. I had never been to the theater. I did the play at school and never left the arts since. During law school, theater was a way for us to contest the military dictatorship regime which ruled Brazil at that time. One day I got upset in a class and abandoned law school and went on to study theater. After that, I studied theater and filmmaking. I have been writing since I was a child. In those days we didn't have telephone, social media, so the means of communication between friends and relatives was the letter. Therefore, I have always written. During the COVID-19 pandemic, writing was the means by which I could meet and dialogue with people (characters) to find solace during the isolation and depression that plagued me. I created new film scripts and books.
On the subject of being an actor, I never had this pretension. I always wanted to direct, but one day an actor got sick and we were selling out the show. There was no time to rehearse another actor, so I came in to replace him. I ended up winning the award for best actor of the year. After this episode I continued to dedicate myself more to acting. Today I sail in all seas.
Do you remember your first time at the Movies?
When I moved to the city to study, the movie theater was next to my father's friend's house. So, every Sunday there was a matinee and I have always been a regular. I don't remember the first film, but the images of infinite frames have circulated in my mind since then.
If you should change country where would you like to work?
One of my activities in the arts was mime, and as a mime, I toured Europe and America, in a total of 15 countries for 10 years in a row. I have a special affection for Europe, as if I had once lived there. It always enchants me, but I have in mind that I will remain in Brazil, unless some extraordinary event abducts me.
Two films that have marked your life for better or for worse…
I watched Franklin Chaffner's Papillon more than ten times. Something about this film appealed to me. The inspired acting by Steve MacQueen and Dustin Hoffman, the photography and the script by Dalton Trumbo intrigue me to this day. The Bridges of Madison Country was another film that made an impression on me, because of the performances of Meryl Streep (nominated for an Oscar as Best Actress) and Clint Eastwood. He, due to a statement that grounds me, when he said that he would since then produce, write, direct and play his own leading characters, mainly because another producer or director would not give him the characters he would like to play and recently when he answered about his secret about having so much energy to keep working at the age of 90: "Be busy and never let the old man in the house."
On the subject of evil, if I see a movie that I don't like, I always try to write down in a notebook the items that bother me and have as an example never to do anything like that. Evil is in the mind and soul of every human being. Recently in Brazil we have experienced a polarization, a political clash between good and evil. Us and them. I think that right and wrong do not exist. It is in the mind and soul of every human being with his or her principles and ideology.
What do you think about Acting/ filmmaking schools?
We cannot standardize this issue. There are great schools, just as there are disposable ones. Knowledge is necessary. It opens horizons. Knowing the history, the trends, and the great masters, is paramount.
Have you ever hated your ambition?
I am very down to earth. My projects are timetabled. My dreams are compatible with my reality. To have ambition is fundamental, but I don't use this word "hate", which I find very negative. Sometimes I am disappointed with some steps of mine, but I soon get back on track. I always think in construction. The conflict that is indispensable in a script, I don't bring in my life or my work.
Francois Truffaut used to think that "Film Lovers are sick people”… was he right?
I wouldn't classify it as a disease, but as madness. I just looked up the issue of madness on google and have already noted it down on a page to write about it. It says on google that madness is the deprivation of the use of reason or common sense. According to psychology, these are people considered abnormal by society. One who does not present a normal judgment or conventional behavior. Insanity. Extravagant, out of control.
I think we are included in this definition, especially those who make independent movies. So, let's continue to be crazy, insane, extravagant, out of control...
Close your eyes…if I say “Cinema” what do you see?
A sequence of frames... and many stories...
Who’s the Director\Actor\Writer that taught you the most?
I had classes with an Italian director who arrived in Brazil in the 50s and spent part of his life in academies: Giustino Marzano, who graduated from the Academy of Dramatic Art in Rome. Marzano founded the Piccolo Teatro in São Paulo. I studied there. His teachings are the foundation of my career. I cannot forget Walter Avancini, the wizard of Brazilian television, Brazilian filmmaker Domingos de Olivera, Clint Eastwood and so many others...
About your job, tell us your biggest dream and your worst nightmare…
I'm going to ask for permission to talk about Brazilian filmmakers and artists, who have lived through a horrendous nightmare in this misgovernment that Brazil has gone through. That president dismantled everything we had in place and declared war on culture. His minister/secretary of culture showed off with handguns in his waistband and other weapons of destruction with his pen. It was terrible.
Now, with President Lula, democracy is guaranteed and a time for reconstruction and new beginnings. Film professionals need the support of both the government and the private sector.
During this time of darkness, I took the opportunity to develop ideas for books and screenplays. I reinvented myself. I am full of projects and desires, and to paraphrase Fernando Pessoa in "A Tabacaria": Apart from this, I have within me all the dreams of the world. So we will have many surprises in this new time.
How important is to have a good Cinematographic Culture?
Culture is the essence of knowledge. Whoever thinks of following a cinematographic career needs to have basic and necessary knowledge, from the idea, the script, the project and the production to the final product, including distribution. It is a long, difficult, painful path, but if we have culture, we will know how to walk through the paths that catch us off-guard.
What would you like to improve as a Filmmaker\Actor\Writer?
To continue to be a thought-provoking and debate-provoking creator.
A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?
I am already getting the resources to remaster a film I made in Mini-DV and that took me three years to complete: Porto das Monções, a doc-fic that rescues the saga of the pioneers/monçeiros in the clearing of the Brazilian West through the São Paulo's rivers, throughout the 18th century, when gold was discovered in Cuiabá. I am excited about the project.
Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?
I am the son of a farmer. I often saw my father José Vicentini desolated by a storm or drought which would ravage the agricultural production, but the next day he would gather all the employees imbued with a childlike disposition in search of new horizons. I am a son and heir of this will and disposition that my father Zé taught me. I have friends, I look for ways, partners, and collaborators who can contribute to this energy and process of conquering new grounds. It is necessary to recycle every day, from dawn to dusk.
Alfred Hitchcock said: "To make a good film you need 3 things: The
script, the script and the script". Do you agree with him?
I am in full agreement with him. If we don't have a good story we won't have a good film, but I also think it's necessary to have a good team.
What’s your most ambitious project for the future?
Brazil has many stories of its discovery still untold. I am immersed in some of them, epic stories that mix conquests, heroic acts, dramas, comedies, and adventures. Soon I hope to get partnerships and resources to tell some of these stories. I still dream of a Brazilian western.
Do you think that sadness or at least melancholy let be more creative?
The pandemic plunged us into a deep depression and gave us the opportunity to reinvent ourselves. I learned a lot from this period and was extremely creative. In fact, creativity kept me alive, energetic, active.
What do you wish to yourself as a Filmmaker\Actor \Writer?
I have now reached half a century of professional activity. I hope to continue living with health, determination, disposition, energy and the capacity to continue creating, inventing, writing, producing, directing, interpreting, loving and being loved. I have finished writing "Doutor Hipoteses 2 - The Devastation" and currently I am in pre-production phase for the film "Duzinda" about violence against women and women's rights victories. I also have a project about polyamour, an extremely current and poignant theme.
1. What's the absolutely necessary ingredient to be a good actor/director/screenplayer?
The necessary ingredient to be a good actor, director and screenwriter is discipline. If discipline did not exist, creativity and talent can become great qualities that only exist in the mental dimension, in a limited context, or in fantasy.
First and last cinematographic crush?
I have to mention E.T., 1982 (Steven Spielberg was already a great teacher in my life when I was just a kid, and now definitely Parasite (2019) and Everything Everywhere All at Once (2022).
How old you were when you decided you wanted to be an actor/director/screenplayer?
I must mention the referent of E.T. (1982). Back then, I never told anyone that I would be an actor or a director. I already visualized myself as an actor and director since I was little, and I could see in my mind many things that I am living today. The formula (and complicity with me) worked perfectly.
For you a Film is...
(...) a legacy. I assume the challenge with great seriousness and responsibility.
What do you feel when you're acting/directing/writing?
In Csikszentmihalyi's words, I experience the state of "flow" or “a state in which people are so involved in an activity that nothing else seems to matter; is when all the elements are orchestrated in a masterful way.
You can go to the Movies with an actor/director/screenplayer that you
love. What kind of movie do you choose and with who you're gonna whatch it?
I would probably go with Luke Macfarlane and we would see my short film Princeney. It would be amazing to know his perspective as an actor who represents traditional and non-traditional relationships in films": it would be in New York, for sure. Then, I would have a serious (and friendly) talk with James Cameron, right where the water scenes were filmed, to discuss the existentialist aspects of Avatar II. With Guillermo del Toro I would talk about everything except movies: it would be an interesting twist. Finally, I would be with Gerard Depardieu on the French Riviera watching whatever movie he selected for me. I promise to let you know if it ever happens.
Audrey Hepburn used to say “Nothing is Impossible”, what do you think
about it?
Well, right now I am sharing with you about experiences that were impossible for many people. Thinking about your distinguished festival and wonderful interview transports me to the city of Cannes (2022) and its majesty. Definitely, the impossible is my most cherished dream. A toast to the words of Hepburn!
Can you live just of your passion?
Beyond the economic aspect, I am very passionate with all what I do. So I breathe passion.
What's more important talent or luck?
When the elements of art and creativity were created in the Universe, "talent" introduced "luck" to "discipline" in a very casual conversation. I think it is a way of defining the inextricable relationship between these three elements and how they manifest from my perspective.
You must go to a desert island but you can bring with you just one movie...
I think I would select "What dreams May Come" (1998) instead of "Castaway" (2000). There are more existential elements to Robin William's film that would keep me happy (and alive) on a desert island. And surely I would not go alone. :)
Have you ever accepted a part/ a movie to direct/ a script to write even
if you didn't like the project?
I have been blessed to direct and co-star in all of my independent films and they have all been multi-awarded, a gift from Heaven. I think this dilemma could happen to me if I take the quantum leap to commercial film. If that happened, I'd be a pretty intense negotiator for sure.
What's the best compliment you have received about your Job?
This is a constant in my direction and I am very glad that it is happening: that I am a very patient director and that I create an environment of comfort for the actors. It is my North.
Are you satisfied about your career?
I have had the blessing of being considered for the Oscars three times, added to being the first Puerto Rican to present at the American Pavilion in Cannes. During my career as an independent filmmaker, Puerto Rico was able to position itself abroad, even in countries that were unaware of our Seventh Art legacy, with more than one hundred laurels and international awards. Finally, I was able to present on more than one occasion in California, including North Hollywood, study film acting at the New York Film Academy in L.A. (and leading short films at Universal Studios, L.A.) and working with Puerto Rican actors and actresses that I admired since I was a child, many of them that belong to my list of closer friends and colleagues. I always consider myself an emerging actor and filmmaker: an eternal learner. For all this, I enjoy it without higher expectations.
Do you have a good luck charm?
Yes and no. (It is a way to avoid the question). :)
Which is the worst moment on set?
The worst moment on set (and this has happened outside of my productions) has been when a director yells at a fellow actor or actress. This is intolerable. It does not matter if it is a commercial, a short film, a feature film or a series; neither if we are talking of an emergent talent or an experienced one. I think it is more a matter of Ego than any other apparently valid justification.
How do you feel when a job you've been part of it's ending?
When it is in the process of finishing I am already thinking about the next one. I live eternally on the bridge that joins the current project with the next.
Have you ever lied to get a part/job?
I have read countless stories of talents who change their age to be considered for a role, and it is not a secret in Hollywood (or even in national projects). If you ask me if I know how to ride a horse or fly a Darkstar, I think I would have a big ethical dilemma.
If you should win an Oscar your first taught would go to…
I have always thought that, beyond the golden statuette, the Oscars provide a wonderful space to position a pertinent topic with a social impact. I have been a professor and a brave defender of social causes, for years, so I think I would be wondering about this question for many centuries.
When did you realised you wanted to be a Filmmaker\Actor\Writer?
Being a professional martial artist I have always gravitated to what I have seen in media and film and idolized what I’ve seen these artists do. My original thought was to do some stunts some time because I thought that looked fun. Little did I know how opportunities would follow and I would end up on this path.
Have you ever hated your ambition?
People have to realize that failure is not the end - we have to learn to fall forward and there have been times that I’ve wanted to give up and that things have not gone my way but it's our hardships that forge us into the character we are today.
Close your eyes…if I say “Cinema” what do you see?
Cinema evokes an emotion, guiding force or that we can all learn from. Life is a ride, and it's important that you enjoy the journey.
Who’s the Director\Actor\Writer that taught you the most?
You want to emulate what you see - on the back end of things I don't know any of these great actors and performers personally. I’ve always deeply admired Bruce Lee and Jackie Chan in the martial arts field. I’ve also admired the emotion that really can be generated by all the talented actors that are portrayed through the screen to the audience. I hope that someday I can give a little acknowledgement through my work to my viewers so that deep respect carries through the screen.
About your job, tell us your biggest dream and your worst nightmare…
On set, the spark of emotion you have to bring to every scene and knowing that it is exactly what they are looking for is the best feeling. What scares me the most is letting others down.
How important is to have a good Cinematographic Culture?
I love working with a great team - no matter the director, no matter the producer, no matter the actor - if the connection is there, the work is priceless and rewarding. I do not want to work with someone where there is no connection and it loses the feeling of fun - you are going to work with these people for a long project, and you want the feeling of fun to be there.
What would you like to improve as a Filmmaker\Actor\Writer?
Knowing my audience.
Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?
I wish I could pick one, but my biggest fans are the children I teach and they are the only reason I have done this movie. My students inspire me to pursue projects like this. I am thankful that I won this award.
Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him?
I think that the script is the blueprint of what's needed for a successful film, however there is more - a script is nothing without a reader.
What’s your most ambitious project for the future?
I recently signed a contract with Sony Pictures, but cannot talk about it at this time.
When did you decide you wanted to be an actor/director/screenplayer?
I decided I wanted to be an actor at age 14. Born with a language disorder, I had a harsh stutter, which made me subject to ridicule amongst my peers in school. Typically shy, I always had a creative flare within, but I didn't have an outlet to express. One day, we had a different drama teacher, and I was encouraged to do a hot seat, and perform a monologue as a completely different character, which I was able to do, to everyone's surprise, without stuttering. Learning this, acting became my therapy, which helped me overcome my stutter, but eventually, I learned to appreciate the true art of acting. I began training, and getting as much experience as possible in 2008, aged 14. The rest, as they say, is history. In regards to the directing and screenwriting, I learnt from on-screen acting classes in 2015, that I had a knack for creating material from scratch. This allowed me to explore topics, characters, and genres I've always wanted to immerse myself in, which then led to me making my own films, including the film that's allowed me to be interviewed by you today. Dandilicious.
How did your family react?
My parents have always been supportive, whilst also being anxious for me, too. They understand that it's a very tough, and, at times, brutal industry to break into. They've had their fair share of doubts, but I've always reassured them that I've made the right decision. If I have to be honest, there are a lot of relatives, on both sides of my family, who, though they love me, are still trying to understand it as a profession. Sometimes, when I tell family, or anyone really, that I'm an artist for a living, I'm usually met with much surprise, as they comment along the lines of 'What? You can get paid for that?'. I think their personal experiences of doing drama in high school, and how it could be seen as an opportunity to get up to all kinds of tomfoolery to pass the time with their friends, has somewhat clouded their understanding of the arts being a noble profession and livelihood. But I believe the more, and longer I've worked over the years, the more they have slowly started to accept it as a job.
Do you have a Muse or a Role Model?
WIthout a shadow of a doubt, my role model is Orsen Welles. For me, Orsen is an inspiration to anyone who wants to produce their own work. The thing I respect about Welles, is that he was able to create his own work, as both an actor and as a filmmaker, at a major studio, at the age of 24, which was the same age I was when I began production for Dandilicious. And as well as producing his own work, he was guaranteed full creative control, which gave him much satisfaction to realise his vision. I can relate to him, in the sense that he is obsessive and protective of his work, and gets true gratification from delivering his work the way he envisioned it. He was relentless, a true force of nature, and a powerhouse when it came to his innovation and creativity. I'd like to think he's given many actors inspiration to create and produce their own work, especially if there is no momentum in their careers. If no one is investing in you, sometimes you have to invest in yourself, and make things happen. Orsen Welles is the poster boy for that.
Descrivi qui in modo interessante la tua attività.Who's your biggest fan?
It's a tough one. I think there'd be a battle royale between my parents, my best friend whom I went to school with, and my partner. My parents and my best friend have spent over a decade witnessing the journey, such as the heartache, the grafting, the rejection. Although they have also witnessed the good side, too, such as getting cast in productions, being nominated and winning awards, receiving praise and recognition. They have been there from the very beginning, and cheered me on. My partner was late to the party, but I'm very happy knowing that she is willing to hold my hand throughout the rest of the journey now. I am definitely in good company.
What brings you inspiration the most?
The 'underdog' always brings me inspiration. Artists from sensitive backgrounds, who've overcome the odds, and conquered the inevitable. One that I really appreciate is the come back story, or the story of re-invention. Actors bouncing back from adversity, and rejuvenating themselves, whether they had finally broken away from being typecast, by playing a role that they had been cast against type, or healing from personal issues in their private life. Those are human stories that everyone goes through, regardless of where they've come from. These are very inspirational to me, and I always take pleasure in sitting down, and listening to their journeys. It's these human stories which inspire us to create art, and translate these stories in the mediums of our choosing.
Which actor or director would you like to work with?
I would love to work with Oliver Tree. Oliver is a successful musician, but I believe that he's also proven to be an absurdly talented filmmaker, too. His creations are smart, funny, and in some cases, quite heartbreaking, albeit with very subtle messages and meanings. I think behind the bowl-haircut, the shellsuit, and the scooter tricks, is a genius relishing to create something special. In regards to an actor, I would love to work with someone like Bruce Campbell. Known for the Evil Dead franchise, I've seen him in other, although lesser known projects, where he shows off much versatility. A strong physical performer, who can carry subtlety and nuance. I truly believe Bruce would teach me a lot through the job, and push me to better my craft.
Have you ever seen a film that was better than the book?
I'm not one to sell myself short, but I'm afraid to say that I haven't read a book in so many years, and especially one that has been made into a film. Hopefully we'll have another conversation in the future where I can answer that question for you properly. My quest is to immerse myself into books that have since been translated into films. It's time I become better cultured.
What's the movie that taught you the most?
The movie that taught me the most, from recent memory, would probably be It's A Wonderful Life. It's a beautiful film, with a very important message behind it. A message highlighting kindness, community, hope, and love. We could all be kinder to one another, and we could all help each other out during difficult times. No one should ever feel alone or overwhelmed, especially to the point where they feel the need to take their own life. I'm glad this film is celebrated and worshipped, and rightfully so!
About your artistic career, have you ever had the desire to quit everything?
Of course I have. Show business is one of the most unforgiving industries you could ever imagine. There have been many moments of self doubt throughout the last 15 years, alongside periods of no auditions, no work, and no hope, which has caused those thoughts to lurk around in my mind from time to time, as to whether it is worth it all. One thing that everyone has experienced are naysayers. Whether it would be an individual putting you down, or a collective of people in the form of a clique, doing anything and everything to rain on your parade. Sadly, this is something I still experience every day. I’ve learnt a lot from this, as sometimes people can put you down because of petty things, such as the way you talk, or the way you look. It may be because you’ve been lucky enough to be in a successful production, or you’ve won an award, worked with certain people who others have relished to work with, or maybe your opportunities have materialised better for you than it has for others. It may even be because you're willing to make things happen, rather than wait and expect things to happen for you. But I’ve also learnt that, sometimes, people don’t need a reason to spoil your day. They’ll spoil your day because they can. Anyone is capable of this, even people you know, who are nice to your face, but act differently otherwise when you're nowhere near them. Unfortunately, you learn through events such as these, what people's true intentions are, and whether they are genuine or not, regarding your career, and the achievements that follow. It can be hurtful, and you wonder, again, whether it's worth the backlash. However, I feel it's important for me to mention the word 'few', because that is exactly the case... just a few. Sometimes those few are so noisy and disruptive, that you can get the false impression that it's the many. As long as I remind myself that it's a vocal minority, it's easy to move on. Because what I can tell you, is that the many who genuinely support your work, and respect you, will always make an effort to make you feel a part of the process, and make sure you're happy, safe, and comfortable. They're much more worthy and deserving of your time and energy, than those who thrive off negativity. I urge anyone to remove themselves from any toxic people, cliques, or anyone who relishes gossip. Do not allow yourself to be distracted or suffocated by these people. Surround yourself with good people, who have comradery for others, and encourage you to be the best you can be.
On set what excites you the most?
What excites me the most is when the cameras are rolling, and then the crew, and the equipment they're using, start to disappear as you are fully immersed into the scene with your colleague. It's a wonderful sensation, as nothing else matters but the scene, the character you embody, and the interaction. It's a beautiful experience, where actors let themselves go, and the film crew keep everything surrounding the actors maintained and consistent. People forget sometimes that art is a lot more collaborative than they think or realise. The actors tell the story, whilst the people behind the camera are what keeps it together, and provide a platform or performance space for the actors to tell that story, and live it, in the most practical, logistic, and safest way possible. As a director, what excites me the most is when actors ask questions about their characters and the scenes, or even make suggestions. I understand some directors may deem this to be a hindrance, but personally I find it satisfying, as it proves to me that the artists are fully invested in the piece, immersed into the story, and they genuinely want to do a good job, and do the film justice.
And what scares you the most?
What scares me the most is the thought of people not being on their a-game when on set. As I said before, this is so much more of a collaborative effort than people think. To me, a film, or even a scene alone, is like a piece of clockwork, in that whenever one piece of the mechanism is not working, the whole clock stops ticking. The same applies on set, whenever someone hasn't learnt their lines, or isn't focused, or even has a bad attitude. It affects the whole process, for everyone, both in front and behind the camera. Whenever this has been the case, it really shows when watching it back. All the cogs need to turn for the clock to work, and the same principle applies to films.
What's your next project?
I'm pleased to say that this is the busiest I've been since pre-pandemic. I'm currently in the middle of directing a couple of pieces, whilst also having a few jobs in the can as an actor, as well as much more to come throughout the year. However, this doesn't mean I'll stop grafting, as there is still so much more to do and accomplish in the future. This is a great time to continue building a foundation, especially since my work has now expanded outside of the UK. I'm very grateful and humble for the journey, as well as the opportunities to come
You can steal the career of an artist you really admire, who do you choose?
That's a tough one, as every artist has their own unique journey. I do admire Jake Gyllenhaal. I believe he has great taste in the projects he chooses, and always tries to explore and challenge himself with different roles and themes. I appreciate anyone who still works and shows interest in the indie/low budget films, as well as the mainstream films. You can tell he is a lover of all art, regardless of the budget. A very humble man, too. I wouldn't mind stealing his career!
An actor/director/screenplayer is made of....
Heart and soul. You need to have heart to have the resilience and determination to reach your goal. Whilst you need to have soul to keep the passion alive, and the energy infectious, not just for yourself, but also for your peers who you work with, too. For me, personally, I feel this is what has kept me going, and what has made me overcome the difficult periods in my career, where it could be easy for anyone else to give up at that moment. As well as drive, you need to be able to possess imagination, and a daring nature to take yourself down paths to help bring the work to life. Even the areas that may be uncomfortable, or unrelatable to who we are in our personal lives. That is what acting, directing, and writing is all about, it's about immersing ourselves into different worlds that we've never explored before, to better understand, and replicate as organically as possible.
For you Cinema is....
Escapism. Cinema should be an outlet for us to escape the real world. Cinema is a celebration and showcase of art and technology that tells us stories of fiction, non-fiction, and sometimes a little bit of both. Sometimes cinema is a strong tool to help us deal with real life problems, or social issues that we struggle to face alone. Cinema is a universal language, capturing very important and special moments that would last forever.
Do you think Black and white movies have a powerful impact?
Absolutely! Black and white films are what started it all for us. They were pioneers of this wonderful and beautiful artform, and helped carved the path of cinema and the industry today. Black and white, as an aesthetic alone, is still a very powerful tool. From what I understand from a scientific study, is that black and white imagery is very effective, as it's considered to be more memorable to the mind than colour photographs. Black and white is supposedly much more attractive to look at, too, and is also commonly used by low-budget filmmakers who use celluloid film, as it's much cheaper to make than colour, both in regards to stock, and in regards to post-production. I, personally, would love to experiment with black and white film someday in the future. It would be good fun.
Have you ever dreamed of winning an Oscar?
I have most definitely dreamed of winning an oscar. As I've gotten older, I have, admittedly, been less concerned about it, but I wouldn't argue if I was nominated for it, whatever the category. As I've gotten older, my priorities have changed, and I've learnt to appreciate comfort over materials. As long as I'm working as an artist, with a consistent and substantial flow of jobs, that provide a roof over my head, food on the table, and clothes on my back, then I am incredibly grateful. Although an oscar would be a lovely bonus. We'll see!
Do you think you're gonna win it?
Never say never. I have low expectations, but even as little as a nomination (if it ever does happen), is something I would very much be grateful for. What would it be for? Who would I be rubbing shoulders with regarding fellow nominees? We can only wonder.
When did you realised you wanted to be a Filmmaker\Actor\Writer?
I really don’t see myself as a filmmaker, as it is not my first language. I have been a theatrical artist for almost 30 years, so when it came to making ‘the foul of the air’ it was a huge challenge for me. Suddenly my love of site and responding to site was limited to the scope of the frame and how it was captured.
Do you remember your first time at the Movies?
The experience of films always reminds me of times with my mother and sister. Growing up Mum would always take us to see the latest Disney creation. Growing up in the 70’s in Australia, I think my first was The Lady and the Tramp. I can still smell my mother’s perfume when I think of that film. As a teenager I found my love for Australian films, from Storm Boy, Walkabout and Death in Brunswick. There is an unease in Australian films which I find intoxicating almost suppressive. As an adult, I fell in love with Fellini and Hitchcock, with a healthy appetite for eastern European films.
If you should change country where would you like to work?
Probably Germany, for the sheer reason that I’d love to work within the legacy of Pina Bausch. My queen.
Two films that have marked your life for better or for worse...
Australian Film, Wake in Fright and Hitchcock’s Marnie.
What do you think about Acting/ filmmaking schools?
A gymnasium for artistic endeavours, awakenings and reflections. Imperative for resilience and stamina.
Have you ever hated your ambition?
Never hated, frustrated by it yes.
Francois Truffaut used to think that "Film Lovers are sick people”... was he right?
I think that depends on the films you enjoy.
Close your eyes...if I say “Cinema” what do you see?
I don’t see anything but smell popcorn, hear people moving in their seats, feel my mother next to me, my feet suspended in my seat and then open my eyes to a blackout interrupted by the red curtains pulling back.
Who’s the Director\Actor\Writer that taught you the most?
There is not just one person but more my love for a wide range of projects, old black and white’s to the lusciousness of Peter Greenways work. I think I draw my aesthetic from all of these works and bring about my love of non-linear narratives.
About your job, tell us your biggest dream and your worst nightmare...
Make a short film written by Elizabeth Strout with Jessica Mauboy, Alison Janney, Frances McDormand and John Travolta somewhere like the Shetland islands. Worst nightmare that it happens.
How important is to have a good Cinematographic Culture?
Art reflects and tracks life. We can see it in the colours we use in north hemisphere and the south. Cinema creates a reflect culture, where we see ourselves in a myriad of different ways. The more accessible the cinematic experience is the stronger we are as a society. Sitting together in a dark room, experiencing humanity in all its form.
What would you like to improve as a Filmmaker\Actor\Writer?
It would have to be my frame.
A big producer give you the chance to direct\to play (in) the remake of one of your favourite black and white Movie (if you have one)... what film do you choose?
Hitchcock’s film Marnie, told through a feminist lens.
Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged...who’s the person that keeps you motivated?
My husband Peter and cats Mr Tuttle, Maggie and Bok Choy. If your home is safe, then you can take chances and seek human rewards.
Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him?
No I don’t. I actually don’t write much down. I think it is about the
chemistry within the ensemble, the attention to details and allowing yourself the freedom to see what is forming in front of you and the bravery to chisel away at it.
What’s your most ambitious project for the future?
A new work ‘Y’ about the culture of sexual violence, secrecy, and denial.
Do you think that sadness or at least melancholy let be more creative?
Not more creative but certainly more truthful. Honest.
What do you wish to yourself as a Filmmaker\Actor \Writer?
Time.
What's the absolutely necessary ingredient to be a good actor/director/screenplayer?
Be ok with being perfectly lost in the moment of that character or story. As if you traveled through time & suddenly became that person or creative fictional character.
First and last cinematographic crush?
I had a crush on Ann Hathaway for the longest time. A beautiful & spirited actress.
How old you were when you decided you wanted to be an actor/director/screenplayer?
I began my entertainment career on the stage being a front man for metal bands. Creating mosh pits & getting in them, but I was always that kid who laid out with ketchup everywhere or made fake scars burns to be a monster or character. My film career began in my earlier 20s.
For you a Film is...
A powerful relayed sea of emotions to a deep & powerful type of relatable story.
What do you feel when you're acting/directing/writing?
I feel levitated by being pulled into a different world or time piece. It's very gratifying to watch the pages of your story coming to life through art & immortalized pictures. Like a audience energy feeding creature of some sort. Very rewarding.
You can go to the Movies with an actor/director/screenplayer that you
love. What kind of movie do you choose and with who you're gonna whatch it?
Spielberg & watching Indians Jones films.
Audrey Hepburn used to say “Nothing is Impossible”, what do you think
about it?
She was right. Only limitations we have is within our selves doubts or fears. Everything passed those are lessons before blessings.
Can you live just of your passion?
Once you get good at any craft it should no longer be work. It should be dreaming for a living, even if it's not what you really wanna b doing, put yourself in a positionto love wakingup & tackling the world & at some point a dream isn't a job, it's just who you've become known for.
What's more important talent or luck?
I believe anyone who has talent eventually will get lucky. Never quit, no matter how many "dream killers" are out there. Keep going.
You must go to a desert island but you can bring with you just one movie...
Lol. CAST AWAY (Wilson volleyball)
Have you ever accepted a part/ a movie to direct/ a script to write even
if you didn't like the project?
No. Everything I have taken part in I loved being a part of. Alot in the beginning felt like class but I was always having a blast. Good attitudes are addictive to be around.
What's the best compliment you have received about your Job?
I was told Phenomenal & genius. I am grateful just to be growing & still learning.
Are you satisfied about your career?
I think it's getting better. I'm just happy to be part of the magic. Whether its mine or someone elses.
Do you have a good luck charm?
I have many. I wear my magic most of the time. Lol French Cajun- Choctaw Cherokee bloodlines.
Which is the worst moment on set ?
Waiting game- be patient or being unprepared. Never do that.
How do you feel when a job you've been part of it's ending?
I get sad. Cry sometimes to myself then reset.
Have you ever lied to get a part/job?
No. Either it's for me or isn't.
If you should win an Oscar your first taught would go to…
I would like to thank God, him for being my strength, the universe for her being a reason to love & live in the moment.
When did you realised you wanted to be a Filmmaker\Actor\Writer?
My brother was lost at sea in a naval accident when I was 9. I grew up with his story, for better or worse. At 44 I was asked to speak about him at a naval memorial service. That night I started my first script, about him, and finished it at age 65. At age 69 I’ve written 4 award winning scripts, but none produced, yet.
Do you remember your first time at the Movies?
My first movie memory is “ How the west was won “, but my best/worst movie memory is watching Zeffirelli’s “ Blow Up” with my mother and sister in 1966, and Vanessa Redgrave takes off her shirt and I drop my “ jaffas “ ( Aussie circular candy ) that bounced down the wooden floor. The theatre cheered, I cringed. My sister hit me.
If you should change country where would you like to work?
I'm blessed to be a dual Aussie/US citizen. I can’t improve on that.
Two films that have marked your life for better or for worse…
Movies have only improved and inspired me. The two that changed me and are my best memories: 2001 a Space Odyssey & Indiana Jones #1.
What do you think about Acting/ filmmaking schools?
I’m a total fam of all advanced education for those that wish to pursue it. Some wish to work with their hands and struggle with books and some can’t tie a shoe lace but love books. Both are needed and we need more actors.
Have you ever hated your ambition?
I have never hated anything. The Good Lord created it all, some likable, some not. I am blessed with having had a wonderful career where I was able to support my family and use my skills in 10 countries as a volunteer. Namaste.
Francois Truffaut used to think that "Film Lovers are sick people”… was he right?
I love films and I don’t consider myself sick. Maybe Truffaut didn’t handle my ex-brother-in-law chasing him through Mobile. AL, when he was making Close Encounters…and he hit on his wife…totally true!
Close your eyes…if I say “Cinema” what do you see?
I’m a kid watching CinemaScope.., so sorry you millennials missed it.
Who’s the Director\Actor\Writer that taught you the most?
The master: Spielberg.
About your job, tell us your biggest dream and your worst nightmare…
Wow. I was a dentist for 38 years. I helped countless patients and volunteered in 10 countries. I’ve had a wonderful life and my accountant now lists me as a screenwriter hoping to make some money. God is great.
My dream is to have the The Thursday whaler and Voyager produced. I’ve had a blessed life…there are no nightmares.
How important is to have a good Cinematographic Culture?
Cinematography is critical, but the script drives the film.
What would you like to improve as a Writer?
I am always looking, waiting, hoping for the next screenwriting inspiration.
A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?
Dr. Straneglove with Putin, Kim jong Ill, and Trump as the villains.
Probably a Wes Craven.
Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?
I’ve been blessed to meet the love of my life after an early “ hiccup “. We are 41 years in love and she is my inspiration . Namaste, at close to 70 I don’t give a F##k… we are all part of this wonderful experience. Turn off your iPhone and…and hug someone.
Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him?
As Hitch said...story, story, story...thats why I'm a writer.
What’s your most ambitious project for the future?
Hmm... Work in progress...
Do you think that sadness or at least melancholy let be more creative?
I grew up with a lot of sadness in hindsight, but at the time it was all I knew. Later in life it gave me some good stories. You decide.
What do you wish to yourself as a writer?
Obviously, to be produced. En shallah.
Do you prefer Comedy or Drama?
I am a fan of both and try to implement both in my films.
Life imitates Art or Art imitates Life?
I thin k its a combination of both. Adding parts of your life to your stories I feel is a benefit to the creative process.
Which is the best Moment on set?
Best moment for me is when a actor or actress nails a scene perfectly and adds a little something extra that was not in the script.
Did anyone ever tell you weren't good enough?
Yes, I have heard that numerous times, and to this day I still hear it. But I use that negativity as fuel to keep creating.
How can you stay focused on your goal?
When I am writing and working on a script, I don't watch any T.V shows or movies that are the same genre.
Have you ever had a breakdown because of your Job?
No, my job has never interfered with me filming
Talent is a blessing or a curse?
I feel it can be both at times. Some people in this business are intimidated by the success of other actors and filmmakers.
What would you like to improve about yourself as an
actor/director/screenwriter?
I would like to have more opportunities to act in other films besides my own. I feel I have a slot to offer if given the chance.
What's the worst critic you have received?
An actress that I had offered a starring role in my comedy film, told me that my idea was ok, but my writing was garbage, and nobody would like it.
If you weren't an actor/director/screenwriter, what would you like to be?
A professional football player or Boxer.
If Cinema was a color what would it be?
Gold!
A day without a movie is...
Like a kid without an imagination.
If someone offered you to play/direct/write in/a movie that you despise,
but that for sure will make you rich and famous...would you accept the job?
No, I would not. I will not sell out for money. If I don't believe in a role or the film, I will not do it.
What's your greatest ambition?
To create original content and showcase it to the world.
What's your biggest fear?
The fear of failure.
Does music helps you to play/direct, write?
Yes it does, T.V is off and my favorite music is playing while I write.
You have the chance to make a Silent movie, what's your message to the
audience?
Expressing yourself without talking is easy.
Share your speech if you should win an Oscar.....
I would like to thank God, for without him none of this is possible, my parents, all my family and friends and the fans that have supported me. And last but not least my cast and crew, for believing in me and helping me bring my vision to life. Teamworkmakesthedreamwork!!!
What's the absolutely necessary ingredient to be a good actor/director/screenplayer?
To always put your own flare of originality and voice into anything you do. Bring your own unique spark to the table. That’s how you stand out and succeed.
How old were you when you decided you wanted to be an actor/director/screenplayer?
Probably as far back as I can remember. Even as a kid, I was directing plays in the backyard and writing lines for our neighborhood actors.
For you a Film is...
A unique form of expression to be able to tell the stories and ideas that you want to tell and share to the world.
What do you feel when you're acting/directing/writing?
It's intimidating at first to look at that empty blank page. But once you start writing, forming words and sentences, it becomes a constructive, flowing feeling. It's truly satisfying to get to that “ah-ha” moment, where everything comes together.
You can go to the Movies with an actor/director/screenplayer that you
love. What kind of movie do you choose and with who you're gonna whatch it?
I would have to go back in time to watch an Akira Kurosawa film with the late director himself. His vision and attention to detail was so unparalleled at that era of film. I would love to hear his meticulous planning of just how he accomplished so many scenes and shots. Like the duel sun and moon shot in Dersu Uzala, the magic hour shots in Kagemusha, and the infamous arrows scene in Throne of Blood.
Audrey Hepburn used to say “Nothing is Impossible”, what do you think
about it?
To think, she said that way back when. And all of the visual and technological feats that have been accomplished since. She was right then and most certainly now, nothing is impossible!
Can you live just of your passion?
Passion goes a long way, but so does a constructive team that helps to anchor you from going overboard, over-budget, and over-vision.
What's more important talent or luck?
Luck to get in the business, talent to stay there.
You must go to a desert island but you can bring with you just one movie...
Probably my favorite nostalgic/comfort film, Batman 89’. Nicolson and Keaton are still my favorite versions of Batman and The Joker. And the whole film just drips of atmosphere with its depiction of Gotham City.
Have you ever accepted a part/ a movie to direct/ a script to write even
if you didn't like the project?
I’ve been fortunate so far to be involved in projects that I’ve been able to learn and get something out of, one way or another.
What's the best compliment you have received about your Job?
The best compliment I’ve received came from my films last screening at the Love Wins Film Festival, in which an audience member called it a “roller coaster of emotion”, which was exactly what I had hoped to accomplish with Takeoff, a film told through emotion.
Are you satisfied about your career?
There will always be room to improve. I’m certainly satisfied with how Takeoff has been received. As my first major standalone project, I hope this will open the doors to so many more possibilities.
Do you have a good luck charm?
Nothing physical, but the encouragement and support of my family and friends keeps me going.
Which is the worst moment on set ?
I wouldn’t say there was ever a ‘bad’ moment on set, we all worked pretty well off one another. But the consensus seems to be when we were shooting the proposal scene. We were nearing the end of the shooting day, and we had a quota to finish by a certain time. I wouldn’t say we were rushed, but we had hoped to do at least one or two more takes, right when Dante and Zach were starting to feel the emotional weight of the
scene.
How do you feel when a job you've been part of it's ending?
You’re relieved to see how the job ultimately turned out, but you do sort of get used to the routine that you’ve established while shooting.
Have you ever lied to get a part/job?
Not lied, just colorized a bit.
If you should win an Oscar your first taught would go to…
Thanking everyone involved and especially my partner Chris who stuck with me through all the ups and down.
Do you prefer Comedy or Drama?
I like both, actually. When it comes to my projects, which are mainly creating videos for my own music, which is usually quite dark, I always end up in drama.
Sometimes I also do music documentaries where I try to factor in some real life fun.
Life imitates Art or Art imitates Life?
I think it works both ways. Art obviously makes people think and therefore has an influence on people, whether in an obvious way or just indirectly. And of course as an artist one takes inspiration in nature or real life … which is not true for my latest video ‘lost at sea’, obviously…. which is much more influenced by other peoples art. Guess I’ve binge watched too many drama series’ on streaming platforms in recent years.
Which is the best Moment on set?
I don’t know if there is a particular best moment on set. It’s very satisfying to have a team around you who work hand in hand. When everything just clicks and you know you’ve captured an awesome take. But also in the editing process: When you just know a moment is working, because it gives you goosebumps.
Did anyone ever tell you weren't good enough?
Oh, all the time. In every aspect of my life. And more often than not I tend to believe it. Or at least some of it. I reflect on myself a lot and I think I am at a point where I pretty much know: These are the things I’m good at and those are the things that are not quite there and need more work. There’s no such thing as perfection anyway. Everyone’s on a journey. Some are further down the road than others. That’s how life is. My advice to everyone is: If someone tells you, you’re not good enough: Accept it as an opinion, but don’t let it discourage you. There’s always something to learn and to improve in everything you do. Just carry on learning and practicing, and you’ll get where you want to be eventually.
How can you stay focused on your goal?
Usually setting target dates is the key. Be it a release date. Or a completion date. Then make a plan how to get there. Having a target date will really help you prioritize and focus on what to do next and what to postpone.
Have you ever had a breakdown because of your Job?
No.
Talent is a blessing or a curse?
Talent is a blessing in general. It usually makes certain things easier to achieve. But talent isn’t everything. It’s a good foundation, but you have to take it somewhere, nurture it, polish it, let it shine. And that’s where the ‘hard work’ part kicks in. It maybe can become a curse if you’re always only referred to as ‘a talent’. Which sometimes is a sign that people rely on their talent working for them to their favour.
What would you like to improve about yourself as a filmmaker, writer?
I regard myself as a self sufficient rock pop artist, which includes writing, recording, producing and bringing to life the story of a song visually doing script wiring, acting in my videos and directing them myself. Which is quite a ride sometimes. There are probably a million things I can improve in every aspect of it. Things I don’t even know about. I’m pretty much learning something new in every project I do and in every discipline, by working with people who know a lot more than I do.
What's the worst critic you have received?
You can’t sing. Haha. Criticism is ok. But sometimes the way you are criticised says more about the person criticising you than yourself. Am I the best singer in the world? For sure not. I know where my limitations are but I also know my strengths. That’s a key thing if someone criticises you: Who is the person? What’s the background of the person? Is it constructive or destructive? My advice is always: Ingest criticism. Put it into an internal drawer together with the answers to those questions. Collect it. But don’t take any singular criticism personally and let it destroy you. Once you've collect a lot of criticism - positive and negative - you might begin to see a pattern. And that pattern together with your own assessment of self will tell you youre real areas of improvement.
If you weren't a director/screenplayer what would you like to be?
I am in the luxurious position to only do my own music and film projects I feel the urge to do and also work in a job in the IT industry that is quite challenging and exciting. Maybe astronaut would be something to explore if I wanted to do something completely different. Haha.
If Cinema was a color what would it be?
A spectrum of all colors.
A day without a movie is...
… common. I don’t have enough time to watch a movie a day. And actually nowadays I’m much more into drama series’ with a rather long arch, documentaries and shorts. I rarely watch classic movies.
If someone offered you to play/direct/write in/a movie that you despice but that for sure will make you rich and famous...would you accept the job?
Well, you never know how you’d react in real life if someone offered you a perversely large sum of money, but if I really despised something I’m quite sure I would turn it down.
What's your greatest ambition?
I don’t subscribe to the concept of greatest ambitions. I rather think of it as : What’s my next ambition? The next ambition is always: succeed in the next project. And the next project is usually more challenging than the last one.
What's your biggest fear?
That society will fall for idiots once again that throw the world into chaos and mayhem another time or … that AI algorithms are unleashed uncontrollably into society that will destroy any kind of objective truth, which seems hard to see nowadays already anyway.
Does music helps you to play/direct, write?
As I already said above: In my project usually music comes first. Then the visual story is inspired by it.
You have the chance to make a Silent movie, what's your message to the audience?
Interestingly my music videos are sort of Silent movies as they don’t have dialog. But my message to the audience nowadays is: Be careful what you’re wishing for. Don’t regard people who don’t subscribe to your point of view as your enemy. Talk to each other, listen to each other, try to be empathic and understanding.
Share your speech if you should win an Oscar.....
Ladies and Gentlemen of the Academy, I’m convinced you must have mixed up the envelopes, but thank you anyway! I have no intention of giving it back.
Do you prefer Comedy or Drama?
It totally depends upon my mood. If I watch a Comedy, I tend to favor dark comedies; and if a Drama, I tend to gravitate more towards Historical Dramas or a good slow burn but in all honesty, I am an instant fan of anything that is well-produced and has a great storyline. I just watched August: Osage County (2013) and thought it was brilliant. Incredible cast and great script. There were certain moments where I could really feel that it was adapted from the stage...even before I knew it was because somehow it just breathed...like when a character would be left alone in a room and you could feel the emptyness of that space as though it were occuring on a set. I recently saw Disclosure (1994), to name a few, which was totally different but riveting. Lastly, I often return to European movies from the 1950's-80's and never seem to tire of the characters, storylines, or music.
Life imitates Art or Art imitates Life?
Well, this is one of those did the chicken or the egg come first questions. Since life existed before art, art imitates life unless you feel that life is its own form of art (which to me it is) and in which case, the two arrived at the same time.
Which is the best Moment on set?
All of my set experiences are in the music world and within this context, the best moments are when the band breaks out in a wild jam session or you get to sit in on a great rehearsal. When I worked at the Boston Opera House for a few seasons as a student, I would listen to Dame Shirley Verret practice which was pretty amazing. I also worked in the costume department which was extrememly busy. Years later, when I was working on even larger sets, and ones which involved hundreds of people, I loved witnessing and being a part of the last minute insanely crazy moments that led up to the show(s). The energy in the air during these moments is fantastic.
Did anyone ever tell you weren't good enough?
Absolutely. One of the worst examples of this was when I was in the 11th grade and a teacher pulled me aside and asked me where I got my story from. At first I thought she was saying how much she liked my paper but then I realized that she was mad and actually thought I stole it from someone else, because, as she put it, "It's too good for you to have written."
The assignment she was speaking about was to create an entire utopian society and then write a paper about it. My society was called Ashkalon and it was dolphin centered; meaning, that reality was flipped and dolphins were running the show instead of humans. Humans, had to live on islands in this imaginary pale green sea and these islands were divided up into regions according to specialty. So,for instance, the cotton and wool weaving was happening in one region and the brick making in another etc. and people could chose the areas they wanted to live in and work. Once a year, dolphins would come out of the sea and retrieve the people who were the most spiritually evolved on the island and take them to their water world to live for a year. When the people came back, they would be considered a type of wise old soul who would then teach the other humans the secrets of the universe (which I was convinced the dolphins knew). I had devised all sorts of ways - for the people who were chosen - to be able to exist under water and for the dolphins to be able to come onto land briefly. It was quite fun really...I had maps and everything. All hand-drawn, colored, and hand-written. I wish I still had the paper but the teacher refused to give it back. Years later I ran into her on the Harvard campus (I think she was taking a seminar or something), anyway, she hadn't changed much because she said, "how did you get in?"
The other times it happened to me it came unsolicited and somewhat random. Honestly, I've come to learn that the people who just come out with negative, non constructive comments are usually deeply frustrated or unhappy within themselves. One can always find something positive in every effort if the effort was made in earnest and with good intentions.
How can you stay focused on your goal?
Stay in my fox hole, play great music and tune out the world.
Have you ever had a breakdown because of your Job?
I've never had a breakdown but I've had my share of stressful moments. My goal is to become zen-like. Or, as Rush coined, "Grace Under Pressure."
Talent is a blessing or a curse?
Always a blessing.
What would you like to improve about yourself as a director/writer?
Be able to convey an entire storyworld with incredible power, depth and an economy of words.
What's the worst critical review you have received?
Historically I am my own worst critic but that little voice in the back of my head is starting to fade as I get older. I think it might be worn out.
If you weren't an actor/director/writer what would you like to be?
It's a toss up between an opera singer and a concert pianist.
If Cinema was a color what would it be?
Every shade of every color.
A day without a movie is...
Just fine if I have a good book... or can be out in nature.
If someone offered you to direct/write a movie that you despise
but that for sure will make you rich and famous...would you accept the job?
Absolutely not.
What's your greatest ambition?
My greatest ambition has always been to be a positive force in the world; to inspire a love of the arts, nature and the environment but also to give back philanthropically, either financially or through hands-on grassroot efforts.
What's your biggest fear?
I don't know that I have a particular fear (for myself at least) in that I don't sit around thinking about this because as I've gotten older, I've become deeply philosophical. And lets face it, I don't live in a war zone or in a some terrible situation because if I did, all bets would be off and I'm sure my fear level would be off the charts. But I do worry alot about the people I care about. I also feel a tremendous empathy and responsibility-- and with this comes some level of fear-- for the state of the environment, the animals that are continuously forced to adapt to our occupation of the land we share with them and so on. Not to mention the plight of many of the worlds citizens who are constantly struggling to get by or have to live with (and under) incredibly difficult situations. I think its huge to be able to wake up in the morning, be in good health, and not have to deal with poverty, war, natural disasters, or famine.
Does music helps you to play/direct, write?
I think it can work both ways. Music creates a certain vibe or mood and so if I want music while I write, I always try to find music that creates the atmosphere I want to see on the screen or I am trying to create with words. If there is too much percussion for instance, it won't work because the words I am writing will have a rhythm that matches the beat and this may be something that I do not want. At the end of the day, I think it's important to remember that the person reading your script or watching your film, is not going to be hearing the same music as you and so it has to make sense in complete silence or all on its own. I know some people like to have the radio playing in the background or listen to their favorite playlist while writing but I usually write in silence. Either that or I search for a specific mood but with no vocals.
You have the chance to make a Silent movie, what's your message to the
audience?
It's silent for a reason.
Share your speech if you should win an Oscar.....
LOL... I have no idea because I am quite shy in person and so would probably panic and try to send a body double. But if I did go, I am sure I would just be thanking the many people that helped me get there or supported me along the way.
Where can people find you?
When did you decide you wanted to be an actor/director/ screenplayer?
I could always write - that’s what my undergraduate degree was in. But I chose to pursue another path for a long time - NFL scout, then later as a Communications and Operations Executive for sports teams. About 10 years ago, I started writing screenplays again, and very quickly realized that the quickest way for people to see my work was to MAKE my work. So I started producing and directing shorts.
How did your family react?
Very supportive.
Do you have a Muse or a Role Model?
My first screenwriting mentor was the late Marc Lapadula, who taught at Yale. I worked with him for several years, and he really helped me hone my craft. Then, multiple programs and professors at UCLA took me to another level. Finally, when I met my writing and directing partner, Shannon Walsh, our combined voices were always what we had hoped for in our work.
Who's your biggest fan?
My dog. :)
What brings you inspiration the most?
Usually great films or books - the kind that make your spine tingle. That always gets the mind going.
Which actor or director would you like to work with?
A few of them. Aaron Sorkin’s work is what first inspired my love of screenwriting. Christopher Nolan and Alfonso Cuaron’s stuff helped me find my visual taste.
Have you ever seen a film that was better than the book?
I’m going to get dragged for this, but the Lord of the Rings Extended Editions. What Jackson did is just amazing.
What's the movie that taught you the most?
Not a movie, but a show: The West Wing. How they took complicated policy and make it not only digestible but also compelling and entertaining… and somehow even still topical 20+ years later!
About your artistic career, have you ever had the desire to quit everything?
Every time I open Final Draft and there’s a blank page.
On set what excites yuo the most?
When it’s really working, all the individual parts add up to a much larger whole. I love that moment.
And what scares you the most ?
That I won’t be able to execute what I have in my mind.
What's your next project?
A short film called One, Two, that I’m shooting with Shannon at the end of April.
You can steal the career of an artist you really admire, who do you choose?
Not my thing. I’ll make my own, thanks.
An actor/director/screenplayer is made of….
Human bodies are 70% water? I don’t understand this question.
For you Cinema is….
Art. A way of seeing the world. An escape. Depends on the movie, my mood and the circumstances under which I watch it.
Doyou think Black and white movies have a powerful impact?
Some do, sure.
Have you ever dreamed of winning an Oscar?
Sure.
Do you think you're gonna win it?
That’s not up to me, is it? As Quentin Tarantino said, “I make my movies for me, everyone else is invited."