What's the necessary ingredient to be a good Actor/director/screen player?
Passion is the driving force behind any creative endeavor. It is essential to create a story that resonates with you, regardless of its popularity or niche appeal. Ultimately, you should be proud of your work and never compromise your artistic integrity.
First and last cinematographic crush?
My cinematic crushes are a testament to the timeless allure of classic films. Icons like Clint Eastwood, Charles Bronson, Princess Grace of Monaco, Dorothy Jean Dandridge, and DiahannCarroll have always embodied the epitome of sophistication and class on the silver screen. These crushes, though from the past, continue to inspire my love for the art of acting and filmmaking.
How old you were when you decided you wanted to be an Actor, director/screenplay?
My journey into film and theater began at the tender age of 7. Since then, my heart has been captivated by the magical power of storytelling. This passion has driven my cinematic exploration, leading me to delve into fashion and costume design.
For you, a Film is...
For me, a film is not just a visual experience but a journey that takes your imagination to new heights. A film's authenticity is what makes it truly essential, drawing the audience into a world
beyond their own experiences.
What do you feel when you're acting/directing/writing?
When I'm on set, I'm deeply immersed in the character, location, and atmosphere. I cherish every moment, knowing that each day brings a unique and memorable experience. I live in the present, feeling the space and time as I bring my creative vision to life.
You can go to the movies with an actor/director/screenplay you love. What kind of movie do you choose, and with whom will you watch it?
Depending on my mood, I love foreign, action, and romance films. I'd ask my companion what they'd be interested in watching. I’m open to most movies.
Audrey Hepburn used to say, "Nothing is Impossible," but
what do you think about it?
I agree wholeheartedly! Open your mind to the impossible.
Can you live just with your passion?
Suppose you have a passion for living a whole, provocative life. Yes, you can live with just passion.
What's more critical, talent or luck?
Luck. Right time, right place. I know a guy with enormous talent, yet he surrounds himself with untalented, non-committed people, so his career hasn't gone far. There are endless stories of actors, models, etc., being noticed in a crowd. It's all about timing, which in turn can be luck.
You must go to a desert island, but you can bring just one movie...
Wuthering Heights.
Have you ever accepted a part/ a movie to direct/ a script to write, or even?
If you didn't like the project?
Never. I am either fully committed or not at all.
.jpg/:/cr=t:8.71%25,l:2.42%25,w:94.34%25,h:35.8%25/rs=w:1209,h:605,cg:true,m)
What's the best compliment you have received about your Job?
My commitment to fairness and the well-being of my cast and crew is fundamental to my professional style.
Are you satisfied with your career?
Yes, as I continue to write, produce, and direct films, I'm also in my career's mentoring and teaching phase, and I love it!
Do you have a good luck charm?
I don't use luck charms. Silence and stillness get me in the creative spirit, and zero chaos is preferred.
Which is the worst moment on set?
Late cast and crew. When I wait for someone, they have one more chance, and then I hire a responsible adult. I, along with everyone else, do not have time to waste.
How do you feel when a job you've been part of ends?
We are excited to promote this experience, but it's also bittersweet because it's over.
Have you ever lied about getting a part/job?
Never! I own my own production company. Besides, you'll eventually be found in a tight-knit community like filmmaking. You can't get your trust back once you lose it.
If you should win an Oscar, your first thought would go to...
My mother and grandmother. God rest their souls.
When did you decide you wanted to be an actor/director/ screenwriter?
I think it was in high school when I was the stage manager for The Unsinkable Molly Brown. I actually decided to go forward with it after talking with Amy Leigh McCorkle.
How did your family react?
Some were excited and others didn't say much.
Do you have a Muse or a Role Model?
Amy Leigh McCorkle is a role model. She has written numerous scripts and books. My characters are my muses. I let them tell me which way to take the story.
Who's your biggest fan?
My biggest fan is Luis Garthia. He cheers me onward and congratulates me each time I win an award or finish a project.
What brings you inspiration the most?
Life! Sometimes it's something someone said or did that have me thinking what if.
Which actor or director would you like to work with?
There are several actors I would like to work with including Jason Statham, Ryan Gosling and Sayed Badreya.
Have you ever seen a film that was better than the book?
I have read The Wizard of Oz and seen the movie multiple times. I love the movie more than the book.
What's the movie that taught you the most?
Any Hitchcock movie especially Psycho has taught me a lot. The lighting and camera angles enhanced the atmosphere. No dialogue was needed at times.
About your artistic career, have you ever had the desire to quit everything?
There have been moments when I felt I didn't know if my work was good enough. Now I look at it and check to see if it meets my high standards and I put it out there.
On set what excites you the most?
I love to watch the excitement build as everyone readies for that first shout of "Action!"
And what scares you the most?
My films bombing scares me the most.
What's your next project?
I am currently writing a script about serial killers.
You can steal the career of an artist you really admire, who do you choose?
I would steal the career of Steven Spielberg or George Lucas.
An actor/director/screenwriter is made of....
They are made of grit, determination, creativity, management, adaptability and focused.
For you Cinema is....
On the consumer side it is a way to forget my problems, immerse myself in another world. On the creative side it's a way to create new worlds filled with many possibilities. I can take it in any direction and give it as many twists and turns as I want.
Do you think Black and white movies have a powerful impact?
Growing up I loved all those oldies such as Ma and Pa Kettle, The Bowery Boys, Abbott and Costello as well as all the horror movies such as House on Haunted Hill. It didn't matter to me that they were black and white.
Have you ever dreamed of winning an Oscar?
Of course! Who hasn't that is involved with the film industry?
Do you think you're gonna win it?
It's on my vision board. I know I need to be creative and work very hard. It's never a given.
The biggest challenge of being an actor\director\ screenplayer is…
To translate your imagination into a movie
Choose an Actor, Choose an Actress...and now choose a story you would like to direct or play with both of them
Meryl Streep and Robert Pattinson
Who’s the first Aritst that let you understand you wanted to be an Actor\ director\screenplayer?
Clark Gable and Grace Kelly
What really excites you artistically or emotionally?
The whole creation process that can go on for months
Marlon Brando said “Never confuse the size of your Paycheck with the size of your talent”. Do you agree?
Yes
Have you ever been discouraged by someone about your life\career choices?
Yes but never was a problem for me because I always know what I want to do.
Do you think is harder for a woman being a Filmmaker?
Yes, we need to be 1000 times better!!!
Do you think that Fame and money could easily change your own Vision as a Filmmaker\actor\screenplaye?
No, if you learn how to deal with that , all is ok
Who’s the Movie star that made you dream for the first time?
Saga twilight
Make a wish about your career...
To have more technical resources to make a movie and to have some musicians playing with me the movie soundtrack.
Talking about cinema\Showbusiness, how hard is to remain completly honest to yourself as an artist?
It is a question of maturity and be faithful to yourself and respectful with you.
The Film you have loved the most?
Saga twilight and Avatar.
And now, don’t be shy….the one that annoyed you the most?
All movies has good part.
Your biggest artistic goal is… to touch people’s heart to elevate vibration in the universe.
What profession other than your own would you like to attempt?
Aircraft pilot
How important is to be rewarded as an Artist?
Leave a legacy to help new artists
Do you have regrets?
No
What’s the messagge you wanna express through your art?
My art is my life and to live is an act of love for the transcendence to elevate spiritual and human vibrations
Do you prefer Comedy or Drama?
I don’t think I prefer either of them–I love both genres! In my mind, comedy is a dedication to entertainment, and drama is a dedication to emotion. I try to have a bit of both in the stories that I write.
Life imitates Art or Art imitates Life?
I believe that art imitates life. Some aspects of history were documented through paintings, but even besides realistic depictions of our everyday lives, art also expresses emotion we experience throughout our lives. However, I guess life also imitates art in the way that people imitate art!
Which is the best Moment on set?
All in all, one of my favorite parts about producing short films is directing the voice actors. I was lucky to meet so many students who were passionate about voicing the characters I draw.
Did anyone ever tell you weren't good enough?
I am surrounded by people who support me in everything I do, including my parents, friends, and teachers. The only grown adult who has ever expressed to me that I wasn’t good enough would be a teacher I had a few years ago now. Though her words and actions hurt both me and my classmates, everyone who she predicted would fail has succeeded–and I am proud of how far I have come!
How can you stay focused on your goal?
With every new project I do, I try to add in new elements that I’ve never tried before or am eager to experiment with, such as adding voices, more complex backgrounds, a higher frames per second rate, or a new kind of story. Staying passionate and reminding myself that I have a lot to learn helps me stay focused on my goals.
Have you ever had a breakdown because of your Job?
Though filmmaking isn’t my job, it at times can become overwhelming. I get concerned often that I will not have enough time to meet the deadlines for completing my work, but when I feel as if I’m about to give up, I go and complain to the people in my life who are stuck with me, and they always make me feel better.
Talent is a blessing or a curse?
I believe that talent is a profound interest or passion for something rather than innate skill. Therefore, I think that it’s a blessing if you are capable of pursuing it, and a curse if you aren’t.
What would you like to improve about yourself as an actor/director/screenplayer?
Many things, but most of all I want to get better at story-telling and at creating technically adept animation. I often feel as if something is missing from the stories that I write, so I want to be able to create something that feels whole, fully-developed, and as if it exists inside a large and intriguing world.
What's the worst critic you have received?
While I’ve never had a bad experience with critics of my animation, the most blunt advice that I’ve ever received was from a judge for UIL Film. True, honest feedback from professionals is hard to come by, so I am glad that UIL Film offers that service to us.
If you weren't an actor/director/screenplayer what would you like to be?
I have not a doubt in my mind that if I wasn’t pursuing animation, I would be a comic book artist. The two short comics that I’ve made before were a blast, and I think that it’s a wonderful and exciting way to tell stories, just like film is.
If Cinema was a color what would it be?
Red; eye-catching and associated with strong emotion!
A day without a movie is...
A day without flair! I watch a TV show or movie every day (usually animated, of course). I like to pause or rewind to study the animation, or break down the plot of an episode to determine their goal in including it and its significance to the overall plot. I wish that there were more documentaries revolving around the details of creating animated TV shows, because I often realize that I have no idea how something was animated or ideated!
If someone offered you to play/direct/write in/a movie that you despise but that for sure will make you rich and famous… would you accept the job?
Yes! (Unless it goes against any moral ideals that I have.) Money can go a long way for future projects, and being more well-known makes you open to more opportunities. While of course I take film seriously, I don’t think that being a part of a project I don’t personally enjoy would make me ashamed. If it’s being produced, someone out there wants to watch it, and I admire any effort to make film. Plus, I might end up enjoying it more than I thought I would.
What's your greatest ambition?
My greatest ambition is to have a major role in producing a TV show, especially an animated one or one where I can take a part in the story or visual aspect of it. I understand that many who pursue film have this same goal in mind and that it is a very competitive and difficult field when it comes to producing, but I’ve never understood the point of downplaying or lying about what I want to do based on likelihoods.
What's your biggest fear?
When it comes to filmmaking, my biggest fear is that one day I will find myself in a position where I am making film but not enjoying it (in the long term). I’m still figuring out exactly what I want to do with my life, but I don’t regret dedicating myself to animation, and I intend to pursue it as long as I have passion for it.
Does music help you to play/direct, write?
Absolutely! Music helps with almost everything, I think. Soundtracks help me set the mood of the scene in final editing, and during production I listen to music while I work (unless I’m storyboarding or lip syncing). Also, when I’m overwhelmed, sitting down at the piano or strumming on the guitar is a great stress-reliever, while also feeling like I’m doing something artistic.
You have the chance to make a Silent movie, what's your message to the audience?
None of my films so far have been especially serious or moody, but I’ve been thinking about what kind of story I would tell under a circumstance like this. My message would probably be along the lines of “health should never be traded for achievement.” In other words, take care of yourself, even if it means you are less productive!
Share your speech if you should win an Oscar.....
I’m not so great at speeches–I’d probably stumble over my words trying to express my excitement. I’d have an extensive list of people to thank as well, so my speech would be especially long.
When did you decide you wanted to be a director?
I started my long career when I was 20 years old after being a photographer since I was 12 under the guide of my mother that is a professional reportage and portrait photographer. Ever since I made 101 documentaries and 10 TV series.
How did your family react?
My mother was ok with that but my father initially wasn’t because he wanted me to take a regular study course. But later in the following years, after the first success, he was ok too.
Do you have a Muse?
Yes I do! At this time my muse is the actress Amy Erin Johnson who worked with me in my last 13 TV episodes in two series. She is excellent, very professional and a great worker.
Who's your biggest fan?
My uncle who told me to continue after my very first movie in 1987. He is a retired famous psychiatrist who well read people mind.
What brings you inspiration the most?
Being a documentarist my inspiration comes from real and not fictional stories. Therefore I find very interesting to travel filming real experiences, possibly showing them in new ways and formats.
Which directors would you like to work with?
Steven Spielberg, George Clooney, Ron Howard, John Milius and many others to learn how to make fictional movies.
Have you ever seen a film that was better than the book?
Rarely but I have to say that sounds, music and cinematography can really do miracles taking a book to life in a different way or style.
What's the movie that taught you the most?
There isn’t a specific one but there are many that did it.
About your artistic career, have you ever had the desire to quit everything?
It happened only one time when I separated and later divorced from my ex wife. She was the protagonist of many of my documentaries and TV series that I have done from 1998 to 2005 then she decided to stop and me too. Until 2019 when our son told me to restart on stream TV like Amazon Prime Video.
On set what excites yuo the most?
To work around real happenings or take history or geography to life interesting many people including the little ones.
And what scares you the most ?
When I have bad weather during not repeatable situations that have to be absolutely filmed with the sun.
What's your next project?
Hopefully the season 3 of A&F the TV series that your Film Festival awarded. Though only at two conditions to have a financial sponsor and my muse actress Amy Erin Johnson.
You can steal the career of an artist you really admire, who do you choose?
I would not steal the career to any artist cause each one has a unique talent.
A director is made of…..
Ideas, leadership and capacity to fix or create art even from unexpected situations.
For you Cinema is ….
A world where you can dream for some hours forgetting the real world outside but TV is very different because is more suited to documentary.
Do you think Black and white movies have a powerful impact?
Not necessarily because color, if well used, can also have a huge impact.
Have you ever dreamed of winning an Oscar?
Yes, but doing TV an Emmy Award would have more chance.
Do you think you're gonna win it?
Who knows… never say never!
The biggest challenge of being an actor\director\ screenplayer is…
The biggest challenge of being an actor/director/writer is turning the fiction into reality In other words, it can be a challenge to make the world I create very believable and relatable. My main goal as a storyteller is to allow people to escape from the harsh realities of the real world and get lost in my fantasies.
Choose an Actor, Choose an Actress...and now choose a story you would like to direct or play with both of them
I would choose Coleman Domingo to play my mentor in a western movie involving a gunslinger. I would also want Coco Jones to play my love interest.
Who’s the first Aritst that let you understand you wanted to be an Actor\ director\screenplayer?
Spike Lee was one of my biggest influences in becoming a director. I always admired his brazen style of approaching certain subject matters. His filmmaking style inspired me to use film to express my thoughts and feelings of the everyday world and translate them through characters, words, and scenarios onscreen.
What really excites you artistically or emotionally?
What excites me artistically is that I can use my passion as a way to express myself in ways that I cannot do so in real life. I get to express myself in the way that I feel in a certain moment. My art is a safe haven. It is like painting on a canvas.
Marlon Brando said “Never confuse the size of your Paycheck with the size of your talent”. Do you agree?
I can partially agree with this statement because although your talent should come first, the money should compliment that talent. In other words, it is important to know your worth, so the size of your paycheck in a way should be a response to the size of your talent, but not so much that you are just solely doing it for the money. There needs to be a balance.
Have you ever been discouraged by someone about your life\career choices?
I have been discouraged a few times about my career choice, not from my family, of course, but from other people. I have heard things like, “I don’t see that as a stable career for you” or “Maybe you should try something else.” These sentences would haunt me for a little while, but my love for film always kept me steadfast and persistent.
Do you think is harder for a woman being a Filmmaker?
In today’s market, I do not think it is hard for a woman to be a filmmaker, considering you have prominent people like Ava DuVernay, Greta Gorwig, Nia DaCosta, Gina Prince-Bythewood, and others in the game today. I do believe, however, that the industry is still a little patriarchal when it comes to the hierarchy as men are still valued in power, and as a result, they could give women a hard time. Most Oscar-winning directors were male, and they are more celebrated than the women. I feel as if things are shifting a bit in the modern era for women, but there is definitely more room for improvement.
Do you think that Fame and money could easily change your own Vision as a Filmmaker\actor\screenplaye?
I do not believe that fame and money could easily change my vision as a filmmaker. Do I want people to notice my work? Yes. Do I want to make money off of my work? Absolutely. But, at the same time, it is the thirst that I have for my craft that really keeps me going. Money and fame is not everything to me. My love for the craft is.
Who’s the Movie star that made you dream for the first time?
Sylvester Stallone was the movie star who made me dream for the first time. Just seeing him as Rocky had this underlining message that I needed as my ambitions grew stronger. Through his eponymous character, Stallone has taught me how to “go the distance” and aim for what I want out of life. I knew film was always my passion, so I used the Rocky franchise as a way to help me believe in myself more and dream big.
Make a wish about your career...
I wish myself to have a very successful career film financially and mentally and that I never forget who I am and where I came from.
Talking about cinema\Showbusiness, how hard is to remain completly honest to yourself as an artist?
It is not hard for me to be honest with myself about cinema/show business at all because at the end of the day, I know what I want, and I know the work that I am putting in to get there, putting in honest work, that is. I am not taking shortcuts. I am not selling myself short or selling my soul. I am taking the long road, and the most honest thing I tell myself is that it will take time, and I have accepted that.
The Film you have loved the most?
The film I have loved the most was Whiplash (2014) because there is an underlining message that just shows people to keep pushing towards your dreams, but also give yourself some grace as well by not overworking or overpowering yourself. It is a very deep watch.
And now, don’t be shy….the one that annoyed you the most?
There are a plethora of films that have gotten under my skin, way too many to notate. I would say any Hollywood remake or reboot that exists for the sole purpose of being a cash-grab is annoying to me. I like films that actually serve a purpose. Yes, it is important for a film to be successful on the commercial front, but you cannot focus too much on that aspect that you compromise your artistic value as well.
Your biggest artistic goal is…
My biggest artistic goal is to make films that can resonate with people and allow for them to see themselves in them. I want seats to be filled when my work comes out. I want to be able to create a safe space for people to be in whenever they see my films.
What profession other than your own would you like to attempt?
Another profession outside of film that I would attempt would definitely be journalism. I just love gathering stories and writing about them to inform people. I have always had a passion for gathering the truth.
How important is to be rewarded as an Artist?
As an artist, being rewarded is a blessing and an honor, however, I do not let it define my talent or my my worth. The biggest reward for me as an artist would be having a multitude of people getting to know my craft and enjoying every bit of i
Do you have regrets?
I have no regrets. Everything I do as an artist is trial and error. With me being young, I am still learning ways to become better at my craft and growing more. I value the good and the bad that comes with this journey.
What’s the messagge you wanna express through your art?
The message I want to express through my art is that it is ok to be different. It is ok to be yourself and beat your own drum. You do not have to be like others. You do not have to be what others want you to be. My characters are often people who are seen differently from the outside world, and that parallels to my own life. I always say that there is no right or wrong way to be creative. Be the first you, not the next somebody.
When did you realise you wanted to be a Filmmaker\Actor\Writer?
Very early. Early on I was obsessed with Disney. When I was 10 years old my Mum bought me a book written by Leonard Maltin called “The Disney Films”. It was a fantasy to work there though and unbelievably I achieved that goal many years later as an Animator on Disney’s “Pocahontas” and a Lead Animator on “Hercules”. Then, before DVD’s or even Videos I would wait with great anticipation at Christmas, not for Christmas Dinner and the presents but for the film “Jason and the Argonauts” (with stop motion by Ray Harryhausen), that would play once a year during the Festive time. I also remember as a youngster seeing Stanley Kubrick’s “Spartacus” on TV and afterwards building a small coliseum in which I could play with some of the toy gladiators. I was probably already Directing in my head as I manoeuvred the characters around the arena. It certainly fired my imagination at an early age.
Do you remember your first time at the Movies?
When I was younger, seeing a film at the Cinema was a big thing as we didn’t have the options we have nowadays with no video streaming and once a film played theatrically it might be years before it was back in the cinema again. I am pretty sure it was “Jungle Book”. When I was at Disney I was able to view the original drawings for the scenes in the ARL (Animation Research Library). Which was very special.
If you were to change countries, where would you like to work?
Interesting as I have worked in a few countries. I am from England but I did work in Ireland in my twenties before going to Los Angeles. I enjoyed both immensely for very different reasons. I have now been based back in England near the stunning City of Bath and am happy to finish my globetrotting here. However, should I have to choose another Country it would probably be back in the US, somewhere like Santa Barbara in California, definitely not LA with all that traffic. The weather back there is certainly a plus!
Two films that have marked your life for better or for worse…
Interestingly “The Iron Giant” comes to mind again. There is a line in there “You are who you chose to be!”. I am a great believer in that. If you decide who and what you want to be you can be exactly that. In the case of the Giant he chose to be a SuperHero and not a Villain and saves the Village. At some stage I chose to be a Director of Live Action films and, if you like, manifested that by my thoughts and actions. Much better than Scientology!
From a filmmaking point of view the first Alien film by Ridley Scott. It was in effect a “C” Movie elevated to an “A” film by Scott’s vision and Direction. Scott also came from a Visual background like me, going to Art College. Ridley Scott's visuals are sublime and I have always felt his work was something to aim for. "Shoot for the stars and land on the moon" !
What do you think about Acting/ filmmaking schools?
I think we all take different paths and if Acting/Filmmaking school is an option that is a good thing. Although I went to Art School it was in Graphic Design and Publicity not filmmaking but it gave me a fabulous training in the fundamentals. I mainly learnt the best way “On the job” but I did also get further training within the studio system. I remember at Warner Bros when we finished one film I was still under contract with another 6 months before the next production started. Along with a small core of the rest of the crew we were all treated to Acting lessons and much more. My favourite were the story sessions with Chris Vogler who wrote “The Hero’s Journey.
I know Trantino never went to film school and his training was watching films as he worked in a video shop! There are also lots of fabulous online videos about films to watch. I love the StudioBinder Tutorials on YouTube which are top notch! But for those that have the opportunity to go to an acting or film school I would say do it, you can never learn too much! In fact as Scorsese would say, you never stop learning.
Have you ever hated your ambition?
That is a very interesting question. I think anyone that is ambitious is probably a perfectionist and that comes with baggage. It normally means you are never totally satisfied which can lead to frustration. I remember working on a Brad Bird film, the Classic animated film “The Iron Giant” and I remember him saying that film was an imperfect medium.I think what he meant was that there is always an element of compromise as films are made on a budget and for the Director the budget is never enough. So I have become philosophical about it, especially with age. All you can do is your best within the parameters you are given and often the mistakes you notice as Director no one else does as you are so close to it. Someone else will be watching the film as a whole, not every frame.
Before Directing Live Action I was an animator, in fact a Lead Animator at Disney. To achieve that you have to be ambitious. I was certainly obsessive and yes I would say at times hated that. But as I reached certain goals and got older I have ways of dealing with that. I have a more balanced life now. I am equally ambitious but I know how to switch off, enjoy myself, even do some gardening, then when I get going on a film again I am refreshed and ready for the full onslaught that films always are, but I embrace it, it is good stress and not debilitating.
Francois Truffaut used to think that "Film Lovers are sick people”… was he right?
He maybe has a point! To make an interesting film there has to be conflict. Without conflict there is no drama and through film we can reenact our lives in some ways. There is a dysfunctionality with many characters in film, the interesting ones anyway and therefore those that relate will be equally as dysfunctional! Just take Joaquin Phoenix's remarkable performance as the Joker in “Joker”. What he does is certainly wrong, sick in fact but he gets you so much into his character that you actually empathise! I hope we achieve the same thing with our film “Censure” in which leading actor Connor Wulfirc gives a devastating performance.
Close your eyes…if I say “Cinema” what do you see?
I see a widescreen, panoramas, the smell and rustle of popcorn and I can still hear the sound of the projector. It’s a comforting and familiar sound that is now a thing of the past.
Who’s the Director\Actor\Writer that taught you the most?
Hitchcock is always on my mind. They don’t call him the master of suspense for nothing. Unlike many Directors today with all the tools at hand and play their hand all at once he knew how to toy with an audience, to build suspense. Don’t give it all away at once. Make the audience wait and want to see more. Ridley Scott does it in Alien too. I am sure he learnt from Hitchcock as well. They didn’t have flashy CGI back then and had to make do with men effectively in monster suits. Therefore the shots are more selective, minimal and when they come to better effect. I think they all learnt from the Master. In Spielberg’s Jaws we don’t actually see the shark properly until the end. We sense him, we see his point of view with his incredible but purposely simplistic score by John Williams. Music was so key in Hitchcock! Imagine taking away those violent violin cords when Marion Crane (Janet Leigh) is stabbed to death in the shower by a shadowy figure.
I have been lucky enough to have had an incredible Music Producer Adrian Chivers who is instrumental in the Band Noise In Your Eye with his music partner Daniel Pennie.
About your job, tell us your biggest dream and your worst nightmare…
My biggest dream would be to make a number of my Feature films in development which include “ I See Spiders” https://iseespiders.wordpress.com/ , “George and the Dragon” https://rmbazley.wixsite.com/georgeandthedragon and Little Red https://www.facebook.com/profile.php?id=100083387974519
I think my biggest nightmare would be not to get any of them made!
How important is it to have a good Cinematographic Culture?
I think it is very important. There are all sorts of filmmakers, some more visual than others. I am definitely in the visual camp. I am trying to learn as much as I can about cinematography and am a huge fan of Roger Deakins. (“Sky Fall”, “1917”, “No Country for Old Men”). What is so interesting is that on some major films for some key shots he will only use a single camera. Sometimes when you have multiple cameras , like Michael Bay, you are limited in how you light and compose a scene as it has to work from all angles. With one camera you are not. So sometimes less is more! In recent years I have been lucky enough to be working with a great DOP John E Fry who was involved in both of my films “Censure” and “Confines”. John is able to translate onto screen effortlessly what I describe or show him in storyboards.
What would you like to improve as a Filmmaker\Actor\Writer?
I would love to improve in writing. I am an ideas man and have plenty of ideas but due to my background I am very visual, so I need to rely on great writers. I was lucky enough a while back to find screenwriter Neil Bason (writer of “Censure” and “Confines”) who is able to take my basic ideas and craft them into an amazing story. I don’t write whole screenplays myself. I may write an occasional line of dialogue but not an entire scene. I would like to write an entire screenplay one day.
In fact I like to learn more in all aspects of filmmaking as it never stops. Jay Cox joined us on “Confines” and did the final edit and was involved with many other aspects of the film. It was Due to the nature of the film it was not a straightforward edit and sitting in the edit room with John E Fry and Jay Cox, piecing together all the material I think we all learned from each other.
Film Industry it’s a tough place and sometimes it is normal to feel lost and discouraged… who’s the person that keeps you motivated?
It certainly is and you really need a tough skin and after all these years with the inevitable knocks and bruises I still don’t have thick skin. I think the only person who keeps me motivated is myself. I won’t stop and I am relentless! Of course there have been various people in the past who have been supportive in some ways. Gary Kurtz (Producer Star Wars, Dark Crystal) was my partner in GBK Hybrid until he passed away and he was immensely supportive of me as a Director. He too had massive set backs but had his own tools for getting through the tough times. He was quite a spiritual man and when I would confide in him would give me wise words of advice or encouragement.
Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him?
I would hardly disagree with the great man! There are degrees though and I don’t think this would include cinema verite but it's a great sound bite by Hitchcock. I believe the original script for “Alien” wasn’t great but Ridley Scott saw its potential. He added elements that certainly raised the bar from an incredible Monster designed by Giger to his incredible sense of visual style and direction which would not have been in the script.
Different films rely on different attributes. Ken Loach is all about the dialogue, performance and realism. Sometimes in script form it’s impossible to see what it finally becomes, especially Mike Leigh films which are full of improvisation.
What’s your most ambitious project for the future?
I think it would be The Chimeran which was developed with Gary Kurtz.
It is a sort of cross between “District 9” and “Planet of the Apes”. An explosive drama, set in a possible future, where mankind's needs for mass production is fulfilled by The Chimeran, a genetic hybrid race, bred for purpose. More details at www.thechimeran.com When wannabe god Professor Beachell De Vries creates an intelligent and powerful Chimeran worker race to save his son’s life and the economy; their camp becomes a battleground for the very future of the human race.
It started as a Feature concept but has now been reworked as a TV Series and is currently in the hands of Hal Lieberman (Producer “Terminator3”, “The Jackal”). Any interested parties by all means enquire!
Do you think that sadness or at least melancholy lets you be more creative?
Absolutely! Even if you have a happy film you will need sadness or conflict at some point to appreciate the lighter mood. Both my films “Censure” and “Confines” are dark and deal with mental health issues.
I purposely shot “Censure” in Black and White, except for one sequence, to accentuate the dark mood of the protagonist. It was shot in the Winter so it was cold, rainy and bleak again reflecting his mind. My Wife recently asked “Why don’t you make a happy film?” I think one of the reason was I had been working on children's animation for so many years and that the TV work I felt was lacking and soulless so when I had the chance to make my own films I went to the other extreme! I felt free as I had total control! Connor Wulfrics portrayal I should add should you see the film is sublime.
In “Confines” I think I was also able to express some of my own personal demons where a character is imprisoned mentally in his mind but we give this a physicality and place him in what is called a Blind House where people used to be locked up. Luke F Dejahang gives an intense and grimacing performance. Our protagonist is beating himself up as he can’t forgive himself for letting his partner talk him into letting her try for a child when they knew there was a risk. I added an improvised scene and described the dilemma to both Luke and Vivien Taylor (Hope).
The performance I got from both of them was more than I could have imagined, the tears were genuine and some of them were mine!
I was more than delighted with the awards we got for both films, over 60 and counting with several from the Hollywood Gold Awards.
What do you wish for yourself as a Filmmaker\Actor \Writer?
The great thing about being a Director is you can keep going till you drop! Clint Eastwood is 94 years old and still going! So my wish is to make as many films as I can in the time I have left!
When did you realised you wanted to be an actress?
Even when I was a little girl, I was very interested in music. I learned ballet, folk dancing and play the piano. I was twelve years old when the feeling came over me during a theatre performance that I had to do this, that’s why I was born. So at the age of fifteen I continued my studies at the music conservatory. When I was nineteen, I was already playing leading roles in musical plays in theatres.
Do you remember your first time at the Movies?
It was a musical TV movie, in which I had to sing. Even though I already had some theatre experiences , I remember having butterflies in my stomach. Stage fright in front of the camera, it’s quite different from that on the stage.
If you should change country where would you like to work?
I studied and worked in Los Angeles, New York, London, Rome and Budapest. Paris has been the center of my life for a few years now. I love France, I love being here. It’s true that our work requires a lot of travel and I lead a cosmopolitan lifestyle.
Two films that have marked your life for better or for worse…
….for better, there are many of them. Dead Poets Societ, The Lovely Bones, The Devil’s Advocate and La ciociara with Sophia Loren.
….for worse…. I wouldn’t say anything. On the one hand, because I respect the work and effort of my collegues, and as a profucer I know how complex it is to run a film successfully, on the other hand, you can learn a lot from mistakes.
What do you think about Acting schools?
In order to be successful in the long term, a good quality of acting school is essential. I had marvelous masters in Los Angeles and in London. There I acquired the Meisner technique, which is an indispensable tool for genuine screen acting. Although, when I play a big classical drama on stage, I reach for the Stanislavsky method.
Have you ever hated your ambition?
I’m such a perfectionist, excessively. Sometimes I wish I were not. You have to be able to let things go. At the beginning, I always focused on whether others liked what I was doing, I wanted to live up to other’s expectations. My masters taught me that in art, it is not perfection that is the most important but individuality and what you convey through it.
Francois Truffaut used to think that "Film Lovers are sick people”… was he right?
I’m a great admirer of Truffaut and maybe he was right from the point of view that any kind of art - be it music, painting, dance or film making - requires full commitment.
Close your eyes…if I say “Cinema” what do you see?
Early forties, I’m sitting in a battered cinema and a black and white film amazes me. Maybe it’s the Casablanca, who was directed by Michael Curtiz, Hungarian film director, just like George Cukor, Sir Alexander Korda. Since I was also born in Hungary, I’m very proud of them.
Who’s the Director that taught you the most?
Jack Waltzer, - who taught such big names like Sharon Stone, Gerard Butler,David Soul and worked with Sigourney Weaver, Dustin Hoffman - was decisive for me. With many leading roles in musicals behind me Jack told me; “ Christine, you are a dramatic actress” and he was right.
About your job, tell us your biggest dream.
I always do everything to get the best out of my task and it feels fantastic to win award, however the work itself, acting and filmmaking that makes me happy.
What’s your worst nightmare?
I have two recurring nightmares. One is that I arrive at the set and the location is not yet ready or it turns out that it is not possible to make shooting there. Of course, this has never happened to me, it’s probably a subconscious fear of mine. For sure, finding the location as a profucer is always the biggest thrill for me. The other one is that I forget going to the theatre, even though I have a performance in the evening.
How important is to have a good Cinematographic Culture?
Cinematography has always been decisive in any historical period. Whether it teaches or entertains, amazes or scandalizis, it has a big impact on people. It has a great advantage over the theatre, namely that it remains for the future.
What would you like to improve as a Filmmaker?
I like to improve our budget :):). I founded my own film company in 2022 in Paris. It is still a young company, but full of ambition and great faith.
A big producer give you the chance to play in the remake of one of your favorite black and white movie. What film do you choose?
The Artist. It’s a fantastic movie. But if I have to go even further back in time, then Roman Holiday or Casablanca.
Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged. Who’s the person that keeps you motivated?
My husband Peter Korday. He is director, producer and used to be an actor. He perfectly understands my desires and my fears. I’m happy if I’m invited to shoot in other productions, but when Peter is behind the camera it’s wonderful. I suppose that Bérénice Bejo must have felt the same on the set of ‘The Artist’ or Sophia Loren, most of whose films were produced by her husband Carlo Ponti.
Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him?
Completely. No matter the great director and the good actors or the perfect crew, if the script is not good, it is really difficult to get something really good out of it.
What’s your most ambitious project for the future?
We’ve just finished a screenplay, we wrote together with Peter Korday, “Huîtres dans la baignoire”. It’s a comedy and we love it. We can’t wait to get to be filmed.
Do you think that sadness or at least melancholy let be more creative?
Unfortunately, it is true. The above-mentioned comedy was written during a very difficult time. My father, several close relatives and young friends have recently died in a short period of time. Writing comedy was a form of therapy for me, although it was not conscious. That’s when I realized how much I love writing, and that I have something to do with.
What do you wish to yourself as an actress and producer?
We are now shooting our latest film “Soft Floating in the Field of Spheres” of which I’m the protagonist and one of the producers. The movie is directed by Peter Korday, and though I have worked with him before, I’m full of excitement. He is the kind of precise and calm director who exude confidence but likes innovation. I feel that this role is a challenge for me now. So I keep my fingers crossed.
Do you prefer Comedy or Drama?
I love Drama especially suspense, but I have just ventured into comedy with my new script “Flames of Love”
Life imitates Art or Art imitates Life?
I believe it is both, we learn from life and life can make great stories, then we turn it into art by adding interesting characters, dialogue, and scene actions.
Which is the best Moment on set?
When the director says “It’s a wrap! We made a movie folks!”
Did anyone ever tell you weren't good enough?
Yes, and I always believe you fail upwards. When most times you are told that it’s not that they want to put you down, embarrass you, or even make you quit. They want you to improve. You always must remember it is usually not personal and if it ever is, it is their loss not yours.
How can you stay focused on your goal?
Absolutely, I’m very stubborn just like my dad was. Stubborn Scotch-Irishmen. If you want to get me to finish something, just tell me I can’t do it.
Have you ever had a breakdown because of your Job?
Never. I’m not saying I haven’t had bad days and sometimes you need to take a break and get a cup of coffee or go for a walk and refresh. It does amazing things for you.
Talent is a blessing or a curse?
It can be both, remember always being careful of what you wish for. At some point you will be in demand and feel like you are being pulled in many directions. I’ve always been good at prioritizing and getting things done. Once that is realized many will want to tap into that.
What would you like to improve about yourself as an actor/director/screenplayer?
Education, networking, experience, and asking questions when you don’t know. Everyone in this business at some point fakes it until you make it. But if you do that be a sponge and learn, it doesn't just happen if you don’t cultivate your skills.
What's the worst critic you have received?
I usually don’t take things personally, but the worst critics are keyboard warriors who don’t identify themselves on social media. I always figure from the comments made from jealousy. But with that said one of my scripts which had won many awards I was told by a judge once it was very outdated and read like an old episode of the Twilight Zone. My response was perfect! That is what I was striving for.
If you weren't an actor/director/screenplayer what would you like to be?
Right now, this is my fourth and final career, and I have been pointing myself in this direction since college. I’ve been a soldier, a firefighter/paramedic, cowboy, professional firefighter, and now in entertainment. I use it all to draw on my experiences.
If Cinema was a color what would it be?
Blue, no reason, just my favorite color.
A day without a movie is...
Very boring, lol.
If someone offered you to play/direct/write in/a movie that you despice but that for sure will make you rich and famous...would you accept the job?
It depends on a few things. One I never base it on money or fame, if you do you already lost the vision. I was told years ago when I was doing photojournalism that if you wait for the money shot you already lost it. Very true. I was once asked to write an adapted screenplay from an actual story. I didn’t like the story but my friend who approached me talked me into. I grew to love my characters and right now is being looked at by a major director.
What's your greatest ambition?
To tell great stories and to make a difference with my art. Not convert people to any certain ideology but to entertain along with informing.
What's your biggest fear?
That I will pass on and leave something uncompleted.
Does music helps you to play/direct, write?
Always, I need some type of background noise to cancel out the world’s distractions.
You have the chance to make a Silent movie, what's your message to the audience?
I love the old silent films, actors truly had to act and entertain the audience through their physical actions, looks, expressions, etc.
Share your speech if you should win an Oscar.....
I want to thank my God, my wife, my family, friends, and all those who have helped me do what I do. I also want to thank Veterans in Media and Entertainment for teaching me my skills, and providing all other veterans s pathway to succeed in this career.
Do you prefer Comedy or Drama?
I love both the same.
Life imitates Art or Art imitates Life?
Art imitates life.
Which is the best Moment on set?
The best moment is when they call you to take your place on set.
Did anyone ever tell you that you weren't good enough?
No.
How can you stay focused on your goal?
Meditation and prayer and never give up.
Have you ever had a breakdown because of your Job?
Yes, I was working in Coture design and the industry is full of politics. I loved the job and was a success, but the people were fake and it broke my heart.
Talent is a blessing or a curse?
Both because talent means you have a gift you have to respect and take care of God's gift.
What would you like to improve about yourself as an actor/director/screenplayer?
Communication is always the thing that can get better in all parts of the industry.
What's the worst critique you have received?
On my acting:
LA Acting Coach Scott Sedita said that I should quit acting and that cooking as a chef was a better choice for me.
On my filmmaking:
When someone said They were confused about the story and thought the character I wrote was confused.
If you weren't an actor/director/screenplayer what would you like to be?
A fine painter or a professional singer.
If Cinema was a color what would it be?
Red and yellow.
A day without a movie is...
Lifeless and without life.
If someone offered you to play/direct/write in/a movie that you despise but that for sure will make you rich and famous...would you accept the job?
No. I would become rich and famous differently with a great project that helps others benefit the world.
What's your greatest ambition?
To win an Oscar.
What's your biggest fear?
I don't know. I guess to be alone.
Does music help you to play/direct, and write?
Sometimes it gives me hope and ideas when I feel stuck.
You have the chance to make a Silent movie, what's your message to the audience?
In the silent film I made, the message was: You can do it. You can change yourself and change your life.
Share your speech if you should win an Oscar.....
I would like to thank my acting coach John Sarno for giving me the confidence to make this speech and Vivek Zamana for supporting me through thick with his amazing work and wisdom friendship and love. You know I started my life with a stutter and I think it was God sent because I had to work it out with my speech and I finally got confident enough in acting class to say a few words. My dad always wanted to be an actor and because of him I am here talking to you. Thank you, Dad. I thank the world for the chance to share my acting and my stories with you all. And I am eternally grateful for every last person who has seen my work. I hope that I was able to change them in some way and improve their lives if just for that moment. That is what I live for the chance to help others and make a difference.
The biggest challenge of being an actor\director\ screenplayer is ?
The biggest challenge is the mystery in the words . The most aspect is the revelation of building a script with the mystery and spirituality then the action under the medium aspect .
Choose an Actor, Choose an Actress...and now choose a story you would like to direct or play with both of them:
Brad Pitt and Julia Robert. I would cast them as the leads in my script feature.
Who’s the first Artist that let you understand you wanted to be an Actor\ director\ screenplayer?
This is Viviane Leigh and her passion for the life .
What really excites you artistically or emotionally?
When I transcend myself beyond everything .When I touch the heavens . My medium potential in incorporation of words . A screenplay compared to a book embrace action, it is as a living painting where the theatrical dimension is crucial.
Marlon Brando said “Never confuse the size of your Paycheck with the size of your talent”. Do you agree?
Yes because the mystery like the cross does not demean man but elevates him. This is my truth . I find myself crossing the banks of eternity .
Also to be inspired by artistic and technical creativity which allows women and men to open the horizons and go beyond their limits with tremendous passion, creativity and generosity .
Have you ever been discouraged by someone about your life\career choices?
Not been discouraged by someone.
Do you think that Fame and money could easily change your own Vision as
a Filmmaker\actor\screenplay?
Never ! My own vision this my creativity . Not money !
My writing journey is that I have written during 15 years of historical research Eight books about the treasure of Abbey Sauniere of Rennes the castle , the treasure of Templars, the Grail . Not money could easily change my own vision but my hope is to find a producer who loves great epics and interested in esotericism with preference for the secret of Templars and these woman who rebuild and refocus through Mary Magdalene :the lord ‘s Grail .
Who’s the Movie star that made you dream for the first time?
I like the work of Alfred Hitchcock who highlighted two topics : mystery and suspense.
Talking about cinema\Showbusiness, how hard is to remain completly
honest to yourself as an artist?
I am always honest when the sublime touch infinity .
The Film you have loved the most?
The Birds by Alfred Hitchcock. A scary movie but also the Schlinder ‘s list for the courage and the hero who dissociated himself form barbarism and then Gonewith the wind where an epic wind blows and where romance is at its peak .
Your biggest artistic goal is?
I have au project on The priory of Sion and the treasure of Abbey Sauniere who has obtained 207 awards of best script feature around the world (to see on Freeway my free page with the Priory of Sion ) and my teaser on your tube by Edilivre Editions : “ quand le mystèrieux Prieuré de Sion s‘invite à Rennes le château “ but also an other project on Camille Claudel and Rodin via my published screenplay by Edilivre Editions ( le nouveau triomphe de Camille Claudel ). Also on your tube you can see sequence pilot where I play Camille Claudel ( Camille à Marseille ).
What profession other than your own would you like to attempt?
I am a real medium , writer, scripter, painter, poetess and a few actress . I would like to play in my screenplays and also to meet other artists in the world in order to be reporter in the art .
Make a wish about your career...
To find producers but Hitchcock said : to make a great movie you need three things : the script, the script and the script. The film rights are one hundred per cent with me and not with my editor.
Do you have regrets?
I haven’t regrets. I hope in God . Jesus - Christ is my star . I believe in my star .
What’s the message you wanna express through your art?
In ability to develop and to enrich Humanity of the new dawn in the mirror of creativity that vehicle my several screenplays . A message of peace .
The biggest challenge of being an actor\director\ screenwriter is…
The biggest challenge is dialogue. If the dialogue doesn't match the characters' personality, then the audience loses interest.
Choose an Actor, Choose an Actress...and now choose a story you would like to direct or act in with both of them.
Sayed Badreya and Kerry Washington. I would cast them as the leads in my tv pilot The Enforcers. This series is not so much about the load shark but rather his enforcers.
Who’s the first artist that let you understand you wanted to be an actor\ director\screenwriter?
Hands down the first artist was Alfred Hitchcock. I loved watching his tv show as well as his movies. I always tried to figure out what the twist would be in Hitchcock's work.
What really excites you artistically or emotionally?
The first paragraph or scene written excites me because I am off on a new adventure with new friends/characters.
Marlon Brando said, “Never confuse the size of your Paycheck with the size of your talent”. Do you agree?
You can have amazing talent, but until others take notice and acknowledge that talent your paycheck will reflect that lack.
Have you ever been discouraged by someone about your life\career choices?
Yes, an English professor, a grade school English teacher and my father both discouraged me. The English professor didn't like my writing style, so he always gave me a crappy grade. His opinion of my other writing such as poetry wasn't any better. I changed classes and it was the difference of night and day between the two professors. We were given homework in fourth grade to write a story about how something got its name. I wrote about how black eye peas got their name. She said it was violent and gave me a C. I gave my father a book with my first published poem and he didn't even bother to read the poem. He just threw the book in his outbox and I never saw it again. He never commented on it either.
Do you think it is harder for a woman being a Filmmaker?
Yes, I think women are held to a different set of standards. Women used to be the leaders in filmmaking and then men entered the field marginalizing women.
Do you think that Fame and money could easily change your own Vision as a Filmmaker\actor\screenwriter?
I would like to think that fame and money will not change my vision in my writing or film career.
Who’s the Movie star that made you dream for the first time?
Actually, it was a movie - White Palace. I absolutely loved Susan Sarandon and James Spader. I wanted to be Susan Sarandon!
Make a wish about your career...
I wish that my collection of work still be remembered, watched, read, discussed and influence others long after I have passed.
Talking about cinema/showbusiness, how hard is to remain completely honest to yourself as an artist?
So far, I have been able to do that. I hope I always can.
The Film you have loved the most?
As a child my favorite film was The Wizard of Oz. As an adult there are so many. I love miniseries because you can become so involved with the characters. I especially liked Shogun and Sybil.
And now, don’t be shy….the one that annoyed you the most?
It's a toss up between the jackass series and the Fifty Shades of Grey series of books and movies. The jackass series puts all these disclaimers on their films, but we know there are people who will still attempt to do them or create their challenges. They are all over the internet. Fifty Shades had poor dialogue, acting and storyline.
Your biggest artistic goal is…
My biggest goal is to finish all my pending projects in writing and filming. I have several stories started on Kindle Vella. I'm also working on a few screenplays. There are documentaries I would like to make and film my screenplays.
What profession other than your own would you like to attempt?
I also have women's retreats and creativity workshops in the planning stages. So much fun!
How important is to be rewarded as an Artist?
I think everyone would like their talents rewarded in some way: recognition by their peers or the public, pay, and awards.
Do you have regrets?
I regret ever letting that English professor's opinion have so much sway over my continuation of creating.
What’s the message you want to express through your art?
I think the message I want to express is for us to enjoy life and to allow others the same privilege. Also to be more open-minded with others' opinions and beliefs. Look for similarities rather than differences. Celebrate life.
Do you prefer Comedy or Drama?
I prefer Comedy because I enjoy how people can reference human characteristics in a funny way.
Life imitates Art or Art imitates Life?
Art imitates life to me because I enjoy fly on the wall, one room pieces with film.
Which is the best Moment on set?
The best moments on set are the quiet ones where everyone is focused on the magic that is taking place in the scene.
Did anyone ever tell you weren't good enough?
Yes, I was told my work was confusing and complicated before.
How can you stay focused on your goal?
I stay focused on my goals by setting big picture intentions.
Have you ever had a breakdown because of your Job?
Yes, when I was overwhelmed by expectations because there was too much going on.
Talent is a blessing or a curse?
Talent can seem like a curse when it is knocking at the door a lot. It becomes a blessing when you use it to tell truth.
What would you like to improve about yourself as an actor/director/screenplayer?
I would like to improve myself as a filmmaker by taking more creative works to completion.
What's the worst critic you have received?
The worst critic I have received was “I don’t get it,” and “that’s really strange.”
If you weren't an actor/director/screenplayer what would you like to be?
If I wasn’t a filmmaker, I would like to be a journalist or therapist.
If Cinema was a color, what would it be?
Cinema would be the color of a sunset, a mix of fuchsia and orange because it is gradient and multi layered and energetic.
A day without a movie is...
A day without a movie feels different, I enjoy movies inspiring my life.
If someone offered you to play/direct/write in/a movie that you despise but that for sure will make you rich and famous...would you accept the job?
I would not accept the job to do something that I did not support.
What's your greatest ambition?
My greatest ambition is to live my truth and my true purpose and service.
What's your biggest fear?
My biggest fear is inauthenticity.
Does music help you to play/direct, write?
Music and sound are essential for me to make a focused arena for me to write in.
You have the chance to make a Silent movie, what's your message to the audience?
I would make a silent movie that portrayed human foibles or deep emotional insight because that medium allows for that kind of play.
Q18. Share your speech if you should win an Oscar...
A18. My speech if I won an Oscar would be proud and grateful for the accomplishments.
When did you decide you wanted to be an actor/director/ screenplayer?
When I started understanding what I write by myself without asking no one for opinion.
How did your family react?
Quote: "As a family we can't ask you to drop, but keep in mind if you ever decide to, you're gonna have to deal with so many crushed people that will never stop looking up to you".
Do you have a Muse or a Role Model?
Everyone that kept going to achieve dreams no matter what.
Who's your biggest fan?
My mom.
What brings you inspiration the most?
Everyone's obstacles.
Which actor or director would you like to work with?
Everyone that don't understand how motion picture works because, well, each one teach one.
Have you ever seen a film that was better than the book?
East of Eden 1955
What's the movie that taught you the most?
Gulliver's Travels 1939
About your artistic career, have you ever had the desire to quit everything?
Never.
On set what excites you the most?
The feeling of oneness with the colleagues firstly and everything else after.
And what scares you the most ?
When I made my passions bigger than my fears I'm not afraid of anything no more.
What's your next project?
Writting my next screenplay "Saints Alive"
You can steal the career of an artist you really admire, who do you choose?
Konstantin Sergeyevich Stanislavsky.
An actor/director/screenplayer is made of....
Too many broken pieces putted well together by oneself.
For you Cinema is....
So many things...everything.
Do you think Black and white movies have a powerful impact?
In the color movies we have variety of color schemes that help better understand a certain director, film and story because we all know that colors evoke certain emotion such as red-anger, black-fear, blue-sadness, bright in general suprise etc. While in B/W we have to search for emotions ourselves depending on the actor potrayal, which requires a lot of attention and focus, bringing out the excitement of affection which on the end is nothing more than oneself same feelings and passions, connecting with our own sentiment. The more sentimental we are the more we love.
Have you ever dreamed of winning an Oscar?
Always.
Do you think you're gonna win it?
Of course.
The biggest challenge of being an actor\director\ screenplayer is…
The biggest challenge is directing. Because he is the one who realises the script, the writing, and he is the one who directs the actor. That's why I like to write the scripts of the films I direct myself, because it makes the problem easier. I'm not an actor, I haven't tried that. Although if I give an actor instructions in a film, I am a bit of an actor.
Choose an Actor, Choose an Actress...and now choose a story you would like to direct or play with both of them:
Tom Hanks. Prya Kansara. It's done: In the time of Emperor Napoleon, an Irish inventor invented the steam-powered submarine. In order to rescue the Emperor from the island of St. Ilona, the French inventor invented a submarine. On the way, a young French girl fell in with him and jumped into the sea with suicidal intent. They don't speak the same language. But they go on together. For the Emperor. Along the way they have countless adventures. This is my story. One day I'd like to make it into a film.
Who’s the first Aritst that let you understand you wanted to be an Actor\ director\screenplayer?
A wonderful Hungarian director for whom I wrote a screenplay. And he told me to direct the film, because this is the film I really see inside. It became my first film. It was a miracle in my life. And miracles are few and far between, they have to be appreciated.
What really excites you artistically or emotionally?
The opposites. In today's absurd age, drama and comedy are mixed. We don't know whether to cry or laugh. It's a very strange feeling. It's tragicomedy that interests me. The end of the world is constantly being projected onto us in our everyday lives, and in the process we create new and new lives.
Marlon Brando said “Never confuse the size of your Paycheck with the size of your talent”. Do you agree?
I totally agree. Art has nothing to do with money. Of course it's good if it does.
Have you ever been discouraged by someone about your life\career choices?
I will not be discouraged. I work by instinct, I listen to the voices inside. And these cannot be hurt by official criticism or other negative things. As a great Hungarian poet wrote: "I do not need to know my fate, because my fate knows me."
Do you think is harder for a woman being a Filmmaker?
I have a lot of female colleagues. Cinematographers, actors, editors. I meet more and more women filmmakers at every festival. I don't perceive this problem around me. And they don't complain either.
Do you think that Fame and money could easily change your own Vision as a Filmmaker\actor\screenplaye?
No. Rather, it increases the sense of responsibility. And the increase in responsibility does not change my ideas, on the contrary. It should strengthen them.
Make a wish about your career...
Fourteen years ago I started working in film as well as theatre. Since then I have made 17 films. I wish to continue in this way. Career? What is it? My latest film has won 328 awards all over the world. Is that a career? The audience loves my work. I am an independent filmmaker, the word "career" is not in my vocabulary.
Talking about cinema\Showbusiness, how hard is to remain completly honest to yourself as an artist?
It is not a question of difficulty. If you are honest with yourself, that is, if you achieve what you really want, then you don't have to face difficulties. It's simple: if I am approached with a task that I feel is not for me and I cannot be genuinely enthusiastic about it, I will not take it on. Even if I throw away a lot of money.
The Film you have loved the most?
ALL THAT JAZZ . by Bob Fosse.
And now, don’t be shy….the one that annoyed you the most?
It annoys me when politics tries to control art. When politically supported dilettantes are given the opportunity. That often annoys me. It's quite common in my country lately.
Your biggest artistic goal is…
To get my work to as many people as possible. Because I don't just work for myself. I also make films to show the true talent of the actor, cinematographer, editor, and others, and to bring out performances in them that they didn't know they had. Filmmaking is a collective art. We feed off each other's talents. Of course, you need to surround yourself with talented people.
What profession other than your own would you like to attempt?
My first job was as a nurse in an ambulance. Because it was my childhood dream. But I knew I'd have to give it up soon. And turn to writing and directing. But I did it anyway, because you can't not pursue your dreams. Every unrealized dream is a dead life. And I'm supposed to be a good singer. When I finish film directing, I want to sing every night at the piano in a hotel bar. Maybe in Las Vegas.
How important is to be rewarded as an Artist?
It's very important to me. If I write a script that I feel is good and they don't let me do it, then I need to get it awarded by the festivals. To know that a lot of people in the world like it, so what I believe in is probably good. And that gives me the power to make it happen.
Do you have regrets?
No.
What’s the messagge you wanna express through your art?
No message, I would like to speak to Katarzis. I want to give positive catharsis with my films in a world where there is nothing but negativity. To discover the good in every single person and to show it. In all my work there is a desire for reconciliation. To live in peace between man and man. And in joy and love. I don't think there's anything more important.
What's the absolutely necessary ingredient to be a good actor/director/screenplayer?
For the screenplay writer, it’s the ability to write a strong story which allows the audience to suspend disbelief and spend time in the world that’s been created. For the actor and director, it’s being able to bring a good story to life for an audience.
First and last cinematographic crush?
First one without questions was Orson Welle’s “Citizen Kane,” which I regularly revisit even now and the last was the film “The Harder They Fall,” with Dellroy Lindo, Jonathan Majors, Regina King and others.
How old you were when you decided you wanted to be an actor/director/screenplayer?
I’m actually a playwright working with an amazing play director and Cinematographer. I decided I wanted to be playwright when I was in my early thirties after taking a Creative Writing course with an instructor who remains my mentor today. “Socks” is my first film and executive produced in close collaboration with my team.
For you a Film is...
First and foremost a film is a visual artistic creation designed to tell a story in images supported by dialogue, music, etc.
What do you feel when you're acting/directing/writing?
Writing is something I love to do. It’s a spiritual process and when I’m writing I feel connected to the Creator and joyful.
You can go to the Movies with an actor/director/screenplayer that you love.
What kind of movie do you choose and with who you're gonna whatch it?
Idris Elba. Black Panther. Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?
I agree completely because what may not be possible for one person/group will be possible for someone else.
Can you live just off your passion?
No. I need the Creator, people in my life that I love and that love me, my work, a place/space to live, and food and water in addition to passion.
What's more important talent or luck?
Talent, without it all the luck in the world won’t get you where you want to go.
You must go to a desert island but you can bring with you just one movie...
Black Panther.
Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?
Never. I don’t get involved in projects I don’t like.
What's the best compliment you have received about your Job?
When I showed “Socks” to the director of a local organization that serves survivors of sexual assault and Human Trafficking for sex, she thought the story was about me.
Are you satisfied about your career?
I am. I’ve been blessed to win awards for my poetry, scholarship, plays and now multiple awards for the first film I’ve ever executive produced based on one of my plays.
Do you have a good luck charm?
No.
Which is the worst moment on set?
In terms of stage plays (again, this is my first film) it’s when an actor is unprepared for first rehearsal by being off book.
How do you feel when a job you've been part of is ending?
Grateful and excited about the next possibility. Have you ever lied to get a part/job?
Never.
If you should win an Oscar your first thanks would go to…
Thanks to my late daughter Michelle Elise Weems (1983-2017) and my husband James E. Amie, Jr. the wind beneath my wings.
When did you decide you wanted to be an actor/director/ screenplayer?
I knew it since childhood. I’ve always been driven to acting, writing and creating. I was 5 when I announced that I’ll be a singer and an actor when I grow up.
How did your family react?
My family always supports me, and I’m very grateful for that. No matter what I decide to do, they are always there for me.
Do you have a Muse or a Role Model?
There is something inside that pulls me into creativity. This is my inner child I suppose. It’s something unexplainable. It can be only felt.
Who's your biggest fan?
My parents, of course. They introduced me to music and performing arts. They are always supportive and encouraging. I’m so grateful for having such amazing and talented parents.
What brings you inspiration the most?
Pretty much everything that happens around inspires me especially nature. There’s so much beauty in the world! I love hiking, traveling and experience new things, meeting new people, listen to their stories, learn something new…
Which actor or director would you like to work with?
It’s not easy to say. There are so many outstanding and brilliant actors and directors that I would love to work with. If I had to choose one, it would be Leonardo DiCaprio. He’s an extremely talented, highly intelligent (speaking of emotional intelligence) and deep human being that brought so much to entertainment industry and to the entire world saving oceans and the ecology of this planet.
Have you ever seen a film that was better than the book?
Not easy to answer this as I’m not so much a reader. I rather prefer to watch a movie or listen to a story.
What's the movie that taught you the most?
“The Pianist” staring Adrien Brody by Roman Polanski and Ronald Harwood. I’m not sure what it taught me exactly, but this is the movie that impacted me more than any other movie. It’s based on true story of Holocaust survivor Wladyslaw Szpilman. I remember a moment when he was found by a German soldier who didn’t kill him because he was touched by the music Wladyslaw played and was amazed with his musical talent and beautiful soul. I guess it shows that every human being has a HUMAN part inside…, and that every person has a story worthy of a book or a movie.
About your artistic career, have you ever had the desire to quit everything?
Actually, I have quit several times, but life brought me back in some mysterious ways. Every time when I quit, something would happen: I meet someone that would remind me about my creative path, or I hear a story that inspires me, or some of my fans would ask about upcoming projects, or simply my inner voice would push me back to creativity.
On set what excites you the most?
There’s so much energy and fun on set! I get carried away by a process and forget about time. It’s so great to interact with people and create together! Often, ideas pop out of nowhere right on set, and add spice into an entire production! I really love the process!
And what scares you the most?
Nothing ever scares me when it comes to creativity. When I have an idea, I get so excited! I focus on it, dream about it, sleep with it, live with it 24/7. My family calls me “a crazy scientist” at these moments. On set, I’m in a creative mode. There’s no place for fear, because I am in love with what I do. Love is an antagonist of fear.
What's your next project?
I’m working on a new EDM song and a music video called “Dreams Come True”. This is very positive, romantic and heartwarming song. I plan to release it this year. Super excited about the process.
You can steal the career of an artist you really admire, who do you choose?
No one. I’m pretty much happy with my life and strongly believe that everyone has unique talents and unique ways to express them. Everyone has own path, and I prefer to walk mine. If I would be someone else, who will be me than? I like to be who I am and I appreciate everything that life presents me with.
An actor/director/screenplayer is made of...
An actor/director/screenplayer and any artist is made of dreams, deep perspectives of life, out of a box thinking, love, empathy, high emotional intelligence, desire to understand this world, complex thinking, seeing beyond what’s on a surface and strong desire to create.
For you Cinema is....
For me Cinema is a playground for creative souls. It’s like a world of mirrors. Each mirror is a reflection of the internal world of its creators and collective thinking. Same story told by different people will sound differently. When it’s told by a talented screenwriter, director, actor, camera crew, editor, designer, composer, sound engineer, visual effects engineer and other creative people, it becomes a gem.
Do you think Black and white movies have a powerful impact?
I personally like colors. Our world is colorful.
Black and white movies were made when people didn’t have other options. If a director tries to recreate old times or to add some dramatic feel to a film, I think black and white is perfect especially for documentaries.
Have you ever dreamed of winning an Oscar?
I think every artist dreams about it. This is one of the highest levels of artistic work recognition.
Do you think you're gonna win it?
I create, grow as an artist, enjoy my process and then will see where it brings me.
Where can we find something more about your career?
Bandcamp:
https://elvirakalnik.bandcamp.com/music
IG: @elvira.kalnik
https://instagram.com/elvira.kalnik?igshid=YmMyMTA2M2Y=
YouTube:
https://youtube.com/@ElviraKalnik?si=b1Jx8k9LlIJlIWrL
VEVO:
https://youtube.com/@elvirakalnikvevo8393?si=-RwxallE71U8kKnN
Spotify:
https://open.spotify.com/artist/1av3TO7RQXDjr8Pkl7flDw?si=BMIHF0pXRCOaKN7NsnSJcA
iTunes:
https://music.apple.com/us/artist/elvira-kalnik/590676215
Do you prefer Comedy or Drama?
Comedy. While drama provides depth and insight, comedy resonates with my spirit. It brings lightness and joy, which are essential in our often intense world. Humor is a universal language that connects us, breaking barriers and creating common ground.
Life imitates Art or Art imitates Life?
Art imitates Life. Art is a reflection of life, capturing its essence in varied forms. It's a mirror that showcases our experiences, emotions, and the world around us. By imitating e, art helps us understand and appreciate our reality from different perspectives.
Which is the best Moment on set?
When the team successfully overcomes a challenging scene. The best moment is when we conquer a particularly tough scene. It's a testament to our teamwork, resilience, and creativity. These moments not only bring immense satisfaction but also strengthen our bond as a team.
Did anyone ever tell you, you weren't good enough?
Yes, but I used it as motivation. Such comments are fuel for my drive to excel. They remind me that success is not handed to one, but earned through perseverance, learning, and constantly challenging oneself.
How can you stay focused on your goal?
By maintaining a clear vision and staying passionate. My focus comes from a clear vision of what I want to achieve and a deep passion for my work. Keeping my goals in sight and reminding myself of why I started helps me stay on track.
Have you ever had a breakdown because of your Job?
If we are speaking about a nervous breakdown, thankfully, the answer is no. However, if we're referring to situations akin to communication breakdowns in a project, then yes, I have experienced those. In any project, overwhelming moments are not uncommon, but I view each of these challenges as a learning experience. They have taught me the importance of resilience, clear communication, and maintaining a healthy balance between my professional and personal life. Each difficult moment has been an opportunity to grow and adapt, reinforcing the necessity of strong communication skills and emotional intelligence in our field.
Talent is a blessing or a curse?
A blessing that comes with responsibility. Talent is a gift, but it carries the responsibility of honing and using it wisely. It opens doors but maintaining success requires hard work and dedication and a bit of luck.
What would you like to improve about yourself as a director/screenwriter?
My ability to adapt to different styles and genres. I'm constantly striving to be more versatile, adapting to various styles and genres. Expanding my range allows me to take on diverse projects and challenges.
What's the worst critic you have received?
That my work didn't resonate deeply with the millennial audience.
Hearing that my work wasn't fully connecting with the millennial generation was challenging. However, this critique motivated me to innovate and delve deeper into my storytelling, ensuring it speaks to a broader and more diverse audience.
If you weren't a director/screenwriter, what would you like to be?
If I were not a director/screenwriter, I'd immerse myself in other storytelling mediums. As a filmmaker, I view myself as a temporary custodian of stories that matter, educate, and inspire. My passion for media and storytelling is diverse, encompassing fields like photography, journalism, and IT program and project management. In fact, my career in IT has been the financial backbone enabling me to pursue filmmaking, rather than relying on it for income. With projects like Rising Wings, I aim to blend tradition with contemporary relevance. So, even outside of directing and screenwriting, I would remain committed to storytelling, employing my varied skills to continue bringing vital narratives to life in whichever medium I find myself.
If Cinema was a color what would it be?
Blue, for its depth and versatility. Blue represents the depth and diversity of cinema. Like the ocean, cinema has unseen depths and encompasses a spectrum of emotions and stories.
A day without a movie is...
A missed opportunity for inspiration. Movies are not just entertainment; they are sources of inspiration and learning. Each day without them is a day less enriched by the stories they tell.
If someone offered you to direct/write in a movie that you despise but that for sure will make you rich and famous...would you accept the job?
The operative word here is "despise." If the content of a movie deeply conflicts with my values, I would have to respectfully decline the opportunity. It's important for me to live in a way that allows me to maintain self-respect and integrity. Looking in the mirror each day, knowing I've made choices that align with my principles, is more valuable to me than fame or wealth. The legacy we leave behind is just as important, if not more so, than any temporary accolades or financial gains. In short, my decisions are driven by integrity and the desire to convey meaningful messages through my work. While fame and wealth are transient, the lasting impact of adhering to one's values and principles is far more significant and rewarding.
What's your greatest ambition?
To create a film that becomes a timeless classic. My greatest ambition is to create a film that transcends time, becoming a classic that inspires generations and stands as a testament to the power of storytelling.
What's your biggest fear?
My biggest fear is a combination of creative burnout and losing relevance in the rapidly evolving society and film industry. The intensity and constant demand for innovation can be overwhelming, leading to the alarming prospect of burning out creatively. Simultaneously, there's the worry that my work might lose its connection with the current cultural and social context, rendering it irrelevant. These fears drive my continuous effort to stay creatively energized and attuned to the ever-changing landscape of filmmaking.
Does music help you to direct and write?
Absolutely, it sets the mood and inspires creativity. Music is a vital tool in my creative process. It helps set the mood, provides inspiration, and often acts as a guide in shaping the narrative and emotional tone of a project.
You have the chance to make a Silent movie, what's your message to the audience?
Emotions transcend words. In a silent film, the lack of dialogue magnifies the power of visual cues and expressions. My message would focus on the universal language of emotions and their ability to forge connections across different languages and cultures, showcasing the profound capability of visual storytelling. Although my documentary 'Rising Wings' isn't a silent film, it exemplifies this idea, especially in a poignant silent moment at the end. There, we present a powerful message on screen: “The single raindrop never feels responsible for the flood," a quote by Douglas Noël Adams, encapsulating the essence of collective impact and responsibility without spoken words.
Share your speech if you should win an Oscar.
The Oscars are a tribute to the power of stories. I would say something like this: “This Oscar is a celebration of the timeless power of storytelling. Winning this prestigious award is not just a personal achievement but a recognition of the collective spirit and collaboration that brings stories to life. I extend my heartfelt gratitude to every individual who has journeyed with me, contributing their unique spark to our shared narrative. This award is a tribute to those who dream, to the storytellers who bravely share pieces of their soul with the world. It's dedicated to the unsung heroes behind the scenes and the voices that echo our shared humanity. Together, we weave stories that endure, that inspire, that challenge, and that connect. Thank you for this incredible honor, and here's to the unending power of human creativity and resilience in storytelling.”
What's the absolutely necessary ingredient to be a good actor/director/screenplayer?
Life experiences, imagination, and the courage and ambition to get it done.
First and last cinematographic crush?
Oh, I’ve had many! My VERY first was Prince Eric from The Little Mermaid, when I was little. My current one is…well, I don’t crush and tell.
How old you were when you decided you wanted to be an actor/director/screenplayer?
I was 14 when I knew I wanted to be an actor. It wasn’t until I got to college and started learning other aspects of the industry that I realized I could do more. And I wanted to. By the time I graduated, when I was 22, I knew I wanted to write, produce, and direct, too.
For you a Film is...
Art in one of its most collaborative and magical forms.
What do you feel when you're acting/directing/writing?
I feel present, alive, and like I’m exactly where I’m meant to be.
You can go to the Movies with an actor/director/screenplayer that you love. What kind of movie do you choose and with who you're gonna whatch it?
Wow, that’s a huge question. It’s incredibly hard to choose one person. There are so many artists that I admire and would love to go to the Movies with. To name one…I think it would be fun to watch a thriller with Alfred Hitchcock. A large chunk of my tween years was spent watching Hitchcock’s films, and I’d love to hear his opinion on a current thriller.
Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?
I’d say I agree wholeheartedly. But you have to be willing to put in the work.
Can you live just of your passion?
I think passion is hugely important, but you do need more. There are a lot of other things that are just as important, too; a good work ethic, drive, the desire to always learn something new.
What's more important talent or luck?
Talent, always.
You must go to a desert island but you can bring with you just one movie...
Oh, gosh. That’s so hard! I’d have to say the movie that ignited my interest in the film industry, as well as a life-long obsession that I STILL have – Pirates of the Caribbean.
Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?
Yes. I think we all have, at least once.
What's the best compliment you have received about your Job?
I had a friend once say to me that I was doing all the things I’d said I was going to do in middle and high school, and seeing that inspired her. My heart was a melted block of cheese after that. I was also once called a Powerhouse, and I’ve carried that compliment with me ever since. Shoutout to Sarah and Jacob, they know who they are.
Yes. Of course, there are a lot more things I’d like to do in my career. But I’m one of the few people I know who followed their God-given dream and didn’t listen to their high school guidance counselor (Mrs. W, if you’re reading this, I did NOT go to engineering school). However, I can honestly say I’m satisfied and thankful for where I am today.
Do you have a good luck charm?
Not at all. But I will admit I always wear a hat to set when I’m not in front of the camera.
Which is the worst moment on set?
When the last pack of fruit snacks at crafty gets eaten.
How do you feel when a job you've been part of it's ending?
Usually, I’m quite sad when it’s over. On any project, you form a community with the people you’re working with – sometimes a very close one. And when it’s done, that brief period when you’re all together, making THAT specific project is over, too.
Have you ever lied to get a part/job?
Ha! That’s a spicy question. I can’t say I recall doing that. But I definitely wouldn’t admit to it either!
If you should win an Oscar your first taught would go to…
My mom, who has always been there for me.
When did you decide you wanted to be an actor/director/ screenplayer?
After I saw Star Wars in 1977. It was different to anything I'd ever seen and as Lucas intended it opened up new worlds for me, literally. I was already writing fiction but it took me many years to get the energy and nerve to try my hand at scripts. But I've always loved film, too.
How did your family react?
When my mother passed I found a card from her telling a friend I'd sold my first book and her friend agreed with her assessment I was meant to be a writer. My first fiction was a short story about horses written to her when she was working in the Pentagon in D.C. for a three star general and I was living with my grandparents. I put it on a notepad and stapled the left side to make it look like a book. I was eight. For the most part my family was very supportive but I sold my first book a few years out of college so I was lucky to submit the right story at the right time when historical romances were just becoming popular.
Do you have a Muse or a Role Model?
More a value system and an unlimited imagination. I've never seen anything like Michelangelo and Me on film or in print. Neither had my editor when I brought her the idea. She made it the launch book for Dorchester's millennium imprint and the Amazon romance editor at the time listed it as her favorite fairy tale. I write darker things, too, and my current novel is a copycat serial killer book with of course good vs. evil. That's perhaps the most frequent theme though I've done some romps too with no overt villains. . .
Who's your biggest fan?
I started publishing in 1986 long before the internet and have a sack of fan mail sent to my publishers the old fashioned way. I corresponded with quite a few of the ladies who wrote me (I got one from another male romance writer) including one from Brazil. My favorite letter however, came from a Canadian lady who emailed me at like five AM to tell me she was raising a cuppa to me and she loved the The Gentle Beast, my version of Beauty and the Beast, read it all night until she finished it and ended with "Thank you for being a writer." That's about as high a praise as you can get, I think. During some dark times I've recalled that.
What brings you inspiration the most?
The cliche life is stranger than fiction is actually very true. I start with interesting people and often bring in real historic figures like Samuel Johnson, Leonardo da Vinci and Cecil Rhodes among others and put them in difficult dilemmas, often life-threatening, for their times that still resonate in ours. I got the idea for The Hawk's Lady from Reagan's battles with Quaddafi. It's how "from the halls of Montezuma to the shores of Tripoli" got into the Marine Corps hymn. Huge battles in Congress over the need for a Navy in our new country that still didn't trust a strong federal government, but the tribute we had to pay to protect our shipping was humiliating. So I created a Federalist from Philadelphia who lets himself be captured by Barbary pirates and becomes a captain for the dey of Algiers to find his kidnapped sister and help prove the need for a Navy to a skeptical Congress. Sound familiar? Sad, but true, history repeating itself yet again....
Which actor or director would you like to work with?
Heaven's I couldn't even begin to list them all. I tend to like highly acclaimed films best, though not always. I love it the Golden Globes added the new category celebrating both film and box office because if you don't touch a lot of people everywhere you're not doing your job as a screenwriter. It all starts with the script....and human nature, in general, is ubiquitous no matter where you live. If I have to watch one more horror film where someone goes into a dark basement I think I'll cut my own throat....lol. Film is the highest, most popular art form we have and as creatives we should want to share the best of all of us whether in a grim setting like The Shawshank Redemption (the power of hope) or a true
story like The Imitation Game (not easy for one man to save approximately two million lives by shortening WWII by his own overlooked brilliance and determination).
Have you ever seen a film that was better than the book?
Gone With the Wind but it took four hours to do it and Clark Gable and Vivian Leigh. I read the book as a teen. Maybe The Silence of the Lambs just because it was written, acted and directed so brilliantly it was only a tiny bit not as good as the book by the best psychological thriller writer ever, Thomas Harris. But again, the source-- the book and Ted Talley.
What's the movie that taught you the most?
Hitchcock films but I study newer films carefully, too. I loved Maverick and The Green Book as different as they were.
About your artistic career, have you ever had the desire to quit everything?
I've considered it when I view my royalty statements. In fact the last time I walked away was after I submitted six books to an editor and she wanted to buy five direct to digital but I didn't make enough money on the first three
even though they all hit some type of bestseller list, to make my effort worth it. I research everything and I revise ruthlessly. I have at least three more scripts I won't post, two unpublished novels complete but mostly unsubmitted and many more partials. I'm sure I'll be writing until the day I die. I come from a long line of large women who live hale and hearty, clear-headed, into their nineties. I'm a much better writer today than ever in my life.
On set what excites yuo the most?
The creation of art by like minded people working in collaboration, arguments and all..
And what scares you the most ?
Honestly right now I'm very worried about the state of the world we're leaving to our kids and grandkids. It's one reason I took up screenwriting again because the inspiring films I like to write don't seem to come out often enough. During the Great Depression a nickel movie probably saved many a suicide.
What's your next project?
I'm working on revising and posting a third script, Foster Justice, which began as a screenplay at UCLA (see the letter on my profile; that's the script referred to ) and I turned it into a novel that was the first of my three modern Texas Ranger books. My editor then asked for two more. Then I'm going to do the first ten pp of the two sequels to Michelangelo and Me. If I don't get some real money from those projects I'll probably go back to my thrillers. My editor wanted to buy them and my critique group loves them.
You can steal the career of an artist you really admire, who do you choose?
The mere thought is abhorrent to me. That's one reason I've vacillated about writing: it's so easy to steal a year of someone's life digitally. There's a digital book club on line right now that stole my older Amazon digital books. I just stumbled across it, and they charge for my backlist that I posted only at Amazon and Barnes and Noble but I've never received a dime from them.
An actor/director/screenplayer is made of....
A successful one: steel like a samurai sword. Tempered repeatedly in the fires of creation and failure but becoming stronger and better every time as we learn to bend but not break.
For you Cinema is....
A hoped for transport to another world and someone else's problems that bear some similarity to my own.
Do you think Black and white movies have a powerful impact?
They have for me, they should for younger viewers too, but alas, many won't watch them including my sons. A few I made them watch, like Mr. Smith Goes to Washington and It's a Wonderful Life. Now they have them on DVD.
Have you ever dreamed of winning an Oscar?
Of course. Is there anyone doing this who hasn't?
Do you think you're gonna win it?
I fantasize about it but it's kinda moot until I sell something that gets made. I'm not going to be a part timer. All or nothing, which is my nature anyway. I'll just go back to novels.