When did you realised you wanted to be a Filmmaker?
About 20 years ago. My paintings are abstract. I grew up making up and telling stories and I realized I could use filmmaking to work on my stories.
Do you remember your first time at the Movies?
When I was a kid we used to sometimes go to the movies for .25 cents on a Saturday. I remember seeing The Blob in 1958 which scared me
So much my grandmother used to come to my bedroom with warm milk to try to get me to sleep.
If you should change country where would you like to work?
France or Italy.
Two films that have marked your life for better or for worse…
La pointe courte agnes varda 1955
Jules and Jim by Truffaut 1962
La Strada 1954 by Fellini
What do you think about Acting/ filmmaking schools?
I don’t have a fast opinion. I’m mostly self taught taking many classes in continuing ed and then a video certificate from NYU
Have you ever hated your ambition?
Not really-but I would like to learn how to relax.
Francois Truffaut used to think that "Film Lovers are sick people”… was he right?
Maybe-but it’s a great sickness if so.
Close your eyes…if I say “Cinema” what do you see?
I see the big screen and wonderful stories shot with great cinematography.
Who’s the Director\Actor\Writer that taught you the most?
Truffaut, Varda, Fellini
About your job, tell us your biggest dream and your worst nightmare…
My biggest dream is to see my films on the big screen in a festival. My worst nightmare is not making them good enough.
How important is to have a good Cinematographic Culture?
Really important
What would you like to improve as a Filmmaker?
My cinematography.
A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?
I think I don’t have the fantasy to be better with their films. I love black and white films and the voices of the original directors.
Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?
I’m so independent and do everything myself: writing, shooting, editing that I don’t imagine my self in the ‘film industry.’ My curiosity and passion keep me motivated.
Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him?
Yes
What’s your most ambitious project for the future?
My next project-to shoot the script from my graphic novel in a large green screen space with 7 actors and movement.
Do you think that sadness or at least melancholy let be more creative?
I’m not sure—I go back and forth with happiness and melancholy.
What do you wish to yourself as a Filmmaker?
I wish to keep going! I’m 77 this year.
Where people can know more about you?
http://go.francesbarth.com/resume/
Frances IMDB site https://www.imdb.com/name/nm3083479/
When did you decide you wanted to be a Filmmaker?
I grew up watching Hollywood-produced movies. When I was a kid, my mom and I bonded together a lot by watching late-night movies. Most of the time we watched early 2000s movies, such as rom-com, heists, and thriller movies. There are two movies 100% got my attention and were inspired me to become a filmmaker and screenplay writer. One is Crouching Tiger Hidden Dragon by Ang Lee and another is the movie Me, Myself and Irene starring Jim Carry and Renee Zellweger. For a 7-year-old kid who is already bored of kid shows, all of a sudden you were introduced to a kick-ass kung fu movie that was made by the most polite taking Chinese film director and mind-blowing, out of box, and crazy performance by Jim Carry. And the best part is you can watch them late at night with your parents. it was never the same to me. I wish one day I can write or produce such brilliant works, simply just to entertain the viewers.
How did your family react?
Well...my family didn't react well to it all. They are a very traditional, conservative Chinese family. Of course, they would want me to either become a doctor give back to society or become a scientist. They couldn't really see the value of the entertainment business.
Do you have a Muse or a Role Model?
Yes, I definitely do. I would say my partner is my muse for storytelling. He taught me a lot about life, love, and compassion. It is one of the biggest inspirations pushing me to keep writing. As for the role model, I would say Ang Lee. His persistence in pursuing a film career is inspirational to young filmmakers, the same as his philosophy for life and values. I admired his non-stop motivation to explore humanity in the most respectful way as a filmmaker and artist. Safe to say, as a Chinese person, I am proud he can make it this far and has had a huge impact on global cinema.
Who's your biggest fan?
My biggest fan is always my friend, Erin, and my partner. I haven't exposed too much of my work to my family yet because they have high standards on a lot of things haha.
What brings you inspiration the most?
People or life in general! The complex emotions behind our behaviors intrigue me the most and inspire me to write about lives. I would say those sweet bitters moments in life inspire me too. Humanity and bravery are the other two important elements or qualities I want to emphasize in my works.
Which actor or director would you like to work with?
I would like to work with David Fincher and Hitchcock if he is still alive. If I have a suspense story involving a love tangle and murder I would want to work with both directors. I like David Fincher's storytelling style. It is sharp, fast-paced, effective, and also highly-entertaining. Hitchcock has this unique sense of humor and he always can find a way to display the darkest humanity in a very cinematic way. I wish I could work with those two great directors and learn from them!
Have you ever seen a film that was better than the book?
Yes, David Fincher's Gone Girl is better than the original book, especially Rosamund's portrayal of Amy. Fincher shows us what female rage is and why is so important for people to understand this subject matter.
What's the movie that taught you the most?
Collateral By Michael Mann has taught me the most. Writing-wise, it has the perfect three-act structures and compelling character arch development. It is a textbook screenplay writing example. But looking at the film from a more micro-scope, it taught me what courage is and how to overcome your inner dear and become the hero in your own world.
About your artistic career, have you ever had the desire to quit everything?
Constantly....whenever I am so stressed about production or having a moment of self-doubt. I would question some of my life choices and this always came first (joking). But when I work with talented artists, producers, writers, and actors, it always brings me back to the moment when I fell in love with cinema, so those moments also help me navigate better in life.
On set what excites you the most?
On set, acting and directing excites me the most. Seeing what was written in the script turning into a true event in life thrilled me.
And what scares you the most?
Being clueless about what you want as a director scares me the most. because all the crews, especially actors look at you, judging your work on set. If you lost in your own direction, it would be a lot harder for actors to deal with. So I wouldn't be too happy about being unable to answer questions thrown at me by people who you work with.
What's your next project?
My next project is my first-ever feature film. It is actually in the production stage now. It is called "American byproducts". I am one of the co-writer. This project focuses on a very touchy, sensitive topic, race. Its two interracial relationships throughout two individual short movies and through the journey of their lives, we are aim to discuss racial equality in the US. I would say the writing is bold. The subject matter can be offensive, but also . After the post-production, the producer, also the director will find distribution to release the movie. I hope this low-budget indie film with the sharp subject matter can get people's attention in the post-pandemic world.
You can steal the career of an artist you really admire, who do you choose?
As I said, I am a huge fan of Hitchcock. I would want to steal his career to take a close look at how he directs actors and produces movies. I want to know how he sees and understands cinematic storytelling because he is a genius at using light, and camera angles to create tension or make the audience react. As a movie nerd, it would be fun to just watch him work on set.
An actor/director/screenplay writer is made of....
A screenplayer is made of an unfortunate life event with some dramatization, imagination, and a little bit of sympathy.
For you Cinema is….
For me, cinema is a form of art. It is crafted well by a group of people who have the passion and skills to serve a visual-audio story to provoke certain deep, complex emotions we as human beings try to hide on daily bases.
Do you think Black and white movies have a powerful impact?
For sure I think black and white movies have a powerful impact on the cinema community. Even though nowadays black and white movies are an artistic choice, it showcases how important lighting is for a movie. Great lighting can emphasize an actor's performance and emotional deliveries even better. So for cinema development, I think black and white movies help to sharpen the technology and widen the potential of visual storytelling in cinema.
Have you ever dreamed of winning an Oscar?
Of course, I have dreamed of it a lot of times.
Do you think you're gonna win it?
Hopefully one day I can read my speech and make my family proud.
Do you prefer Comedy or Drama?
It depends on the script, really. But to choose an absolute favorite, Drama, slightly more.
Life imitates Art or Art imitates Life?
LIFE imitates ART far more than ART imitates LIFE. — Oscar Wilde.
To see a sunset, gaze upon cotton-Candy clouds, or how the light catches a woman’s face….. That’s ART made by the universe, baby!
Which is the best Moment on set?
When you’ve done the prep, hear the clapperboard, and you’re on the edge of that artistic wave waiting for “Action”….. it’s like skydiving….it’s a feeling you truly can’t put into words.
Did anyone ever tell you weren't good enough?
Yes. My inner voice for a long time. “Impostor Syndrome” is real, and with a lot of self-work, I’m proud to say I slayed that beast.
How can you stay focused on your goal?
Daily Mediation and write out your daily/weekend/monthly goals…. By putting pen to paper, then saying your goals out loud… you put that out to the universe. For a long time I thought that was a little too bizarre, but it really does work!
Have you ever had a breakdown because of your Job?
Haven’t we all? Life is a balance of good and bad, Yin and Yang. I’ve learned it’s all about how you respond. It’s my responsibility to be able to handle all that’s thrown at my direction… As Churchill said, “Courage is grace under fire”. You gotta keep moving upward and onward… take the W’s and L’s and understand life is a crazy adventure. Everything is a lesson.
Talent is a blessing or a curse?
Blessing. You just gotta find out how to utilize your talent to the optimal level!
What would you like to improve about yourself as an actor?
Challenge myself more everyday. We’re human so we do need that self-care and maintenance…. But I always love a good challenge that at first scares me…. But then breakthrough the fear and I can level up.
What's the worst critic you have received?
I didn’t get the job because I was “too tall” and my eyes weren’t blue…
If you weren't an actor. what would you like to be?
Painter/Ceraminst/Sculptor… I love working with my hands.
If Cinema was a color what would it be?
A bright warm shade of white… like heaven.
A day without a movie is..
...a bummer, but sometimes you gotta handle your business.
If someone offered you to play a movie that you despice but that for sure will make you rich and famous...would you accept the job?
No. You gotta honor and keep your principles. Stay Noble!
I grew up with the mindset to never to “sell out”….I see so many people today do that, and it’s sad because they compromise a little part of their souls…
What's your greatest ambition?
To show and help people understand that you can overcome a lot of your struggles through tenacity, faith and love… To always help out the little guys and always root for the underdogs.
What's your biggest fear?
That’s a tough one. Pass.. haha
Does music helps you to play?
Yes. Music can place you in the right headspace for every emotion needed for every scene/beat/line while I’m filming.
You have the chance to make a Silent movie, what's your message to the audience?
Do No Harm, But Take No Sh#t.
Share your speech if you should win an Oscar.....
I’m saving that, when I walk up on that stage. 😘
How can we find you on Internet?
My Instagram is : @jed_bernard
What's the absolutely necessary ingredient to be a good producer?
As a Executive Producer and founder of Nikoonava the most important factor to have good and professional team and crew as a good producer my calling is to make every one happy to be able to work with anybody and keep encourage everyone to be excellent team work.
First and last cinematographic crush?
I really don’t have any Crush I always enjoy watching and following Artists and for me is not matter how big or famous they are always admire Art.
How old you were when you decided you wanted to be a Producer?
I always enjoy Art but never imagined before I can be what I am today in age of 40 when I moved 11 years ago as a refugee from Iran I realized I am deep passion for creating art and here we are land of opportunity in Hollywood and I started my 2 YouTube channels with over 25k followers creating content and then I started Nikoonava (in Farsi means good Melody) helping and encouraging young artists specially among refugees.
What do you feel when you're producing?
What I feel: I always get excited as a producer I enjoy all process and never get tired actually creating Art give me purpose in life.
You can go to the Movies with an actor/director/screenplayer that you love.
What kind of movie do you choose and with who you're gonna whatch it?
I love Comedy and will go with Adam Sandler
Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?
Noting is impossible : This is my life story, I came as a refugee 11 years ago with one suitcase and made everything possible for my family my life story shows the America is real when we said Land of Opportunity when you work hard.
Can you live just of your passion?
Yes, if you don’t have any passion in your life you are death inside
What's more important talent or luck?
I don’t believe in Luck I believe in destiny and Talent.
You must go to a desert island but you can bring with you just one movie...
Godfather movie
Have you ever accepted a project to produce even if you didn't like it?
I always love a project and get excited I never did something without loving it .
What's the best compliment you have received about your Job?
Ara you are 100% ready to produce your first Future Film
Are you satisfied about your career?
I am 100% satisfied, I always love Art more then Money and I think this is the reason.
Do you have a good luck charm?
I don’t believe in Luck in any form 😂
Which is the worst moment on set ?
When Artist I am working just care about him/herself I believe to creat Art we have to take care of each other, respect and teamwork.
How do you feel when a job you've been part of it's ending?
When job gets in final steps I can’t wait to see result and I start dreaming again for next project.
Have you ever lied to get a Job?
I never Lie
If you should win an Oscar your first taught would go to....
if I win Oscar my first words will go to my God who created me and my wife which never gave up on me.
Do you prefer Comedy or Drama?
I prefer neither. I don’t really have a genre that I think I can say is better than another one. I love both comedy and drama when it is done right. Some of my favourite movies include dramas such as Citizen Kane and Schindler’s List. They also include comedies such as Monty Python and the Holy Grail and Doctor Strangelove.
Life imitates Art or Art imitates Life?
I think that art imitates life because so many artworks are inspired by events in real life. For instance, J.K. Rowling put many aspects of her own life into Harry Potter. For instance, she has a love for trains. Her parents met at Kings Cross Station and she also came up with the idea for Harry Potter on a train. Hence why Harry Potter features many trains. Moreover, Edgar’s Munch’s The Scream would have possibly never happened if the volcano, Krakatoa had never erupted.
Which is the best Moment on set?
I think that the best moment on set is finishing a film that is your passion project that you and your crew have been working on for so long. For example, I just finished my newest short The Pencil, which I had been working on for a year and a half. On paper, such a project seems simple. It is a 6 and a half minute long short (that tells the story of a pencil who wishes to create art, but is forced against its will by a student who uses it to write notes). However, I filmed around 50 hours of footage. Editing that much out of the film was no easy task. Moreover, at the end of the production of the film, I realized that I had to essentially re edit the film. This is because I eventually wanted the film to be a sound film (it was originally going to be silent) and had filmed myself taking real notes during my class. However, I did not want to get my teachers voices in the Final Cut, so I had to edit out the clips of their voices. The clips where you can hear their voices took up half the film.
Also a challenge was the composition of the score. Originally, I thought that I was not up to the task to compose a piece about a pencil that is fighting for its life. I had thought about talking to a composer who could write a score that matches such a feeling. Eventually, I did decide to put matters into my own hands and compose the score. First, I had to compose a melody that would work with what the pencil is going through. I decided that since the titular pencil is being used to write notes with the same redundancy, I could reuse repeat some of the same notes. I feared that this aspect would make the score boring, as it is very repetitive. However, I figured that I could modify the loudness of the score to emulate the level of stress and tension. When the score is louder, for instance, it is more tense and stressful. When the score is quieter, there is less tension.
I felt very elated when this project was finished. Not only was the re-edit hard, the score also took around a month to create. I am extremely satisfied with the quality of The Pencil, and it feels like the year and a half spent on making it was worth it.
Did anyone ever tell you weren't good enough?
Fortunatley, I have never encountered someone who has said that.
How can you stay focused on your goal?
I think you can stay focused on your goal by reminding yourself what you are trying to do and how to do that right. For example, if you want to make a film have a charm, it needs to show that you did it not to make money, but because it’s a story that you wanted to tell. The best way to do that, in my view, is to tell an original story because you tell a story that you came up with, that means a lot to you. Moreover, you can also stay focused on your goal by not letting yourself get distracted.
Have you ever had a breakdown because of your Job?
Fortunatley, that has never happened to me.
Talent is a blessing or a curse?
I think it is a blessing because it shows that you can do something right. Sure, there can be some disadvantages, such as having to deal with paparazzi’s, but I think that if your talent can change the world in a positive manner, the advantages outweigh the disadvantages.
What would you like to improve about yourself as a Filmmaker?
I would love to improve my organization and planning skills. Being in the film business requires one to be very organized. You have to plan for complicated film shoots and have a contingency plan in case something goes wrong.
What's the worst critic you have received?
I cannot answer that question, as I have never had my film given the professional review treatment.
If you weren't a Filmmaker what would you like to be?
I actually do not know about that. Originally, as a 5 year-old, I wanted to be a train conductor because I loved trains. Now that I think that that is not the best idea, I am not sure. Perhaps a writer because writers still tell stories. Moreover, one of the big advantages of being a writer is that you can write whatever you imagine regardless of whatever budget would be necessary to create that.
If Cinema was a color what would it be?
I think it would be all the colours of the rainbow because cinema is very colourful and complex.
A day without a movie is...
A boring day.
If someone offered you to direct a movie that you despice but that for sure will make you rich and famous...would you accept the job?
No, I would only accept to work on a film that I have passion for. A lack of passion in a film will show in the writing, directing and acting. It would thus make the film bad. I believe that if I were to make a bad film adaptation, just to grab cash, it will ruin my reputation in the long run because I would be blamed for ruining a franchise.
What's your greatest ambition?
Becoming considered one of the greatest film directors of all time.
What's your biggest fear?
Making a mistake that will ruin my career. It could be a mistake on a project that I miscalculate on. It could be a mistaken choice of words. Anyway, in the film buisness one mistake could have very bad long term consequences.
Does music helps you to write, direct?
I do not use music to help me concentrate on acting, writing or directing.
You have the chance to make a Silent movie, what's your message to the audience?
My message to the audience in a silent film would be anything that I feel is true and is a good lesson. For instance, it could be something along the lines of Chaplin’s anti industrial message in Modern Times.
Share your speech if you should win an Oscar.....
Wow, I am stunned right now. Okay, let me catch my breath for a minute. All right, I would like to thank the Acaedmy for considering xxx film. I would like to thank my friends and family for your support. This could have never happened without it. It helped give me the perseverance necessary to get this project done. Finally, I would like to thank the cast and crew of xxx film. You are so talented, this would not have happened without you. As a matter of fact, I don’t think that this award should be for me only, in fact, I would like to dedicate it to the crew as well.
What's the absolutely necessary ingredient to be a good Filmmaker?
The absolutely necessary ingredient to be a good filmmaker is creativity. One could know all the technical aspects of cameras, microphones, lights, etc., but if he or she has no artistic ability or lacks a creative vision, then he or she will be at a loss as a filmmaker and just be another cog in the machine. I am so blessed and thankful to have such creative abilities and passion for my work in order to succeed as an originator and leader of my film projects.
First and last cinematographic crush?
Haha! I always have loved Uma Thurman ever since I first saw her as Poison Ivy in Batman & Robin when I was a kid and have followed her career since. In the past decade, I also have had a cinematic crush on Jennifer Lawrence since she is about my age, from the Midwest like me, and one of the most talented actresses active in Hollywood right now. I would love to work with Uma or Jennifer or both on a future project, but if given the option, I would prefer to continue to develop the creative relationship I have with Vasudha (star of Sister) as she has been so amazing to work with and has the talent and skills to become just as big of a star as Uma and Jennifer if given the opportunity.
How old were you when you decided you wanted to be a Filmmaker?
I knew ever since I was really young I wanted to be a filmmaker. It is something I have been training for my entire life! When I was a little kid, I would play with my action figures like they were actors and I was their director. On “future career” day in elementary school, I dressed up as Steven Spielberg and gave a presentation on his filmography and the magic of film. In high school, I took photography and film/video production classes since our high school had a radio/TV station. I learned the basics of filmmaking in these classes and made my earliest student films. I then studied film production and telecommunications at Indiana University where I learned from professors who had worked in the film industry and further developed my filmmaking abilities that have since led to my career in independent film and broadcast television.
For you a Film is...
A film is a medium by which one’s imagination can come to life to the fullest expression. Film combines moving images, sound, and music, all while telling a story; it is the ultimate audio-visual experience. It is literally like a dream or imagination coming to reality!
What do you feel when you're making a Movie?
When I am making a movie, I feel like I am living into my purpose in life. It is a state of “flow” like a feeling progressively moving forward in space and time. The creative process is bringing new ideas and concepts to reality, literally turning nothing into something. It is such a cool feeling to see it all unfold like the formation and development of new life.
You can go to the Movies with an actor/director/screenplayer that you love. What kind of movie do you choose and with whom are you gonna watch it?
Of living actors/filmmakers, I would like to watch Eyes Wide Shut with Tom Cruise just to know what the movie was really about and what it was like to work with Stanley Kubrick (my favorite filmmaker of all time) in his final days.
Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?
That is a great quote because, with the appropriate utilization of resources, an optimistic/positive attitude, and an effective plan of action, one can achieve anything their heart desires.
Can you live just off your passion?
I currently work in television as my primary source of income, but my goal is to eventually make a living off my film work. The monetary factor is important but creative control is even more important. I have yet to make any serious money off my film work, but I am still happy with my filmography thus far and how my filmmaking skills and the level of production seem to evolve with each film I complete.
What's more important talent or luck?
I would say talent is more important overall, but there are times on the set where luck or intuition plays an important part. There were times on the set of Sister where we had some happy accidents that led to shots working out better than envisioned. For example, we were shooting a scene underneath a bridge and the camera was unintentionally overexposed, but it created a cool halo effect that made it look like Vasudha was consumed by light which ended up playing well for the cosmic scenes in the film in which it looks like the Sister Jowi character is walking through light.
You must go to a desert island but you can bring with you just one movie...
If I could bring just one movie with me, it would be Stanley Kubrick’s The Shining. Every time I view the film, I notice something different or develop a newer interpretation than I did the previous time I watched it, so it definitely is one that will keep me occupied throughout my entire duration on the island.
Have you ever accepted a movie to direct even if you didn't like the project?
There have been times when I have helped out on small projects I did not necessarily have a passion for, but I still worked on them because I liked the people involved and wanted to see them succeed in their endeavors. However, all of the projects I have written or those in which I have been the primary creator, I have had a passion for.
What's the best compliment you have received about your Job?
One of the most exciting compliments I ever received for a film project was when I got a 100% grade on a student music video project based on the song “Hey You” by Pink Floyd. The grade and my teacher’s enthusiasm for the filmmaking techniques we accomplished in the video solidified my aspirations to work towards pursuing a career in film.
Are you satisfied about your career?
Yes. I initially was upset that I did not make it to Hollywood or into a studio film job directly after college, but the independent film route I have taken has been more satisfying. Though on a smaller scale, I am making films with full creative control and I am making positive connections with local talent, and we are helping each other to develop our skills as creatives as we move along in our film careers.
Do you have a good luck charm?
I have a small crucifix that is a family heirloom which I have featured in most of my film projects. It has become sort of an Easter egg that audiences can look out for whenever they see my films. I also have an elephant keychain that is part of a pair, and I gave the other elephant keychain to Vasudha on the last day we worked together on the first Sister film so we can have something to remember each other and symbolize the connection we have made in our creative collaborations.
Which is the worst moment on set?
The worst moment while in production on Sister was when we learned of the lockdown due to the COVID-19 pandemic. We had filmed only a small portion of the film up to that point, so the cast and I were concerned that we would have to cancel the project. Luckily, however, a few months later, things were safe enough for us to continue filming the project (with caution), and we were able to finish the production successfully.
How do you feel when a job you've been part of is ending?
It is bittersweet to see a film project come to an end. I am happy whenever I complete a film project, but it is sad knowing that the group of people gathered together to make the film and the fantastic memories we have created on set are now over. I like to keep in touch with the actors/actresses I have worked with on projects and always hold hope that we may work together again. Creating artistic work with another individual is quite a bonding experience; I have made lots of strong friendships while working on projects!
Have you ever lied to get a job?
No. In any situation, if one lies, he or she will be found out eventually and thus suffer the consequences. So, I definitely feel that lying is not a logical solution to achieving goals or getting a role/job.
If you should win an Oscar your first thought would go to....
Other than God, my first thought would go to all the wonderful people in my life who have helped lead me to achieve that moment. It is the affinity for and the deep connections with other individuals that form our reality, so it is important to acknowledge and recognize those that helped shape what we have accomplished. Thank you!
Do you prefer Comedy or Drama?
Drama
Life imitates Art or Art imitates Life?
Both are true in my experience..
Which is the best Moment on set?
When everything and everyone aligns perfectly and there's a feeling that something magical and powerful is present. You can't explain how it all happens but it just does.
Did anyone ever tell you weren't good enough?
Yes, many from family to friends to down right strangers...
How can you stay focused on your goal?
Experience and paying attention to my own actual life allows me to know my priorities as far as what I'm really trying to do and achieve. That naturally and effortlessly makes me super focused on my goals.
Have you ever had a breakdown because of your Job?
Yes I have in the past once. It happened when I said yes to a freelance server job I wasn't really that trained for and was upfront about my skills and it ended up being a harsh lesson and a total breakdown. It taught me to say no when I know it's not right for me.
Talent is a blessing or a curse?
For sure it's a bit of both. It's knowing how to use it and not abuse it.
What would you like to improve about yourself as a Filmmaker?
That I have so much to explore and be surprised by. To relinquish a set way of thinking something has to be. That I will write more and put out more of my work and hope that it is received well. To make content that matters to me and speaks for those of us that don't have a voice. Those are the factors that excite me and inspire me to keep going and to hopefully keep getting better.
What's the worst critic you have received?
That I am too cerebral.
If you weren't afilmmaker what would you like to be?
A florist.
If Cinema was a color what would it be?
Electric blue.
A day without a movie is...
A June gloom over cast.
If someone offered you to direct a movie that you despise but that for sure will make you rich and famous...would you accept the job?
Yes. It wouldn't be solely for the money though I would be a liar if I said it wasn't a huge motivation. I would try to find something about it that I loved because I can't do anything I don't love. And I know I can find something great in anything I despise.
What's your greatest ambition?
To inspire and awaken hearts so that they keep beating in a world where we are all challenged and going through a truly tough time with our humanity.
What's your biggest fear?
To become indifferent.
Does music help you to direct?
Absolutely. I make a lot of short clips to music and test out different songs to the same scene and it's unbelievable to see the difference a song can make. I always consider what kind of song would be playing to a scene I'm imagining and writing.
You have the chance to make a Silent movie, what's your message to the audience?
Words aren't always necessary and sometimes a distraction. To pay close attention to details and what's going on between the characters in a story and that that's where the heart of a story lies...
Share your speech if you should win an Oscar.....
I'm just an ordinary girl with extraordinary dreams that believes anything is possible. Everything and everyone positive & negative in my life, has led to this moment and for that I'm eternally grateful. Keep trying and working at what you love because I am proof that it will lead you home. This journey would have never been possible without those that encouraged and cheered me along the way when I was ready to give up and to those people: this is for you! God bless and thank YOU
Do you prefer Comedy or Drama?
Frankly speaking I prefer a combo of Drama and Comedy, precisely ‘Dromedy’!
Life imitates Art or Art imitates Life?
It sure happens both ways! It’s a catch 22, really!
Which is the best Moment on set?
Quality output in a timely manner!
Did anyone ever tell you weren't good enough?
None that I can think of. I rarely give scope for such a situation!
How can you stay focused on your goal?
It’s hard to lose focus, when your goal is closely aligned with your breath!
Have you ever had a breakdown because of your Job?
No, never! I’m not that type. I may be touched or moved, might melt down but never breakdown. I usually stay cool, calm and composed!
Talent is a blessing or a curse?
Blessing absolutely! I never got this doubt!
What would you like to improve about yourself as an director?
When we create a scene by shooting it in the sets, you know, it feels magical! But, without such visuals it’s going to be hard. I’d like to improve the art of narration with no visuals!
What's the worst critic you have received?
It still cracks me up! One of my friends asked “tell me, where is the entertainment?” after a show.
If you weren't an actor/director/screenplayer what would you like to be?
Music is my first love! So, naturally I’d have chosen to be a singer!
If Cinema was a color what would it be?
Sky Blue or Sea Blue - the most pleasant to the eyes!
A day without a movie is...
Kind of dull and drowsy in a way!
If someone offered you to play/direct/write in/a movie that you despice but that for sure will make you rich and famous...would you accept the job?
Depends on a few other factors as well, such as the relation, the time, location and the team involved. But, most likely it would be an emphatic NO !
What's your greatest ambition?
Become a great influencer and change the world for better in my own little way!
What's your biggest fear?
This needs work. I got to find out for myself if there’s really any at all!
Does music help you to direct?
Music is most refreshing and almost always a catalyst for me!
You have the chance to make a Silent movie, what's your message to the audience?
Do you really want to know? There’s one message that I feel the world will greatly benefit from! That’s nothing but “BE FEARLESS!”. There’s a tag line to add though, “but don’t be careless and stupid!”
Share your speech if you should win an Oscar.....
Well, should there be a speech? The way I am, my mind always prefers to jump into action than talk about it, keep on talking about it!
I am mostly a private person but I feel it makes sense to share some inner feelings with the public with all due respect to their attention and affection.
A few months ago one respectable person asked, why awards. And another one asked if there is any benefit attached to the awards. I was a bit perturbed at the moment. I felt silence is a better answer for such questions! But, in fact, I look at awards as a sort of boosters to whatever we are doing.
Two things pop up in my mind: thanking and thinking!
It sure is an occasion I’d sincerely recall all the people that I touched (traveled with or crossed) along the way and are instrumental in reaching here and profusely thank them with all my heart.
So also as part of an action plan, going forward, I’d be delighted to devote half of my productive time for the benefit of the needy and the less fortunate souls on the earth. Not to say loud, but I’d consider that it’s high time I do something concrete concentrating all my resources rather than contemplating about it here and there.
And on the creative side ever busy with endless filmmaking ideas! One step - one project at a time while juggling with multiple tasks all along!
Please share your contacts
LinkedIn: https://linkedin.com/in/srikanth-sri-appalaraju-44974645
Twitter: https://twitter.com/sriappalaraju
Facebook: https://www.facebook.com/srikanth.sri.appalaraju
Instagram: https://instagram.com/srikanth.sri.appalaraju
Website: www.filmdirectorsri.com
Email: sriappalaraju@yahoo.com
WhatsApp: +91.988.521.7997
When did you decide you wanted to be an actor/director/ screenplayer?
I've always dreamt of being one and at a young age I had written many books. It wasn't until I graduated from college and was entering the real world when I realized that movies were the life for me.
How did your family react?
My family all thought I was crazy and was throwing my life and future away. They did everything they could to steer me in the other direction.
Do you have a Muse or a Role Model?
I don't really have a role model so I guess I'll go with muse. I'm not really sure where the thoughts or ideas come from but I'm able to find ways to try and enhance them to make them more enjoyable to tell to an audience.
Who's your biggest fan?
I'm small time, so I don't think anybody really knows I exist to have any fans, but if I had to choose someone I'd have to say it's always been my mother.
What brings you inspiration the most?
Being among my family is what brings me the most inspiration. When I'm surrounded by joy and love is when I'm able to do my best work.
Which actor or director would you like to work with?
There are so many great actors and directors to choose from that's a difficult question. I feel I would learn so much being able to work alongside Al Pacino or James Cameron to name a couple.
Have you ever seen a film that was better than the book?
I mainly read for educational purposes over entertainment but the few books I've read that have been adapted to the screen were good but it's hard to beat the original.
What's the movie that taught you the most?
I've learned so many things from so many different films but the one that sticks out the most is one I made. I've learned that people love to be a critic and they will take any chance they can to try and knock down the competition. It was from that film I knew everything I made had to be near flawless to be accepted.
About your artistic career, have you ever had the desire to quit everything?
Along this artistic endeavor I've had a lot of highs and lows. I've questioned myself many times why I still do it and so many times I was ready to throw in the towel but something just kept telling me to keep going. I still question it every day but in the end this is what makes me happy.
On set what excites you the most?
The most exciting thing on set for me is when you see the words you wrote down suddenly turn into the magic you can see. Once you see the words come off the page and breathe life. That is the most exciting part for me.
And what scares you the most ?
For the most part, the only thing that scares me on set is when you encounter a set back that was never foreseen and you would have to halt or stop production all together.
What's your next project?
My next project is called Where is Lady. It's an action film which revolves around human trafficking.
You can steal the career of an artist you really admire, who do you choose?
I would have to steal Leonardo DiCaprio's career. He has been putting out blockbusters since he was young and he is still going. To me he has had a very successful and enduring career making great films his entire life. Their are not many that can say they last that long.
An actor/director/screenplayer is made of....
We are made of guts. We are willing to create something that we know the world is going to judge and critique without being able to hide behind the word art. It takes a lot of courage to make one and share it with the world.
For you Cinema is....
Cinema is an escape from the real world. It's an escape from the everyday hustle. The nine to five grind. The constant noise we have to face and deal with everyday. It's an escape that allows you to enter their world and leave everything else behind.
Do you think Black and white movies have a powerful impact?
I don't think it matters if it's black and white or color as long as you are able to take the message that the filmmaker is trying to deliver. If they've done a good enough job the story will captivate and impact you know matter the format used.
Have you ever dreamed of winning an Oscar?
I've always dreamt of winning one, that's what keeps me pushing on.
Do you think you're gonna win it?
Do I actually think I'm going to win an Oscar? Well, some things are better off left in a dream.
When did you decide you wanted to be an actor/director/ screenplayer?
I've been drawn to the arts since I was around 7 years old. It was a progression from first wanting to become a stuntman and professional wrestler, then after becoming a professional wrestler in 1999, deciding that I wanted to produce and direct shows. I also enjoyed Acting and studied theater at the University of Maryland, College Park, leading me to further pursue it more intensely leading me to move to California 14 years ago to expand my pursuits.
How did your family react?
My family has always been extremely supportive of my passions.
It was no surprise to them, I think me announcing that I was becoming a professional wrestler was the biggest shock to them, turning over to acting was very much a relief to them.
Do you have a Muse or a Role Model?
Far too many to count,
I've watched thousands of films over the years and I absorb so much of what I see in every one of them. If I had to name a muse it would have to be Denzel Washington. My father is my role model. As much as I respect so many actors I don't know them enough to consider them role models.
Who's your biggest fan?
I'd like to believe my son Jordan is. If not, I am his.
What brings you inspiration the most?
My greatest inspiration is my mother. She passed in October 2020 and it was my dream to have her have seen me make it to the next level as an Actor. It is now my mission to get there because I know that she's with me.
Which actor or director would you like to work with?
It would be great to work with Spike Lee. He's launched so many incredible careers and films such as Malcolm X and Mo Betta Blues are simply a film on its own level. The substance of his work is immeasurable.
Have you ever seen a film that was better than the book?
I've always been a visual person and usually can read a book and imagine incredible things, but seeing the Lord of the Rings trilogy surpassed my visual expectations
What's the movie that taught you the most?
The Empire Strikes Back, I consider it a cinematic masterpiece. A space Opera where the score takes you through the entire film from start to finish and it hits every mark giving action, adventure, drama, comedy all wrapped in a science fiction fantasy.
About your artistic career, have you ever had the desire to quit everything?
I've never wanted to quit, it simply has never been an option to even consider.
On set what excites you the most?
I think the call to set is always the most exciting. You spend so much time preparing for each scene and you've visualized and rehearsed again and again. Getting that call to finally release all of that creative flow is always an incredible feeling.
And what scares you the most?
Anything that excites you also scares you. I get nervous now as much as I did at the beginning of my career so that call to set is as scary as it is exciting.
What's your next project?
I have several upcoming projects but right now, I was recently cast in a lead role for a series called The S.I.N.S which is an action western Directed by Lovie Ray Johnson. I'm also developing a follow-up to my multiple award-winning fan-fiction short film, The Black League of Superheroes called Triggered, a Cinematic Fan Film. We currently have a Kickstarter campaign going to raise $15K with a deadline of March 23rd. The film will bring us the first-ever live-action face-to-face battle between Wolverine (Fernando Marrero) and Blade (Me) with both actors being former professional wrestlers turned actors and stunt fighters.
You can steal the career of an artist you really admire, who do you choose?
Back to Denzel Washington. Decades of incredible works.
An actor/director/screenplayer is made of....
Pure energy, they absorb, manifest, and expel it then recharge and do it again and again
For you Cinema is....
The art of taking the barebones elements of stage acting and injecting them into the technical elements of filmmaking and homogenizing them into pure visual spectacle.
Do you think Black and white movies have a powerful impact?
I do, I think they work similarly to the way our hearing gets better in the dark. When a film is in black and white, we view it more intensely and moments that take place are more powerful. The original Night of the Living Dead and Psycho immediately come to mind.
Tell us something about your current Film 'Heaven's Revenge'...
Heaven's Revenge, I Love you to Death is best described as a modern era Misery meets Fatal Attraction. The title gives away that this isn't going to be a love story with a happy ending, it's a tragic tale that goes much deeper than it may be presumed on the surface. Heaven Bailey is played by LaNease Adams, who portrays the character in a way that resembles one with a split personality. You won't recognize the woman you see at the start of the film in the later section unless she needs to borrow her traits to seem sane. She's as brilliant as she is broken which is what makes her so dangerous. I play Jackson Davis, a world-famous pro wrestler who thinks that love is a game until he plays with the wrong heart. He becomes a captive to her demand for retribution and only has Detective Malves, played by Robert Peters, as his only hope of being discovered while still alive. LaNease wrote the short film adaptation and I developed a treatment to make it into a feature film we then brought on board Miranda Bowden-Parker to pen a new feature script leading us to this incredible work. We had a lot of fun filming and had an incredible supporting cast including Ernest Harden Jr. who starred as Marcus in The Jeffersons as well as the incredible and multi-talented music artist and actor Shawn McDonald whose song Circus of Luv became our leading song from the soundtrack while he doubles as playing my best friend Fred. There's also Jeni Jones, actress and singer as well whose song I Tofu You is also on the soundtrack and she plays Sarah in the film. The remaining soundtrack and music score is courtesy of Academy Award-winning Sound Engineer Paul Stewart.
Have you ever dreamed of winning an Oscar?
What's strange is I have dreamed only of being on stage to accept an Oscar if that makes sense. I think the other aspects of it can only be experienced in reality.
Do you think you're gonna win it?
I think I have every bit of the talent to win it. It's up to destiny to determine if I will.
Share with us your contacts
Twitter: @UrbanRenaissan4
Instagram: @UrbanRenEntertainment
Facebook: https://www.facebook.com/UrbanRenEntLLC
Facebook: https://www.facebook.com/marcushammactor
Do you prefer Comedy or Drama?
Dramatic Comedy?
Life imitates Art or Art imitates Life?
In my opinion, everything we see in an artistic form is a subjective interpretation of our experiences, in other words, art imitates life.
Which is the best Moment on set?
Definitely when we're shooting. Being able to see the actors in action and your vision coming to life is priceless.
Did anyone ever tell you weren't good enough?
All the time and that's what makes life interesting. Working in advertising makes you bulletproof to rejection, so trying over and over and not being said I am not good enough are things I am used to.
How can you stay focused on your goal?
I think goals are great to have but if you focus on a mission, what do you stand for, what's the legacy you want to leave behind - how you want to be remembered - helps staying focus on each step of the way and I guess looking at the bigger picture helps you to not get caught up in the small things. Just keep going.
Have you ever had a breakdown because of your Job?
Because of advertising, yes. Directing films is my respite.
Talent is a blessing or a curse?
Talent is definitely a blessing.
What would you like to improve about yourself as a director?
I am just starting in the business, so there's so much I'd like to improve. Let's start by saying the cliche statement which is not being too hard on myself when things deviate the course. Art is fluid and sometimes it takes its shape and form as it pleases. We need to learn to be adaptable and thrive on imperfections.
What's the worst critic you have received?
So far I haven't received many critics, but I am waiting anxiously for them to come and I'll write back to you guys later about them. ;)
If you weren't a director what would you like to be?
I'd be what I am right now, a creative - in my case in advertising.
If Cinema was a color what would it be?
Iridescent came to mind.
A day without a movie is...
A night of sleep. When I am not watching movies, you'll find me asleep.
If someone offered you to direct a movie that you despise but that for sure will make you rich and famous...would you accept the job?
No.
What's your greatest ambition?
Being a woman of color and Latina, I'd love to be recognized for being a great director, on par with others from my industry.
What's your biggest fear?
Global warming.
Does music helps you to direct?
I confess I am much more of a visual person. Places come to mind, and people. Music is definitely key, but it's not essential to my conceptual process. I usually score my films, but way after I have it put together.
You have the chance to make a Silent movie, what's your message to the audience?
I already made one, you can check it out - It's called "Home". It's about a woman trapped inside her own house. I won't spoil much, but the message is shedding light on mental illness and our inability to recognize it or be brave enough to deal with it.
Share your speech if you should win an Oscar.....
That's a hard one. I'd start by acknowledging everyone who was part of the film, making a joke, trying not to choke, and most definitely, thanking you for reading this interview until the end.
Do you prefer Comedy or Drama?
Comedy, because I love to laugh.
Life imitates Art or Art imitates Life?
Both and neither. A life imagined is like a masterpiece painting. A life lived is like leaving that painting out in stormy weather. Over time it gets warped, worn and torn but if you look closely, it’s still beautiful, just not what you thought it would be.
Which is the best Moment on set?
Every morning after the crew has set up and the actors are ready. The first clack of the clapperboard is like music to my ears.
Did anyone ever tell you weren't good enough?
Yes, many times. For example, in the film I just finished called, “Harper”, a few crew people continue to give me resistance and criticism. There will always be negative people around who will tell you, “That won’t work” or “You’re not good enough”. I try to ignore them unless they have constructive suggestions. People don't listen to the words of fools and successful people never give up.
How can you stay focused on your goal?
First pick a goal that you are passionate about. Think about it all day long, every day. Wake up in the morning thinking about it and go to bed each night with it on your mind until it becomes a burning desire. Once your goal becomes part of who you are, nothing can stop you from achieving it.
Have you ever had a breakdown because of your Job?
All the time. I just get back up and brush myself off and keep going.
Talent is a blessing or a curse?
Both and neither. It is what it is. You can choose to use it or ignore it. Use it for good or use it for evil. I choose to use my talents for good.
What would you like to improve about yourself as a director?
Everything, in every way. I’m always learning and growing and trying to improve every day.
What's the worst critic you have received?
I am always my worst critic.
If you weren't a director what would you like to be?
That’s a tough question. It’s like asking a fish what it would do on land.
If Cinema was a color what would it be?
Violet - Majestic, mysterious and passionate.
A day without a movie is...
Like being in a coma.
If someone offered you to direct a movie that you despise but that for sure will make you rich and famous...would you accept the job?
No. Without love and passion there is no fulfillment.
What's your greatest ambition?
To be appreciated, respected and loved.
What's your biggest fear?
Spiders.
Does music help you to direct?
Music is my muse. Music links my subconscious to my conscious mind.
You have the chance to make a Silent movie, what's your message to the audience?
Listen. Even silence carries a message.
Share your speech if you should win an Oscar.....
Thank you. This means a great deal to me. I am forever grateful to the members of the Academy. I would also like to thank my friends and family and all the people that supported me and helped me make this film great. I love you all and stand on your shoulders. And of course, thank you to the audience and people around the world who share my love of film. Without you none of this would be possible.
What is your motto?
“I can do it”
Why did you decide to become a filmmaker?
I have discovered using film to communicate gives me endless possibilities.
Which movie was the most inspiring for you?
All About Eve, 1950. This movie has it all; powerful women actors, confronting jealousy, and envy!
Which director or actor influenced you the most in your life?
Bette Davis and Isabella Rossellini.
What were some of the challenges you had to face in making your films?
Working with a limited budget.
Do you have a favorite genre to work in? Why is it your favorite?
Docudrama and Historical. Life stories fascinate me. A decision you make today could alter your life tomorrow.
What’s your all-time favorite film and why?
Life is Beautiful, 1997.
Life is Beautiful has so many symbols/meanings for me. I know I am not alone when I say this. Human dignity is a major theme. I love a film that makes us laugh and cry.
If you could work with anyone in the world, who would that person be?
Isabella Rossellini.
Isabella was my go-to during the 1980s, but with her experimental films, I have been even more inspired. I want to explore different thoughts and ideas on her interpretation of a feminist collective.
Tell us something most people don't know about you.
Besides being married fifty times I love a good smoky scotch.
The one person who has truly believed in you.
My Mother!
What was the most important lesson you had to learn as filmmaker?
Learning to be flexible and embracing the process.
Is it harder to get started or to keep going? What was the particular thing that you had to conquer to do either?
For us, it was challenging to keep it going. This particular production took place in a foreign land (China) with a language barrier. But, with persistence, we were able to overcome our obstacles.
On set, the most important thing is:
Participants will and team support!
The project(s) you’re most proud of:
Maria the Korean Bride (2013) Documentary. It took me nine years to complete - almost a decade.
The most challenging project you worked on. And why?
Maria the Korean Bride (2013) Documentary. It took me nine years to complete. Driving alone, seducing, and documenting - being a one-woman show was not easy.
What are your short term and long term career goals?
Short and long terms are the same for me: Make ART always!
Your next projects?
The next documentary will be on how Covid19 has changed women’s lives, especially for those in the Arts.
Please share with us where people can find you on social media, so our readers could keep track of your career
https://www.instagram.com/mariakoreanbride/
https://www.facebook.com/ghostmarriages
Tell us about your background and when did you decide to become a filmmaker?
I got my start quite a few years ago, at a very young age, when I wrote, together with a friend, an encyclopaedia of Italian horror films entitled ''Spaghetti Nightmares", a work that became quite well known. It was published in Italy under both my last names, Machnich Palmerini, and then an American publisher bought the rights, except they cut a lot of the material, without my approval, and turned out a cheap, unworthy edition that I refuse to recognise as my own. With the end of the golden age of Italian horror films that I had chronicled in the book, I began studying the cinema of other countries, finding new sources of inspiration that led me to make a film of my own.
Films that inspired you to become a filmmaker?
The British horror films of Richard Stanley and Philip Ridley, in the 90’s, which showed me, especially those of Ridley, that the genre could be revived through a whole new approach to cinematic horror.
Some time ago, I got in touch with Ridley to see if we could work on something together. He was very gracious, and expressed interest, only certain events in my life, things that were out of my control, kept me from following through.
His approach to horror is as refined as can be: the finale of his latest work, Heartless, truly moved me, something I had never experienced before with a horror film, and I’ve seen thousands of them in my time. Apart from his ability as a director, he is a great writer who taught me that horror can scare you with demons and disembowelments, as Lovecraft does in his books, while also touching your feelings, the way Heart, the classic Italian novel by Edmondo De Amicis, succeeds in doing.
And the plot of the film is so lively, so over the top.... I would have set a more orderly pace in the second half, had I been the director, but it is still a great film. And besides, who am I to criticise a genius of that stature?
Who is your biggest influence?
With regard to my short film The Eve, I would have to say Kubrick and Lynch.
What were some of the challenges you had to face in making your films?
In the case of The Eve, it was challenge handling all the post-production on my own. The co-producer I had started with was forced to leave the project once we reached the post-production phase and it became obvious that things were going to stretch out for quite some time. He had other work he had already committed himself to, so he had to leave everything to me, and that turned out to be no small task, in part because back in 2015, 3D computer graphics were not as advanced as they are today, and so I wound up redoing all the exteriors, and some other scenes as well, from scratch, at least one more time, because they had not come out the way I wanted them. Back then, a number of American films suffered from shortcomings in their CGI too, though that never seemed to matter much to the audience.
Do you have a favorite genre to work in? Why is it your favorite?
Horror films which also show social awareness. I am a devotee of George Romero, the proven master of that sub-genre.
What’s your all-time favorite movie and why?
My favourite director is Fellini, and I consider his film City of Women to be the all-time best work I have ever seen. It is unforgettably entertaining, bizarre and visionary, a flight of fantasy that reaches heights never attained by any other film-maker, a limitless ecstasy of the imagination.
If you could work with anyone in the world, who would that person be?
Maybe with Philip Ridley. As I noted before, I consider him to be one of my inspirations.
Tell us something most people don't know about you
I am quite fearful. I am afraid of flying, of taking elevators. If you do not feel fear yourself, you will have a hard time making others feel it.
The one person who has truly believed in you throughout your career.
My music director and sound coordinator, Sandro di Stefano, who told me, when we finished editing The Eve, "This film is a masterpiece. It will win a ton of prizes everywhere it is shown". I had trouble sharing his confidence, because I do not like to judge my own work, and deep down I am a pretty self-effacing person. But as of today, The Eve has won 372 awards.
What was the most important lesson you had to learn as filmmaker?
How to tell my own story. Tarkovsky’s advice to film-makers just getting started was to write and direct something from their own lives. I believe that, the more something is a part of you, the better it comes out on film. On a subconscious level, The Eve is a reflection of my childhood, with the Santa Claus symbolising the negative influence of a father who destroys his family, a situation that the child has to face all on his own, the way I did. A psychologist friend of mine helped me figure all this out after he had seen the short film.
Is it harder to get started or to keep going? What was the particular thing that you had to conquer to do either?
To make good films, you have to be an unrelenting perfectionist and have a commanding attitude about you, in order to get everyone involved to make the maximum effort, from start to finish. I have received some criticised for this, but it is simply the way I am. This is an enthralling line of work, but if you want to do it well, it shakes up our life.
What keeps you motivated?
The passion for films that turned my life upside-down, something I inherited from my great grandfather Antonio Machnich, who was one of the first movie-theatre owners in Italy, Romania and Dublin, where he had as his partner the great writer James Joyce, whom he had met in Trieste, his native city. Based on research I have done into his past, he may also have been a director of documentaries. Later, my mother worked as an actress.
How has your style evolved?
As a rule, I think that an artist always needs to evolve, and my case is no exception. I have projects that I dream of doing in the future, but it is too early to talk about them.
On set, the most important thing is:
Apart from always being a professional, of course, you have to show respect for everybody else.
The project(s) you’re most proud of:
So far, The Eve, though I have two fully developed ideas for feature films in the same genre, projects that I like even better, and that should make me even prouder, assuming I can get them to come out the way I want. At least that is my hope.
The most challenging project you worked on. And why?
One that still lies off in the future.
What are your short term and long term career goals?
To make a horror film that represents a clean break with the past, proving innovative in terms of both its content and style of its message.
Your next projects?
I would rather not say, though one of them is definitely a story about children and their nightmares, along the lines of The Eve.
Tell us about your background and when did you decide to become a screenwriter?
Well I’ve been an actor about 4 years now, but you never want to be a 1-trick-pony, especially in this business. The unfortunate reality of the lengthy initial virus lockdown presented at least a schedule opening for something big. And around this same time a friend of mine Jon Dobner finished a book he published on Amazon. A cop drama, and the law enforcement look is my strongest. It was a perfect storm of opportunity!
Films that inspired you to become a screenwriter?
The idea of a pile of white pages with black letters becoming a modern day motion picture because I wrote it is my inspiration, not any film.
Who is your biggest influence?
Well, that’s going to be on the actor’s side, not writing. I’ve never seen any actor’s face light up a camera than that of John Candy’s. He made us laugh, but the camera’s inability to hide his genuine side is how he won our hearts. He’s all-time #1 in my book. Everyone else always has and always will compete for the silver.
What were some of the challenges you had to face in writing your scripts?
Without question, you have to take a step back when you receive your coverage results. It’s impossible to not get personally offended when professional analysis that you paid for is critical of your project! But it’s important to remove emotion and understand how to interpret it. Sometimes good comments and bad comments are not as they seem!
What’s your all-time favorite movie and why?
The 2004 Dawn of the Dead re-make. I had liked zombie movies up to that point, but this was the first movie I saw where the zombies moved fast, and it was terrifying!! At the time, there were only digital rentals, not purchases. I still remember getting my cable bill, I paid the rental fee for that movie a handful of times!
Tell us something most people don't know about you.
I’m self-taught in every area of this business. The success rate in show business is extremely low, so I decided that if I am going to fail, I’m going to fail MY way, not anyone else’s. And that makes every win even more special.
Is it harder to get started or to keep going? What was the particular thing that you had to conquer to do either?
Once I start something, I have an extremely difficult time not finishing it. These lockdown hours were spent completely engulfed. I do recall sleeping extremely well, so figure a solid 9 a day, and with respect to the other 15 we’re talking minimum 12. Very grueling process!
What keeps you motivated?
A handful of years ago I decided to bet everything on myself to win. And when you truly do that, you can’t lose. If representing my own brand as proudly as possible can’t motivate me, nothing can.
The project(s) you’re most proud of:
My reel won best actor’s reel in the (3rd quarter 2020) Los Angeles Motion Picture Festival. That was like double-duty, because I’m the subject of the reel, plus I see it as a video editing award as well. I’ve turned quite a hobby out of producing content and this one really puts a stamp on it!
The most challenging project you worked on. And why?
‘Gone for the Weekend’ was my first co-lead in a feature, and a guy named Troy Burbank made it happen. Up to that point I never had anything more than 3 or 4 days, and this was an intense string of months. I learned a lot, but typically when you’re challenged you do!
What are your short term and long term career goals?
Well I have strict policy to never long-term plan. The way I see it, if you take care of today, the future takes care of itself. There are so many ways to self-improve in a single day. It’s like a game of chess. Sometimes you make an offensive move, a defensive one, or one just for strategy. As long as I make a quality move every day, I’ll be fine.
Your next projects?
Well Troy has a sequel in his crosshairs. He is also producing a sitcom I briefly appeared in but might have a quality appearance coming. I am also going to be a co-lead in my colleague Greg Garaizar’s feature film “Guy.” Greg also collaborated with me on my screenplay, and has helped much in it’s 5 screenplay competition wins to date! 2020 is a year to forget, but 2021 seems quite promising!
Please share with us where people can find you on social media, so our readers could keep track of your career.
Twitter: @bradleyperrott
Tell us about your background and when did you decide to become a filmmaker?
I had been writing for a number of years and it had become apparent that this generation loves video, and as my background was Outdoor/Aviation and Alaska, these topics fit film quite well.
Films that inspired you to become a filmmaker?
Yellow Ribbon - (John Wayne), Jeremiah Johnson, - (Robert Redford) and heroic war movies such as The Longest Day
Who is your biggest influence?
John Ford
What were some of the challenges you had to face in making your films?
Getting Actors and crews to understand Alaska and the people
Do you have a favorite genre to work in? Why is it your favorite?
Aviation and Adventure in the Alaskan wilderness.
What’s your all-time favorite movie and why?
Yellow Ribbon - because John Ford combined a number of early west heroes into one character - John Wayne in his part
If you could work with anyone in the world, who would that person be?
Tom Hanks, Robert Redford and Chris Pratt
Tell us something most people don't know about you.
Early on I would take on difficult challenges, climb mountains to hunt big game plus the bears that didn't like us there. I seem to have a secret ability to predict things in aviation and catastrophes like the Exxon Valdez oil spill and stuff like that, saw the issue and predicted it to happen in the future.
The one person who has truly believed in you throughout your career.
My Wife Kym, my grandfather Clyde Rose.
What was the most important lesson you had to learn as filmmaker?
Pick good people to work with that are aligned with the goals of the film.
Is it harder to get started or to keep going? What was the particular
thing that you had to conquer to do either?
I never quit. Thats how you had to be to bag a Mtn Goat hunting in SE Alaska
What keeps you motivated?
My faith that if I do my Part, God will do His part
How has your style evolved?
More and more faith that God has so much more in control than I ever thought. Not to get down on people or circumstances, God is bigger than all of those things. He wants us to have grace working with teams showing his care and love for all of us.
On set, the most important thing is:
Have a clear daily plan and stick to it, then a backup plan to keep all the parts moving forward.
The project(s) you’re most proud of:
"A trip to Mt McKinley" short video, 100% by me.. and of course Alaska Long Hunters
The most challenging project you worked on. And why?
My first film was Alaska Long Hunters, lots of hard short field landings in the bush aircraft.
What are your short term and long term career goals?
Keep marketing and improving ALH (above) and stay on top of its feature film sequel
Your next projects?
Full feature sequel of Alaska Long Hunters called "Alaska Rescue Story" will have a full complement of actors and aircraft
Please share with us where people can find you on social media, so our
readers could keep track of your career
IMDB https://pro.imdb.com/name/nm11313413/?ref_=instant_nm_1&q=Mark%20D%20Rose
Web: www.longhunters.org
What is your next project?
My newest project is something completely different than what I’ve been creating. It’s not abstract or psychological. Or will leave you scratching your head, like most of my work. It’s a documentary titled “The States of Emergency: New York & New Jersey”. It’s factual, real life, raw stories from people and businesses that were financially affected when the states were forced to shut down due to COVID-19. We still have another episode of “The Unorthodox Series”, called “Piggies”, in pre-production but due to the recent spikes and uncertainty with the virus, we’ve decided to get back to that when it’s safer for the cast and crew.
What is your biggest influence for this project?
This past May, I’d gone to my doctor’s office in lower Manhattan. It was the first time I’d been to the city since the shutdown in March. And it wasn’t the same. It was Rundown. Shutdown. Boarded up. The vibe was off. Many more homeless people were walking around on the streets. People begging for change and picking out of the same garbage cans. It was extremely eye opening. This is a moment in history that needs to be captured. It needs to be filmed, and we need to show what’s going on in the city we all fell in love with. Why did this happen? And how long can it go on before everything shuts down permanently? And with those questions, we started to film. We reached out to small businesses in both New York and New Jersey to see if they wanted to share their financial hardship stories. Some were happy to tell us, and others were afraid of the consequences of revealing their struggles to the world.
What were some of the challenges you had to face in making your documentary?
The obvious one was making sure my crew and I were safe from COVID-19. We took precautions. Wore our masks. We hand plenty of sanitizers. Stayed at least six feet. And it was only a very small group of maybe three or four of us at a time. With the doc, we’re able to get by without a full crew on board, safely and effectively. Another challenge was getting people to commit. We had some businesses that wanted to be a part of the documentary, yet didn’t want to appear as if they were struggling to the world. And others were too emotionally affected to even be filmed. And I get it. This is a very delicate situation for our business owners. This is their lives. Their everything.
What keeps you motivated?
The fact that we will all get through this together. This situation is not permanent. And I know it’s easier said than done, but we have to think optimistically during times like this. We have come a long way, and I really believe that there will be a light at the end of the tunnel sooner than later.
What films inspired you to become a filmmaker?
M. Night Shyamalan’s “The Sixth Sense” is always a film that comes to mind when asked that question. I was in high school when it was released. And I loved it. The psychological aspect. The storytelling and the acting were all done so well, to me, and will always be an inspirational film.
What’s your all-time favorite movie and why?
I have a few. But the first to come to my mind right now is “Psycho”, the original one, done by Alfred Hitchcock. It not only has an intriguing story line, but Alfred Hitchcock movies are the blueprints to successful, suspenseful movies!
What are your short term and long term career goals?
My short term goal is to push my new documentary on multiple platforms to promote awareness on the financial hardships that are currently forcing our businesses to close. My long term goal is to start pushing out my screenplays. I have a feature that I recently finished, a psychological thriller called “Send Help”, and I’m in the process of writing another psychological thriller titled “Wildflowers From Mars”. I also would like to resume filming the “The Unorthodox Series”, when the time is right.
Do you have a favorite genre to work in?
Psychological-thrillers are my favorite!
If you could work with anyone in the world right now, who would it be?
I have a few that I’d really like to work with. But with the new script I’m writing now, “Wildflowers From Mars”, I’d love to work with David Fincher on that one.
Tell us something most people don't know about you.
I’m retired! I’m a retired NYPD sergeant. I was in a bad accident while on duty in 2017 and although I went through hell on earth in recovery, my life has changed for the best. I’ve been able to rebound and start a new career in filmmaking!
What was the most important lesson you had to learn as a filmmaker?
Not everyone will like my work, it’ll be rejected by executives, and it’s ok! I’ve learned to appreciate that. I’ve learned to take the criticism with the compliments. I can respect people’s opinions, but I don’t let them discourage me. I aim large, but I’m not too proud to do something smaller. It’s all a part of taking the good with the bad, while keeping an optimistic mind moving forward.
1. Tell us about your background and when did you decide to become a filmmaker/actor/screenwriter?
I wanted to be a filmmaker from early age when my grandmother bought a “Smena Symbol” photo camera. I am still remembering while I was sitting next to the fireplace in the old house and watching through the window outside, the moon was shining and the snow was covering everything outside, all around became white, it was a magical winter night. This could be a great story for my next movie, a childhood dream that became alive. At this time, I have no idea how film making works but my dream become a reality a decade ago when I bought a MiniDV video camera and slowly shifted to a career. I do not feel that I am an actor, but as indie film maker you must learn and understand the different types of acting, took few acting classes on how to develop you acting style, did a standup comedy, lots of public speaking at Buckhead Toastmasters. I really love to play roles as a bad guy, a villain characters, gangster, or just performing comedy. When I wrote my first scripts, I did not know that there is a difference between scriptwriting and screenwriting, I actually was doing the screenwriting on the fly while filming it was a creative process in my brain. However, when I gain more practical experience, I pay more attention on screenwriting, how to open the scene, where the actor will be, lightening and etc. I was born in capital city Sofia in Bulgaria, I grew up in a small city called Petrich which is border between Macedonia and Greece. In old days it was fun no cell phones, we are playing outside, going to the mountains, rivers. There was no internet, if you need to learn something you buy a book or you go to the library. We had a black and white TV with just two channels on it. I am coming with software development that helped me in film editing. Later, I moved to USA in Atlanta Georgia. I joined the Fork Shop film making group where I have a chance to practice making short films. My name is Krassimir Nikov, but I am using a stage name Peter Boidazhieff.
I love film making, the whole process, from writing the script, casting the actors, filming, editing, and distributing you cut on internet, dvd, or theatre.
2. Films that inspired you to become a filmmaker/actor/screenwriter?
There are many films that inspired me over the years for example like ‘After the Sunset’ 2004 with Pierce Brosnan, Salma Hayek, Woody Harrelson. “Obvilion” 2013 where Tom Cruise plays Jack Harper he need to finish his mission, Morgan Freeman, Olga Kurylenko as Julia and I am seeing lots of similarity of where today’s world is going. “Stargate Atlantis” the series with Joe Flanigan, Jason Momoa, Torri Higginson but most interesting is “John Carter” – 2012 by Walt Disney. I really love the story telling, the acting, the effects, and how they are able to go back and forward in order to support the story. Also one of the short experimental film that we did at the Fork Shop a year ago called “Get Well Soon” - https://www.youtube.com/watch?v=Ssj7uLjF4ug where I played a small character and participated in other roles of film making process, like camera operator.
3. Who is your biggest influence?
My biggest influence is one of the local film makers his name is Stephen Blackmon, his founder of Fork Shop film making group. He is able to get people together and showed the practical aspects of film making. You do not need to have expensive gear; you just need to have an idea then get a motivated crew and the movie is born, the rest is history!
4. What were some of the challenges you had to face in making your films?
There were many challenges that I faced; one is finding the right actors who will be able to commit to the role. Another is finding the right locations, or building the set in the studio. The most important is the audio, many times I did the filming and when I got to the editing part found out the audio is not very good and I need to go back and asked the actors to re-record the audio. In other words with any project there are challenges and this is part of being an indie film maker, I need to be able to adapt and overcome any obstacles and keep filming, do not stop because something is preventing you of finishing you film project.
5. Do you have a favorite genre to work in? Why is it your favorite?
One of my favorite genres is Comedy, but I really love Science Fiction and Fantasy. To make funny story and make something with unexpected ending to make audience guessing what it is going to happen next. You should be able to laugh at any situations, even the difficult ones.
6. What’s your all-time favorite movie and why?
One of my favorite movies is “Lucifer” and it is TV series where Lucifer Morningstar is the actual devil and helping the detective Chloe Decker solving crimes. I love the acting, the chemistry between then and how their characters are developed during the series. The idea that the devil is actually a person who helps people and every day is a party, drinking, smoking, and the concept of hell, when you die if you are going in hell. The hell is actually torturing you performing the same task over and over for eternity, like never ending dream. Great drama, and lovely love story and romance between them and the rest of the characters are amazing, too like Detective Daniel "Dan" Espinoza, Mazikeen, Amenadiel, Dr. Linda Martin.
7. If you could work with anyone in the world, who would that person be?
I would love to work with Pierce Brosnan one of my favorite actors, Michael Bay the best director, one of his movies The Island, Margaret Lawson she played in the series Psych, and Daniella Alonso. Or just scratch all of these people above I love to work with Conan O'Brien the late-night host on TBS.
8. Tell us something most people don't know about you.
I am enjoying rafting in Ocoee Tennessee in Ocoee River, which is one the best rafting location in USA. In 2018 I was part of the rafting race in Ocoee River Championships in Olympic Section of the river.
9. The one person who has truly believed in you throughout your career.
I have many people that do not believe in me and lots of haters, in most of my life they told that I can’t and I won’t be. The same thing happened when I began making films got lots of jokes and laughs. However, I proved them wrong, most important that I proved for myself that anything is possible you just need the courage to do it. The person who believed was one of my co-worker David, he always encouraged me and helped me to make my dream as film maker becoming a reality.
10. What was the most important lesson you had to learn as filmmaker/actor/screenwriter?
I have leaned many lessons, but the most important one is do not get discourage from you mistakes. For example, you have an idea in your mind how to film a particular scene but when you are fuming it, looks totally different. The most important lesson is practicing the scene before you actually filming it, what this mean, brake down the scene in small segments and think how you are going to film it, from which angle, lights, what do you want the actor to say, react. I believe this will save you lots of time while filming it and then will be easy to edit the scene later.
11. Is it harder to get started or to keep going? What was the particular thing that you had to conquer to do either?
For me it is harder to start, but once I started the film project it is easy to keep going. For example, sometimes I am going in a “hole” stuck with the script, cannot find the actors, locations, and I am experiencing the moment that I call a “hole” not doing anything and going into a loop doing nothing for day or months for one or another reason, they called a “hell” like in “Lucifer” TV series, in other words doing the same thing over and over for eternity and beyond. Once I get out of the “hole” I can keep going and nothing can stop me. How to conquer the “hole”, because it sucking me down like I am sinking in the water and the best way on the surface is just relaxing you brain and focus on another subject for a moment. Sometimes is just going rafting for the weekend, or just watching a motivation speech.
12. What keeps you motivated?
The biggest motivation I found in the nature, being outside enjoying the sunset and sunrise and forget about the social media, you cell phone at least for one day in the week. For me this is clearing my mind and make me feel alive. I love rafting in Ocoee Tennessee and the beautiful view of the maintains which one way to get motivated.
As you look around the nature you will find many things and activities to get motivated.
13. How has your style evolved? from making film for myself to making for audience
At the beginning of my filmmaking I did not realize that I was making the films for myself and to fulfil my desire, or ego. I focused more of story details and the message to have a meaning to the audience. In other words, making a movie for the audience that will enjoyable to watch from the most of the audience. Also, to be able to adapt you script to the location and to you actors. For example, not writing a script that won’t be able to film with current resources, because sometimes my imagination can create scenes like mermaids, jumping on the buildings, or train running on fire.
14. On set, the most important thing is:
One of the most important things on the set is timing, I have been in several films where people are coming late, then the filming runs more than expected. In other words, time all of your scenes and organize the actors to come when their scene is ready to film. For example, if the actor had just few sentences, he or she does not need to be all day on the set. Another thing explains to all crew that timing is very important and when you are saying filming at 9 AM, everyone should be ready and camera is rolling at 9 AM. Again, timing and timing is the most important on the set even in most scenarios the time won’t be enough and you always run out of the time, but at least you are going to have a better experience if you plan your timing in advance.
15. The project(s) you’re most proud of:
I am proud of few projects that I was able to finish last year. One of them is “Comedy Sketches” which is one of my dream to be able to perform comedy stand up. Another one is “The Secret Project 53” where I was inspired by a true story and make it as science fiction, and finally “The Reporter from Ocoee with Love”.
16. The most challenging project you worked on. And why?
The most challenging project was a music video that we filmed last year for one of the rappers in Atlanta. It is called “Quarters”. I was part of the video playing as Homeless Man on Park Bench. We filmed in a small studio where we build the sets, like church, jail, office, and etc. The biggest challenge was that we need to take the all scenes in one take. Not sure if the right word for this one is Blocking. However, we rehearsed several times and start moving from one set to another until we get it right, I think we did the whole thing more than 50 times, but yes we are able to do it and if anyone tell it is not possible I would say anything is possible with practice and film crew that is not afraid to try something new. This is link to the video https://www.youtube.com/watch?v=FEYGIfrzZSE
17. What are your short term and long term career goals?
The short terms goals are to finish my short film projects, have lots of rafting videos, few older films, and make one documentary video about the nature. The long-term goals are to make a feature film and able to distribute to the Theatres and make a tv series like Money Heist distributed on Netflix.
18. Your next projects?
I have few short films to finish, make a new version of The Secret Project 53, complete the Braaking Newz next episode, and I love to create a new web series about the detective and his buddy that are going to solve crimes, at least 5 episodes up to 40 minutes and hope to finished in 3 months.
Social media and web sites
Facebook: https://www.facebook.com/krassimir.nikov/ Intagram: https://www.instagram.com/knvideostudio/ IMDB: https://imdb.me/PeterBoiadzhieff Official Web Site https://www.peterboiadzhieff.com/ The Secret Porject 53 https://www.thesecretproject53.com/
When did you decide to become an actress and producer and why?
My name is Julia Lima Rosengren, I live in East Texas where I moved from Europe 6 years ago. Originally, I am from a tiny, very poor town in Brazil. It was a town where the people do not have too many options to better their lives or the lives of their family. I was determined to get out and find that better life for myself and help provide one for my family.
At seventeen, I begged my father to give me permission to move to Sao Paolo to seek modeling work. From there my new career took me to Miami and around the world.
In Los Angeles I had my first encounter with the movie world when I was hired to be the body double for Teri Hatcher in a TNT movie called 'Running Mates'. Then I was hired to do the same for Kate Beckinsale in the blockbuster 'Pearl Harbor'.
Then, in something of a career switch, I became a spokesperson for a vodka brand.
I have been fortunate with some of the opportunities that have come my way but I worked very hard on them. Nothing has made me prouder than being able to provide for my family back in Brazil.
Eventually I moved to France to take a Chef's course and became very interested in
philanthropy and giving back to people in need. Then I became more concerned with not just giving to someone else's cause but creating my own.
That's really my life's work now.
I oversee more than a dozen major philanthropic projects including one particularly close to my heart. I am a founder-member of a Brazilian team of activists and artists that have formed UNIAO GAIA, a collective that concentrates on issues affecting the planet.
I believe the short films can be a great part of that. One where we can support and nourish the love of the planet through the building of shared awareness.
Once I had the idea for the film during the early stage of the pandemic lock-down, I had to learn fast about all aspects of filmmaking. It has been both daunting and thrilling.
Particularly when I found myself playing all five characters!
Which is your favorite director and why?
Quentin Tarantino has inspired me with his extraordinarily unique style of storytelling and compelling visuals. It would certainly be a dream come true to be in one of his movies one day. Martin Scorsese has inspired me and everyone else for decades through many, many films. Once again, a very identifiable artistic style. How he maintains his high standards in film after film is an inspiration in and of itself. Always makes me think about my next short film!
Selton Mello, is a Brazilian Actor and Director, who has inspired me for his simplicity and the way he deals with identity. I love his work.
Which movie was the most inspiring for you?
There are many great movies that have inspired me, but the biggest surprise inspiration to me was The Godfather. I didn't see it until many years after it came out as I didn't think it would be my kind of film at all but it really spoke to me. Not just the obvious story but the casting seemed so perfect, the lighting, the script, the way the characters evolved.....it really had a big impact on me.
What was the biggest challenge you faced in making your films?
The biggest challenge on BEFORE SUNRISE was of course trying to make it during the quarantine lockdown. I filmed it in Texas with an iPhone and had only one person, Jessica, my entire 'crew', to help hold the phone for me. I played all five characters and was remotely directed from Brasil. Those were full days! Another challenge also was languages. The Director, Rogerio Takashi and the screenwriter, Helena do not speak English, and Jessica doesn’t speaks Portuguese. I was constantly translating
Do you have a favorite genre to work in? Why is it your favorite?
I love to work with movies and stories that have a positive message. I don’t like to work with Horror movies or anything that is about cruelty.
What’s your all-time favorite movie and why?
Probably my favorite is one from Brasil “ O AUTO DA COMPADECIDA’. Literally 'The Compassionate Woman's play. It's a comedy but has a lot to say about religion and many other topics.
It really focuses on the realities of Brazilian life in the 1950s. The film drifts in and out of realism but it is so well done, with such great performances. If I am sad, I can watch it and it cheers me up. If I am happy, it enjoys life with me.
If you could work with anyone in the world, who would that person be?
Angelina Jolie, and Leonard de Caprio. And Selton Mello a Director and Actor from Brazil
Tell us a secret that nobody knows about you.
I love extreme sports like; Skydiving, Race car driving ,Zip lines, Bungee jumping.
I also speaks 8 idioms.
The one person who has truly believed in you.
My Family, my husband, my Friends. But if my Father were alive, he would be the number one.
What was the most important lesson you had to learn as actress and producer?
I am still learning, but the challenge to switch characters, as I did for BEFORE SUNRISE, playing all five parts, that did make me want to dig down more and more into an acting side I didn't even know I had!
As a Filmmaker, I think it was realizing how much power the sound and lighting have in telling a story. But I love every part of it.
Is it harder to get started or to keep going?
I think it is harder to get started, because it is all about discovering and learning and preparing. Once you have started you have to keep going.
Well, with BEFORE SUNRISE, it was the filming here in the US and being directed remotely from Brazil. I don't know how many films have been made that way but that was quite a challenge.
On set, the most important thing is:
Concentration, and being true to the character and the project as a whole.
The project(s) you’re most proud of:
I am proud of many of the philanthropic projects I have been able to be a part of in my life but I think this film, BEFORE SUNRISE, I might be the most proud of. I created it, and it was done with all my heart.
The most challenging project you worked on. And why?
Well certainly BEFORE SUNRISE for the reasons I mentioned above. I did love working on CULT CARTEL, a feature film coming up early next year. It is a story about trafficking but I was playing a Mexican cartel leader. That was fun!
What are your short term and long-term career goals?
I am not really thinking in career terms. Maybe short films for the next couple of years and then I would like to do a feature.
Your next projects?
I have three projects on the table, two short films one is Script by PAUL DAVIS the same Director of CULT CARTEL .And there is another in preparation about my life. Helena Riul has been working on that one for couple of years now.
Please share with us where people can find you on social media.
Tell us about your background and when did you decide to become a Composer?
I’m a Music Artist: Awarded as a Music Maker, Composer, Songwriter, and DJ/Producer.
Films that inspired you to become a Composer?
It’s not about films. Being a Musician, I had to do videos for my tracks.
Who is your biggest influence?
I always try to do my own stuff without being influenced but I like Vince Dicola, and Deodato.
What were some of the challenges you had to face in making your films?
The financial budget, because I’m Independent and don’t have sponsors.
Do you have a favorite genre to work in?
I’m in the Industry since the late 80s, so I was there when many genres popped up, this is why I love the beautiful from everything and compose many genres accordingly.
If you could work with anyone in the world, who would that person be?
I like to work with every serious good artist.
The one person who has truly believed in you throughout your career.
Honestly, there are many, and I love them all.
What was the most important lesson you had to learn as Composer?
You should do what has to be done, in the right time.
Is it harder to get started or to keep going? What was the particular thing that you had to conquer to do either?
To get started is the hardest. The budget matter as I’m Independent and don’t have sponsors.
What keeps you motivated?
Positiveness
On set, the most important thing is:
Focusing
The project(s) you’re most proud of:
All of them. And I thank all who collaborated with me in many projects.
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The most challenging project you worked on. And why?
My Score “To Glory Land”… I wanted to do a big piece. I’ve put a lot of my musical knowledge inside it and stayed months unable to compose anything after doing it.
What are your short term and long-term career goals?
Probably to build my small Media Group.
Your next projects?
My upcoming album “Christmas Moments” that contain official remakes of “Jingle Bell Rock” and “Silent Night”, as well as the 2 versions of my original song “Christmas Is Here”… The album will be released on the 28 of November…